From Shiraz Overload to Rare Grapes: Matt Talbot’s Bold Approach to Australian Wine
Aussi wines have a distinction. They are great for one, but have gone through some of the most volatile representation in the US of than any other region in the world. One decade they are everywhere, and the next, virtually non-existant. And right now, they are closer to non-existant than everywhere (though I do talk about a wine I saw on a list in Orance County, I had to buy it.
Matt Talbot might claim he’s “a little bit broken” from all the long-haul flights, but he’s the kind of winemaker who never stops patching things up—with new grapes, wild ideas, and a dash of irreverence about the global wine game. Settle in with a glass, because this episode isn’t your parents’ Australian wine tasting. Paul K and Matt Talbot swirl all the major questions into the glass: why did Australian wine’s star rise and fall (and rise again), how do you sell a grape that no one can spell, and what really happens when a “terrible variety” is planted just to see what climate change might do?
As the conversation flows, so do the varietals—far beyond Shiraz, into the land of Grüner Veltliner, Italian whites, and even a Turkish grape nicknamed “throat scratcher.” You’ll laugh along as Matt Talbot confesses he’s made 25 different varietals in five years (some lasting just as long as a pop song on the charts), and marvel at how the art of wine is colliding with the reality of jam-packed tanks, disappearing staff, and the constant need for a story that sticks harder than wax on a quirky handmade bottle.
But this isn’t just about what’s in the bottle. It’s a front-row tour of how buyers, sommeliers, and Millennial drinkers are shaking up the industry—demanding new flavors, new origins, and bold tales to tell at dinner. Paul K brings decades of perspective, challenging Matt Talbot on everything from supermarket shelf wars to what happens when a classic Bordeaux ends up at Costco. The result? You’re caught between nostalgia and reinvention, rooting for the underdog brands—while realizing that every glass reflects a world in flux.
In this episode, you’ll learn:
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Why Australia’s wine image got stuck in a Shiraz rut—and how new grapes like Gruner, Fiano, and Nero d’Avola are breaking stereotypes.
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How climate, cash flow, and changing tastes have driven makers like Matt Talbot to experiment wildly (sometimes with grapes no one can pronounce).
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The inside scoop on hospitality’s comeback: why hand-selling, trusted service, and storytelling have never mattered more to your wine experience.
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What it takes to get a non-traditional wine past American buyers—and why risk, resilience, and reinvention are the secret ingredients in every great bottle.
Ready to rethink what’s in your glass—and who put it there? This episode uncorks the honest, often hilarious truth about survival and innovation in the wild world of wine.
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Patch Wines: https://patchwines.com/
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Wine Australia: https://www.wineaustralia.com/
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Tallarook Wines (brand mentioned as “Talluray”/“Tallurah”, likely Tallarook): https://tallarook.com/
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Penfolds: https://www.penfolds.com/
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Hardys: https://www.hardyswines.com/
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Leeuwin Estate: https://www.leeuwinestate.com.au/
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Château Musar: http://www.chateaumusar.com.lb/
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Gundlach-Bundschu: https://www.gunbun.com/
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Château Montelena: https://montelena.com/
YouTube: https://youtu.be/09OM-kcKBB4
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I was working for a wine brand in the Yarra Valley and the vineyards guy
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said, oh, I've got a friend who planted it commercially. And
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he took 2 rows just as a, I'm gonna plant it and see what this
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climate change thing does. It was a terrible variety for the Yarra. Sit
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back and grab a glass. It's Wine Talks with
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Paul Kaye. Hey, welcome to Wine
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Talks with Paul Kaye. And we are in studio today, beautiful Southern California, about
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to have a conversation with Matt Talbot of Patch Wines. Have a listen or watch
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of Matthew Matthew Zain from Armenia.
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He showed up for a 1-week vacation and he's been there 10 years.
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And kind of jealous because I've always wanted to move to another country and just
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do something. Probably not gonna happen now. But anyway, have a
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watch of the show. Matt, welcome to the show. Thank you. Thanks for having me.
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So what's— you got a big tour going on here and, you know, your
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path through America seemed rather, rather complicated.
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Hectic. Yeah, it's always really hectic. We try and, get a lot
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in when we're here. So usually a 2-week trip at least once,
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sometimes twice a year. So, well, if you fly 20 hours or
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something. Yeah, depending on where we come in. LA is pretty good, 14, but usually
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we just sort of head into Dallas. It's sort of 16 hours ex-Melbourne, which
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is, um, yeah, it's a long flight in economy, which is
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fun. Yeah. Wow. Yes, that makes it even longer. It
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does. I, I vowed years ago that I'm not doing that. I don't care, whatever
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it takes to get— Yeah, I'm a little bit broken. We flew luckily to fly
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to Europe business in June this year. So it was
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hard getting on at Melbourne at— Well, I'm gonna turn you on to this
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website I found and I'd never trusted them. And I'll tell you
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the name when I remember it. But she does
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incredible business class tickets. Yeah. I
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don't know how she does it, but let's just say we were flying to Paris
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for Wine Paris. Air France was like, oh,
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$13,000 round trip or something for my wife and I. And she did it for,
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like $600. Wow. Yeah, for both of us. Yeah. And so
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I'm like, I call this woman now. I just like, I just call her because
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she'll take care of it. We had a very similar thing out of, out of
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Jakarta. So not out of Melbourne. Out of Melbourne was wildly expensive. Yeah, probably. There's
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a little hack out of Jakarta. So try and keep that one quiet though. Yeah,
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it'll blow up and everyone was doing it. But no, it's okay. I'm only
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5'10, so I'm a short guy. So all right, no worries. Don't need the extra
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legroom so much. But, um, yeah, no, look, it's always a hectic trip. It's, you
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come a long way and wanna see as many people as we, as we can.
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So try and get a few states in. Well, let's talk about that. I mean,
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this is, it's a, there's a couple things I wanted to talk about at the
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beginning. One is the industry's tough. I just read an article that,
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that one of the big buyers of wineries in California bought another
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one. And, and the article basically focused on the idea
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that consumption's down, Gen Z's a whole, all the issues that go with
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what's happening in the industry. But you have a, there's an extra level of
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pressure because Australian wines in my career,
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35 years, have ebbed and flowed over the years. I mean, they've come and they
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go and there's, you know, they were prolific, you know, Penfolds
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and all those brands were here and then they were gone.
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And then is there extra headwinds to you
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coming to America and trying to move wines? I think— Because they're from
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Australia? I hear that too, that Oh, so-and-so was here and they did really well
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and they're not here anymore and they're not. I think it's, um,
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we're having the same issues with consumption. I think it's sort of blown out a
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little bit with that pre-COVID numbers, COVID skyrocket. Yeah, right. So
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coming back into normality a little bit. Um,
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there's more brands on the market. I think something
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for Australia is the barrier to entry for anyone making a brand is
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ankle high. Yeah. You know, you can, anyone can buy Fruit Maker brand and off
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they go, but that's what happened. Other wine's good. Then it just, you know, there's
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more noise in the market. So I think Patch has
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only been here a year. St. Hilary and the brand I work
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for also has been here a few years. I think the American market's
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hard, but I think, I think it's sort of
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a varietal mix. But what are they told? What have you heard?
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Like, One Aussie maker told me
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years ago that they put the pressure on the
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currency trade in that Australian— what's the base
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of Australian currency? Just that, AUD, Australian dollar. Yeah, okay,
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so that exchange changed and so
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the value of it changed. And then there was a marketing issue
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then. I mean, I brought in a whole container of
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375s of Late Harvest Penholdt Sémillon. I mean, I
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sold it all. And I don't know if you could even do that today. No,
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I think the consumer or even the buyer
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sort of awareness of what styles of wines are coming out of Australia
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now is we've got stuck in that sweet, that's
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overripe Yellowtail Plateau. Yellowtail, it's a success story
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on one side, but it really set us up for a tough
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gig after that. So when you're doing this, when you're out
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about, you're going to Kansas, you're going to Texas, you're going all over the
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states and you've got these patch wines, you're making these.
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What are they telling you on the ground? I think Australian wine
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is not something that people are banging
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down the doors to, come and bring your Australian winemaker to us. It's,
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I think, for Patch and some other brands I see that do well here, like
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I said, it's this varietal mix. It's showing, trying to show people that we're not
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just Shiraz. Yeah. And unfortunately we are really heavily
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dominant Shiraz. And still the other brand I work with
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is Shiraz dominant, but we have these other varieties that have
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been a real surprise for me in the market that are the ones that the
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buyers are like, oh, these are fun. These are exciting. These are not what I
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expected. That's what we, every day, not what I expected out of Australia. Not what
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I thought. you coming in, I'm going to see some of these varieties. So
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I think for us as a country and
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individual regions and winemakers, I need to look at that. And
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Australia is moving into that. We're seeing a lot of Shiraz coming out and other
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varieties coming in, but it's also, you're hesitant from
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a point of view where this could be
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hot right now, but then pendulum swings again and it's a slow
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process to get things back in the ground and fruit back. It's an interesting
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problem because when you said
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Shiraz, I mean Shiraz, I can't remember the last time
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I discussed Shiraz on this show and it's been 550 episodes. Yeah,
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well, it's not, it's, it's not a thing here. It's, people
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know it, people understand it, they've seen it. We showed some
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Shirazes the last week and every time I come here and people are surprised that
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I haven't had Aussie Shiraz on a list for a long time or on the
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shelf, we haven't, we've carried one and it's the standard. Same old one that's always
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there. Syrah in general is tough to sell in America. Yes. I mean, period. It's
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just not a grape that people, though I did have one the other night, a
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GSM anyway, and it was really good. And I was like, wow, I haven't tasted
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this profile in a long time. Yeah. Yeah. And at the
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winery, the Day brand does a GSM and it's our biggest selling wine at our
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tasting room. So is that, is that varietal? And, and
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for the listeners, Shiraz is also Syrah. Did
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they, Is it still in Australia? Is it a
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popular varietal? It's still, it's having its issues like it
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is probably here, but you speak to retailers, it's still the biggest wine probably sold
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off the retail shelf in volume. It's there. It's just the amount
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of brands in the market. There's the amount of Shiraz on the market
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and the amount of bulk Shiraz on the market by these big companies that are
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paying growers last year to basically put the fruit on the ground.
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Because they've got millions and millions of liters stored up in tanks from
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the previous year or even the year before. So you're seeing
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a flood. There are probably less Shiraz spots on wine lists, so we're all sort
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of fighting for less spots. So that's why I think this glut of Shiraz is
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probably there. But Shiraz is still highly in demand.
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There's still some very high quality Shiraz being made. There's some high
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priced Shiraz being made and sold through Australia too. It's just, Everyone has one.
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It grows everywhere. It's like a weed in Australia. It does well in lots of
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regions, right? So, well, I suppose it's, it's kind of the national red
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grape. It is. Yeah. But it's an interesting thought. You just said it and we
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were talking about the bulk market and that's changed and there's tons of bulk Shiraz
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in the marketplace. And I can tell you here in America, in the DTC world
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of things, it changed. The whole industry shifted,
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the club world, when the idea of bringing in
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these huge, you know, 20,000-liter
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packs of bulk wine into America, bottling them in all these brands
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and selling them, you know, they're paying 50 cents a liter or something ridiculously low,
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ruined the marketplace. You know, this club here was really
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built on finding interesting wines that were real wines. And then all this stuff
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came in and Groupon and all that changed everything. And, and
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I think that's part of the pressure, at least that started part of the
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pressure for a lot of these brands that came into America. 'Cause it was crap
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and the consumer went, this doesn't taste very good. I don't care if it's $5
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or— I mean, it sets a level where Australian Shiraz sits in. Yeah. Yeah.
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Right. And then it just, the conception of it's there. Yeah. That's the price I
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wanna pay for it. And, and to recover from that, it's a long time. So
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what I read, you have a Nebbiolo
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Bianco. Yeah. Which is Arneis in, in trade.
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I see here Grüner Veltliner here. What
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was the inspiration for growing these grapes in
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Australia that it might have. Well, I guess for Patch, it's,
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I've had a long history, sort of 20-odd years now in the wine industry. Grew
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up in the Yarra Valley with a very old historical winery
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that had a small vineyard, had planted vineyard for, to
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sell extra fruit to Hardys of the world. Lots of Shiraz. And Yarra Valley is
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not a great region for Hardy Shiraz. It's, you know, Chardonnay and Pinot country.
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But out of that, in retail,
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into the hospitality world and then into sort of wholesale and working
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along. I just got, I was very interested in the alternate varieties and
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Australia's sort of really pushed into alternate varieties. It's sort of the
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new wave we're seeing. Italian, very heavy,
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sort of Iberian varieties also very heavy, but
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this sort of unique variety in the way Australia can grow a lot of
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varieties in different areas. And Patch was never
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about, you know, I've seen the model, own a vineyard, farm the vineyard,
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make the wine. That's what you do. And I think that's a great model
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and it's been the model, but I want a bit more flexibility.
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And so I work with growers and buy fruit like a lot of smaller
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brands here do. They sort of work with growers and bring in fruit and do
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that. But the alternate variety piece was more interesting than
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looking at what the market was doing with Shiraz and
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Pinot and Chardonnay. The big sort of 3 varieties we do is there's these unique
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varieties that buyers and somms and consumers are
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interested to look at now. You know, it's true though. I think
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I have a son, I have 3 son-in-laws and they all have the different consumption
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habits, but one of 'em in particular will not
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drink Bordeaux, will not drink Chardonnay, will not drink Burgundy,
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and seeks things like this. And he'll be intrigued to hear our
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conversation because he looks, he goes to these wine shops in Southern
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California and and but grew up in New York, or spent a
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lot of time in New York, where there's all these individual little wine shops that
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have these— like, he took me into one not too long ago, and there were
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maybe 300, 400 SKUs that I recognized, like, 2.
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Yeah. You know, and I'm like, wait a minute, I've been doing this for 35
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years, I recognize 2 wines. Yeah. So do you think this is—
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is— now, do you think— is the concept behind this idea
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market-driven by reaching into the bag of tricks to
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find new consumers that are interested, like my son a lot, in
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other varietals besides the standards? I think so. I think wine can
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get a little stagnant. I think sometimes we do the same things
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and trying to get younger
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drinkers or new drinkers into wine, it's always the sort of
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same adage. People don't wanna drink what their parents drank or their grandparents drank. They
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wanna try something different. I think it's true though. It is true. My parents weren't
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big wine drinkers at all, so I sort of had a clean slate.
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Those drinkers are always going to be there. I think those sort of noble varieties
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will always have a place. But I think it's driven by
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the new wave of buyers that want to have something different. They're more intrigued by
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the smaller, unique varieties that are offering consumers something
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different. Try something that may look like Shiraz or Chardonnay, but it's not trying to
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sort of branch people out, getting people more excited about wine, I guess, if
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they're drinking the same thing over and over. they may lean out
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towards other drinks, which is, I think, which is sort of happening.
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I guess the problem is you're probably not going to see stuff like Gruner Veltliner
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or Nebbiolo Bianco or these things be mainstream, but there
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are more and more getting planted and they're quite versatile. And the
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drinkability piece I think is the big one. The stylistic
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change in these wines, like more made for drinking versus the
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aging piece. You just conjure up a ton of thoughts. And
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one of them was, uh, for in
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the '80s, '70s, '80s, the most popular white wine we used to
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sell, and my dad sold— his shop was called Sundial Chardonnay. It was just a—
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it was like the beginning of the sugared-up stuff. Yeah.
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And those don't— those, I think, have lost the attraction,
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particularly if you're bringing things like this to the marketplace that have an honest
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sense of where they're from and what they are. And I think that's
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an important feature of what this generation's looking for. But you mentioned the
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model idea, and I was like, wow, aren't we struggling with this idea of the
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traditional model? And there I saw recently at
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Costco, Ducru-Beaucaillou, a second-growth
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Bordeaux at Costco. At Costco, yeah. In a
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2014, no less, which wasn't the greatest vintage in the world. But wow,
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why do they have 2014 in inventory that they can put it at Costco? Exactly.
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Doesn't that tell you a ton? It is. And this,
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yeah, the model of you've got a vineyard, the fruit's coming in and we, I
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see a lot of it, a lot of wineries that sit on old stock and
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there's a lot of distressed stock. Yeah. We've just seen this probably here as well
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and around the world that there's businesses that are,
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I think preying's a hard word, but they are, that's their model. They do that
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and they get those out. So it's, it's how do you fix
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that? But I, It's a bit of a, again, the pendulum swings and
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it'll come back, but there's so much of it. And I think we're seeing in
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Australia that vines coming out and Bordeaux's coming out and a bit of a
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reset. We're seeing the big retailers,
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sort of our equivalent to Total maybe, went hard in
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buying brands. Really? And now they're like, oh, it's hard to make
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money out of the production side of these things with vineyards and growing. And now
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they're trying to exit these brands, but that's some amazing brands,
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beautiful brands that have been grown by
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private people that have built these brands up. And now these big
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guys are trying to offload them because they're not making money
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through the production side. Realizing that it's really hard to grow, really
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hard to make wine. So keeping brands, selling brands,
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lock, stock, everything, and keeping brands, just the brand,
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selling everything at the back end. And then working the bulk market. So
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consumers aren't even getting that brand anymore. They're getting something else, which is
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sad because there's some really nice brands in Australia that that's happening to. So
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hopefully the sort of iconic brands get picked up again. But
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hard if you're going to come into the market right now and you're going to
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pick up a brand that a big retailer's owned,
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sold through their own shops. Like, at what point does the independent
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trade go, well, how do we buy this wine? How do we sell it to
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our consumers? So it's kind of, I kind of feel I
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mean, I'm glad I don't have to deal with it daily anymore, you know, selling
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a bottle of wine. And it was a great run and we enjoyed it. And
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I still obviously relish the industry, but
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then I get a little jealous because the way this, my dad's
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business was founded was finding these overstocks, these things that didn't
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sell, the, you know, the million reasons why things are in
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inventory. Mm-hmm. And finding them and putting 'em to the consumer and getting
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great reviews. And so I'm a little jealous I don't get to take advantage of
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some of that today. Yeah. But not as jealous as I'd want to do it
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again. Yeah, get back into it. I think there, you know, you have days
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where you just, it's, you get beaten over the head and then you have
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days where everyone loves everything. Yeah. And you walk out going, it's
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just this up and down of ride the wave of, and the home's the same.
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We go in the trade and you have miserable days and days where things were
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working and, but it, we've got, it's sickly, I
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guess. Our hospitality guys are really struggling. Retail
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struggling. It's expensive to do business now. Yeah. Our people are expensive.
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Everything's expensive. Everything's expensive. Our labor's expensive. It all has to translate
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somewhere. So there was a, there was an article yesterday in one of the trade
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mags about Gundlock-Bunshu, which, you know, one of the classic
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traditional Cal Sonoma-based wineries going
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BK. But then
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maybe this is a sign of the times, and I don't believe that the old
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world, old school, old model ever dies, right? This is just,
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dyed-in-the-wool wine, right? There's this
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group of collectors, a group of people that just understand this. And, and I think
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every generation comes to that realization once they go through all the
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trendy things. Right. Um, but when Gundlach-Puntschu goes under,
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goes under, you have to think somewhere the
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market has to change. Somewhere somebody has to look at that and go, wait, we
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got to make some shit. Or they're just saying, I don't want to deal with
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that part of it. Like, I don't want to put my wine in cans. I
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don't want to put it in a bag in the box. I'm gonna sell what
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I want. And then they suffer the consequences of not making the change or
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finding the places for it. But
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that part's a little scary. It is.
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I think we've never gone down that path. The can thing at Australia has really
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struggled, really struggled. And I mean, bag in a box was
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huge. Yeah. Pre my time. And there's some
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brands that have tried to premiumize it, but it's been a really hard slog. There's
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some great Burgundy box wines now that— They are. They're improving quality. Yeah.
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But it's still in a vinyl bladder, like a, like a numbing thing. But let's
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talk about this for a second. These, and I, maybe this is
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evidence of the difference of what you're doing compared to what the
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traditional viewpoint is. Grüner Veltliner, for instance, I'm looking at the
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bottle, is Austrian and it's
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got great pedigree. It's got Grand Cru capabilities
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there. And, but, and here you have a contemporary
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version coming from Australia, the new world, you know, maybe that's something to do with
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its attraction. And I've said this before on the show, I think,
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but I was coming home from France. I was on, on the, on the flight
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and I looked at what to watch and there happened to be a show
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on Grüner Veltliner. Oh, wow. And I thought, let's
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find out what they're trying to tell the you know, the
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air-flying public. That great movie. It was
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embarrassing. Really? Yeah, completely embarrassing. And what it was was
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2 MWs, no discredit to the degree,
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wearing traditional lederhosen and
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other kinds of female— and trying to be funny.
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Cinematography was great. Lighting was great.
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But the message was horrible. Horrible. Yeah. And I don't
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think I'd ever try a Grüner Veltliner if I saw this. I had to turn
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it off before the stewardess saw that I was watching it. Embarrassed to be watching
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it. So how does Patch
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getting this to the marketplace and showing people that, hey, we've got this interesting
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wine here? Yeah. I mean, Grüner's done very well at home. We have a lot
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of importers that are bringing in some really good Austrian Grüner. So it's been around.
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So I think for me, not trying to be too out there. It's a small
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brand and being too crazy. How are you
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pulling, are you getting terroir out of these wines? Are you getting—
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Oh, I don't think yet where this fruit is from
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Yarra Valley again. Is it gonna be the home
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of Grüner? Probably not. It's a very cool climate. Yeah. It does Chardonnay, Pinot Gris,
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a lot of sparkling wine. So it grows there. Is the soil that great? Probably
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not as amazing as as Austria. It's not as
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stony or anything like that, but it's ripe enough to get it there. And I
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think for me, it's not trying to dictate where these wines go.
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It's patches in exploration. So as much as me making these wines is learning about
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how these varieties work. So it's a
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grape expression rather than— It is. And I, look, we work
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with in the same vintage, we did Arinto, Portuguese white variety,
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and Gruner. Both fairly neutral varieties. Yeah. Right.
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Can be quite beautiful in their neutralness, if that's even a word.
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Sure. So trying to eke something out of them. So we did a little bit
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of sort of foot stomping on some of the fruit, but not trying to be
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skinsy and just trying to eke a little bit more texture and weight, but really,
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you know, not adding yeast for anything. We're not fining or filtering anything. So
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letting it be an expression. And playing with, yeah, playing with a
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variety that is not so obscure, but it's a little bit out
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there that wine buyers and people know about.
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Like we opened a wine store, wine bar, sort of based around Patch as a
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bit of a quasi-cellar door, but it's fast become a bit of
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a locals hangout and sort of looking after smaller brands.
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And we sell a lot of German Riesling and a lot of Austrian Grüner.
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And so all the brands, how many different varietals are you growing there?
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So I don't, we don't have a vineyard as such for Patch, but I've done
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2. What are you buying? I mean, the juice, you've got fruit. Fruit, natural fruit.
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Yeah. We've got fruit. There's Grenache here and there's, that's Grenache. Yeah.
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But I've made 25 varieties in 5 years. What? Yeah.
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Wow. I've got a list of them on my phone somewhere, but we made, we
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made, there's a variety, a Turkish variety called Bogazkere, which
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was 2 rows in a vineyard in the Yarra Valley. Yeah.
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translates to throat scratcher in English because the tannins are
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so aggressive. Like that will never— Is that like a tannat type aggressiveness? It's
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more, it's more, it's got a real cayenne pepper heat to it
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and this real scratchy tannin. But— What made you go
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there? Or anywhere else in the Caucasus country? It was in the vineyard and
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the, the, I was working for a wine brand in the Yarra Valley and the
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vineyards guy said, oh, I've got a, a friend who planted it
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commercially and he makes commercial Bogoskire and He took 2
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rows just as a, I'm gonna plant it and see what this climate change thing
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does. It was a terrible variety for the Yarra. Cold, wet,
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really hard. And he never, they'd never picked the fruit. And it
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sort of gets back to the story of Patch is I was running this wine
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business, big vineyard, small wine brand, selling a lot of
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fruit, but a big hospitality part of the side of the business, weddings and
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hospitality. It was a very, unique property.
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owned by an opera singer called Dame Nellie Melba, who was Australian. She had
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a property there when she settled and this vineyard was sort of off the back
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of it. But we had a lot of staff that
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didn't have interest in wine. They were just running around hospitality stuff.
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And this was end of '19, heading into 2020 vintage.
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I said, let's just pick some fruit from the vineyard that we don't sell and
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we don't make a lot of wine off and we'll make a staff wine and
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just get them involved. We picked this
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mixture of rows. So Cabernet, Merlot, Malbec, Petit Verdot,
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Boguskere, just machine picked it all together
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into a fermenter. Field blend. Wrote Shed Red on it. It was fermenting in
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the machinery shed. And a
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week later, COVID. 5 days later, and Melbourne's the most locked down
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city in the world. All the kids that were supposed to be helping were Gone.
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At home, living their best life. 'Cause it was that. So here's me
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stuck with this one fermenter of randomly ripe,
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'cause everything, Cabernet, Merlot, Malbec, Verdot, and then this Boggers
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Kita thing all fermenting away. And it sort of kept me busy 'cause our whole
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business got shut down. Yeah. We all got sent home, but the vineyard kept operating
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because it was essential and it was close to harvest. So I was sort of
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there and punching down twice a day and borrowed an old hand
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crank wooden basket press and from a cellar door across the road that hadn't been
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used and cleaned it down. And, um, wow. We
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pressed this thing to 2 old hogheads. We had 2 old barriques, sorry, sitting around
401
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and fermented through, went to,
402
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went through malo and we sat there and now what are we going to do
403
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with this thing? And the, you know, Melbourne was still shut down and, um,
404
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I'd had this thought about Patch through my sort
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of wholesale days and listening to winemakers and we speak about a
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patch of dirt or a patch of vines and just this concept of working
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00:25:02,230 --> 00:25:06,012
with different patches and being able to be very flexible. Oh, that's clever. So
408
00:25:06,012 --> 00:25:09,539
that's where it came from. And yeah, Patch Shed Red was the first wine we
409
00:25:09,539 --> 00:25:13,337
did in 2020. I mentioned the note of 700 bottles with this backbone of this
410
00:25:13,450 --> 00:25:17,297
Turkish acidic grape, but then all the
411
00:25:17,297 --> 00:25:20,614
components of Bordeaux. Was that what, how that, how
412
00:25:21,015 --> 00:25:24,734
did it turn out? It was, well, me being in
413
00:25:24,750 --> 00:25:28,341
that piece where everything was, this natty
414
00:25:28,437 --> 00:25:32,076
theme was coming into Australia and Melbourne. So we bottled it super
415
00:25:32,140 --> 00:25:35,811
early, like September of that year. Oh, okay. So it was clear glass, cork
416
00:25:35,811 --> 00:25:39,642
wax. So it was bright, bright. Right. And it was, and it was
417
00:25:39,658 --> 00:25:42,928
that softly pressed through the hand crank, but you can't get a lot of extraction
418
00:25:43,024 --> 00:25:46,792
out of a hand crank basket press and 700 bottles and friends came and
419
00:25:46,792 --> 00:25:50,398
helped wax. It doesn't quite look as schmick as the wax does these days. But
420
00:25:50,799 --> 00:25:54,101
yeah, we sold that through. And the full circle piece on that is that the
421
00:25:54,230 --> 00:25:57,555
vineyard that I left high school to go and work with,
422
00:25:58,198 --> 00:26:01,636
settled in the mid-1800s by Swiss-French settlers.
423
00:26:02,520 --> 00:26:06,183
Their iconic wine, which it still is today, is Bordeaux Red. And that
424
00:26:06,231 --> 00:26:10,055
vineyard, they look across at each other from where Château Red was started.
425
00:26:10,103 --> 00:26:13,911
So funny. It was never going to be the, it was never like,
426
00:26:13,927 --> 00:26:16,208
I'm going to make that wine because that's what I set out to be. Yeah.
427
00:26:16,754 --> 00:26:20,530
They made a Marsanne-Roussanne blend, which was sort of my pick of those wines. But
428
00:26:21,337 --> 00:26:24,671
That's crazy stuff. We did Shed Red a few years and every year after that,
429
00:26:24,719 --> 00:26:28,423
we sort of worked with the grower. We farmed that fruit separately. We
430
00:26:28,423 --> 00:26:32,216
picked it separately, vinified it separately. And there was one year where Bogus Kere, we
431
00:26:32,216 --> 00:26:35,287
had one fermenter, which was one barrique.
432
00:26:37,440 --> 00:26:40,557
That's so— and that was the one, like, we can't, we can't release that. It's
433
00:26:40,669 --> 00:26:44,461
just, no one can pronounce it, which is one of the hardest things
434
00:26:44,461 --> 00:26:47,403
with unique varieties is people can't pronounce it. They're really not going to touch it.
435
00:26:48,862 --> 00:26:51,673
And we didn't even press the fruit to get the tannin, but it was so
436
00:26:51,673 --> 00:26:54,404
tannic and it was always a nice part of the Shed Red blend. So
437
00:26:56,477 --> 00:26:59,984
yeah, that's, well, one of the 25 varieties that have come across the table. It's
438
00:27:00,049 --> 00:27:02,868
a great story about the patch and how it started,
439
00:27:04,010 --> 00:27:06,581
but there's a lot buried in that story. And part of it is,
440
00:27:07,738 --> 00:27:11,402
do winemakers, should we seek these
441
00:27:11,498 --> 00:27:15,240
kinds of ideas where we're out propagating grapes that don't
442
00:27:15,240 --> 00:27:18,837
really belong in those areas or don't traditionally wouldn't, you just do it
443
00:27:18,902 --> 00:27:22,546
anyway. Yeah. That's one part of the story. I'll talk about that in a
444
00:27:22,546 --> 00:27:25,436
second. But the other one that's really interesting to me,
445
00:27:26,544 --> 00:27:30,301
well, there's a restaurant in San Francisco, it's closed since, and I
446
00:27:30,301 --> 00:27:33,736
went to it and they had nothing but Turkish, Armenian,
447
00:27:34,234 --> 00:27:37,831
and Lebanese wines. There was no domestic, no Australian, no French, no nothing.
448
00:27:38,569 --> 00:27:42,053
And obviously all grapes, all indigenous grapes of things that
449
00:27:42,583 --> 00:27:46,112
we'd never heard of. And the headwinds to that, and
450
00:27:46,128 --> 00:27:49,063
I'm Armenian descent, I've done
451
00:27:50,202 --> 00:27:53,746
2 or 3 shows in Armenia on wine, and that's the number one
452
00:27:53,746 --> 00:27:57,355
question come from this caucus group.
453
00:27:58,077 --> 00:28:01,365
Turkey, the Turkish want to be the same, Lebanese want to be the same. There's
454
00:28:01,365 --> 00:28:04,909
only like one Lebanese brand everybody knows, Château Bouzard, and the rest are— Yeah.
455
00:28:05,695 --> 00:28:08,582
And that is, how do you bring to a
456
00:28:09,705 --> 00:28:12,447
foreign diasporan country like America or even
457
00:28:13,650 --> 00:28:17,180
Europe, grapes you can't pronounce. Yeah. From regions you've never heard
458
00:28:17,180 --> 00:28:20,970
of, from countries that even less heard of as far as wine production.
459
00:28:21,020 --> 00:28:24,860
I mean, isn't that just all of the headwinds you could possibly want? I think
460
00:28:24,860 --> 00:28:28,500
so. I think so. But I think the wine world,
461
00:28:28,720 --> 00:28:31,880
they like to, that's what they like to do. You know, maybe the geeks want
462
00:28:31,880 --> 00:28:34,740
to do that, huh? Well, I think it's driven by buy. They always want something
463
00:28:34,740 --> 00:28:37,280
that someone else hasn't got. Yeah. And at what point is we just run outta
464
00:28:37,280 --> 00:28:41,100
things to give them? But, you know, we're seeing Assyrtiko planted in
465
00:28:41,100 --> 00:28:44,730
Australia now and we've got a great Italian
466
00:28:44,730 --> 00:28:48,410
family in Heathcote in Victoria, not far from where you're from, that are
467
00:28:48,410 --> 00:28:52,050
championing a lot of Italian varieties. They've got
468
00:28:52,050 --> 00:28:55,890
Nerello Mascalese on the ground now. Is Heathcote the place to
469
00:28:55,890 --> 00:28:59,430
grow it? I'm not sure. It's very hot. Fiano Nero d'Avola, which
470
00:28:59,430 --> 00:29:02,710
Tulluri, my day brand, does, and they're the best-selling wines
471
00:29:02,710 --> 00:29:06,550
here. Fiano Nero d'Avola out of Australia. So we go and
472
00:29:06,550 --> 00:29:10,370
show— That says a lot. They do really well. I love
473
00:29:10,370 --> 00:29:14,190
Sicilian wines. They're very different. Yeah. They're more fruit-driven, not in the
474
00:29:15,233 --> 00:29:18,954
Yellowtail sweet style, but really pretty and really aromatic. And they do
475
00:29:18,987 --> 00:29:22,067
well. They, those varieties were planted based off
476
00:29:22,516 --> 00:29:26,301
sustainability and water sourcing. And Shiraz is thirsty. Yeah. It
477
00:29:26,301 --> 00:29:29,927
likes a lot of water. It looks really sad in summer. Yeah. Nero d'Avola looks
478
00:29:29,927 --> 00:29:33,665
as happy as it can be. Yeah. Right. 38-degree weather, no water. It sits up
479
00:29:33,761 --> 00:29:37,515
and looks very happy. Fiano the same. So maybe we are
480
00:29:37,515 --> 00:29:41,204
looking at those varieties that were planted and slowly coming into, okay, well,
481
00:29:42,583 --> 00:29:46,270
What are more suited? Australia can grow a lot of things. That doesn't mean you
482
00:29:46,270 --> 00:29:49,284
probably should. It'd be interesting to taste that because
483
00:29:50,358 --> 00:29:54,173
the Sicilian versions of those wines and the Puglian versions of those wines
484
00:29:54,189 --> 00:29:57,747
have great influence from the volcanic soil, great influence from the Mediterranean
485
00:29:57,747 --> 00:30:01,418
Sea. And so much of their character is rounded by
486
00:30:01,418 --> 00:30:04,592
these salinity and
487
00:30:05,009 --> 00:30:07,958
ashes and things. And here you take that same grape, put it in a different
488
00:30:07,958 --> 00:30:11,699
environment, And get a completely different character. Nero especially, I
489
00:30:11,699 --> 00:30:14,301
think, I was obviously in Europe and we were in Puglia and we were in
490
00:30:14,430 --> 00:30:17,947
Sicily and looking at some of those wines and much more
491
00:30:17,947 --> 00:30:21,577
structured, much harder climate. Definitely.
492
00:30:21,641 --> 00:30:25,464
Heathcote. Beautiful. Not getting the love that they
493
00:30:25,496 --> 00:30:29,190
would get in Heathcote versus Sicily, but we always get the more fruit
494
00:30:29,190 --> 00:30:32,579
weight and not fruit weight in a sweet way, but just in brightness. Yeah. Right.
495
00:30:32,868 --> 00:30:36,174
We bottle those wines. The Nero gets picked probably March, April,
496
00:30:36,800 --> 00:30:40,616
and we bottle that October, November. Where, so it's not sitting in oak, it's not
497
00:30:42,012 --> 00:30:45,652
drying out in a bad way, but we're trying to protect and capture that primary
498
00:30:45,652 --> 00:30:48,571
fruit. The Fiano is picked in March and bottled in June.
499
00:30:49,405 --> 00:30:52,580
That's just with demand for that SKU for us is that it's,
500
00:30:53,815 --> 00:30:57,487
it needs to be out to market and we've made it more and
501
00:30:57,487 --> 00:31:01,031
more in that style to get it to market sooner. Do you think that
502
00:31:01,160 --> 00:31:04,860
Well, that's actually, I was just listening to a podcast with Beau Barrett from Château
503
00:31:04,860 --> 00:31:08,560
Montelena, and we have a family history with the Barretts. And he was
504
00:31:08,560 --> 00:31:12,400
talking about that, that old, old, old concept, particularly for them
505
00:31:12,400 --> 00:31:16,060
back in the '70s in, in, in Napa, which was, you know, the
506
00:31:16,060 --> 00:31:19,520
Riesling and these, those kinds of things are cash crops. You can ferment them and
507
00:31:19,520 --> 00:31:23,140
get them in a bottle and start getting revenue right away. So
508
00:31:23,140 --> 00:31:26,740
that's an important part of the wine business I don't think is, is, you know,
509
00:31:26,740 --> 00:31:30,380
recognized by most people because we all think we got this romantic lifestyle.
510
00:31:30,620 --> 00:31:33,310
We're gonna own a winery, but you don't have to wait 5 years before you—
511
00:31:33,310 --> 00:31:36,710
That's right. Put it in, leave it in tank or barrel and have huge barrel
512
00:31:36,710 --> 00:31:39,890
rooms. I mean, Tallurah is a small winery. We're at 10,000 case
513
00:31:39,890 --> 00:31:43,670
production. Tobias, our winemaker, he needs the space back
514
00:31:43,670 --> 00:31:47,370
the next year and patch is smaller. We're a, in my biggest year, we'll do
515
00:31:47,370 --> 00:31:51,170
1,000 cases across. I think the worst year was 10 varieties, which is
516
00:31:51,170 --> 00:31:54,290
manic. But I need those tanks and the barrels back. Yeah. You got it. Because
517
00:31:54,290 --> 00:31:57,610
there's more fruit coming in. So we're pushing to bottle, which then you're tying stuff
518
00:31:57,610 --> 00:32:01,392
up in tying cash up in bottles and corks and, and stuff like that.
519
00:32:01,456 --> 00:32:05,092
So there's a real— I wonder if— A wonder of managing that.
520
00:32:05,381 --> 00:32:08,392
Hearing that again, and I've, I've said this thousands of times, which is
521
00:32:09,290 --> 00:32:12,830
people always ask questions about the industry and it's like, look,
522
00:32:13,295 --> 00:32:17,043
the vineyards are— you can't change when the vineyard needs to be picked.
523
00:32:17,156 --> 00:32:20,840
No. And you can't change that you gotta crush it right away. And, and that
524
00:32:21,064 --> 00:32:23,852
if the previous vintage is in a box sitting on the warehouse floor and you
525
00:32:23,868 --> 00:32:27,360
need that box for this current vintage or the fermentation tank to the storage tank,
526
00:32:27,873 --> 00:32:31,465
that whole, it just pushes backwards. And you got to get it out. And the
527
00:32:31,481 --> 00:32:35,220
foundation of my dad's company in 1972 was, well, when we got
528
00:32:35,268 --> 00:32:38,767
larger and we needed to buy thousands of cases at a time,
529
00:32:39,185 --> 00:32:42,731
that was the premise, was we got to get this stuff off the floor. And
530
00:32:42,731 --> 00:32:45,717
it's really good, but I can't have 2 vintages on the shelf at the same
531
00:32:45,781 --> 00:32:48,269
time. And so we need to move it some way. And that's kind of what
532
00:32:48,269 --> 00:32:51,799
the premise was. But you said something earlier about the
533
00:32:53,228 --> 00:32:56,678
Turkish Grape and other varietals like these. Do you think that the
534
00:32:56,678 --> 00:33:00,367
storytelling, you said the consumer wants to tell a story, they want to have exclusive,
535
00:33:00,447 --> 00:33:02,548
they want to do something that no one else has done. Do you think the
536
00:33:02,548 --> 00:33:06,125
storytelling part of having a glass of wine with friends
537
00:33:07,521 --> 00:33:11,338
is an important part of what the current marketing is about? I think
538
00:33:11,354 --> 00:33:15,076
like any brand, you need to have relevance and a story that people can associate
539
00:33:15,124 --> 00:33:18,797
with. Yeah. Here I am, another Australian brand with 3 different Shiraz
540
00:33:18,909 --> 00:33:22,678
that all look fairly similar at different price points is probably not gonna
541
00:33:22,678 --> 00:33:25,740
do it. It's, People want to hear the stories of why we, why these things
542
00:33:25,740 --> 00:33:28,656
are planted and the brand and where the brands come from and
543
00:33:29,714 --> 00:33:33,319
unique varieties help that. And yeah, small batch is, it's
544
00:33:33,640 --> 00:33:36,828
hard, isn't it? Because small batch is not overly commercial and probably not going to
545
00:33:36,844 --> 00:33:40,610
make anyone plenty of money, but people are looking for those interesting stories and,
546
00:33:41,347 --> 00:33:45,096
you know, stories where people have got passion
547
00:33:45,096 --> 00:33:48,750
projects and that's what they're doing. And those sort of resonate,
548
00:33:49,102 --> 00:33:52,661
I think, with people. I think they do. I think, um, When we talk
549
00:33:52,661 --> 00:33:56,287
about how I, I, I try to articulate this
550
00:33:56,559 --> 00:34:00,345
irony in the wine trade, which is 99% of the people in the marketplace will
551
00:34:00,345 --> 00:34:02,832
say, I'm intimidated by wine. I don't understand wine. I just know what I like.
552
00:34:03,233 --> 00:34:06,217
Okay, that's the drinkers. They— I ran into a woman the other day in the
553
00:34:06,217 --> 00:34:09,827
market and she was like, I wanna— it was music to our ears. She says,
554
00:34:10,276 --> 00:34:13,453
I wanna drink something different than what I drink every day. And I'm like, wow,
555
00:34:13,501 --> 00:34:17,127
congratulations. But on the flip side of
556
00:34:17,127 --> 00:34:20,848
that, invariably, almost every conversation I have at dinner with
557
00:34:21,217 --> 00:34:24,554
friends, relatives, or complete, you know,
558
00:34:24,570 --> 00:34:28,131
first-time conversations comes back to wine.
559
00:34:28,323 --> 00:34:31,772
Hmm. And I was at a big event the other day,
560
00:34:31,788 --> 00:34:34,114
huge event. I mean, incredible fundraiser
561
00:34:34,178 --> 00:34:37,948
for this group. And they were pouring an Armenian
562
00:34:37,964 --> 00:34:41,734
wine. And despite all of the fundraising going on for
563
00:34:41,734 --> 00:34:45,167
this high-tech school that was being funded, the
564
00:34:45,167 --> 00:34:48,680
conversation at the table was about the wine they were pouring. And
565
00:34:48,952 --> 00:34:52,738
though it might be intimidating in the proper scenario,
566
00:34:53,300 --> 00:34:56,941
it's rather engaging and enlightening. We did a tasting
567
00:34:56,973 --> 00:34:59,909
last night here and we were showing
568
00:35:00,823 --> 00:35:04,673
a Rinto and Cab Franc and things that people aren't going
569
00:35:04,673 --> 00:35:07,336
to be drinking. And there's a young guy. Yeah. I don't know how old he
570
00:35:07,384 --> 00:35:11,154
was, mid-late 20s maybe. And he was— this
571
00:35:11,154 --> 00:35:13,913
Rinto was blowing his mind and he bought a bottle and I was like, you
572
00:35:13,913 --> 00:35:16,723
are not who I thought would come in on a Wednesday night
573
00:35:17,575 --> 00:35:21,126
and be shouting from the rooftops and making everyone taste
574
00:35:21,126 --> 00:35:24,902
Orento, you know, from a little region called Nagambi in
575
00:35:24,966 --> 00:35:27,875
Victoria. Like, it's crazy. But he was just like, this is what I wanna drink
576
00:35:28,341 --> 00:35:32,117
and these are the stories you wanna hear. So I think it
577
00:35:32,117 --> 00:35:35,347
comes down to owners of venues and restaurants just
578
00:35:35,893 --> 00:35:39,267
get stuck in the— Do you think it's back to a hand sell? I mean,
579
00:35:39,283 --> 00:35:43,060
we're talking about hospitality briefly. And hospitality is what
580
00:35:43,093 --> 00:35:46,064
we do. And so much of this
581
00:35:47,720 --> 00:35:50,981
is about service, hospitality. And
582
00:35:51,594 --> 00:35:54,162
do you think it comes down to that? And like the experiential part of what
583
00:35:54,275 --> 00:35:58,086
wine is? I think so. Like where you showed the Nebbiolo Bianco, which is a
584
00:35:58,086 --> 00:36:01,849
whole nother crazy wine. Yeah. That set us up early at a steak
585
00:36:01,849 --> 00:36:04,148
restaurant yesterday. It was like, how much have you had of this? How much is
586
00:36:04,164 --> 00:36:07,265
there available in the country? I'm gonna sell it through. I was like, How's a
587
00:36:07,313 --> 00:36:10,188
steak restaurant going to sell through all this Nebbiolo Bianco?
588
00:36:11,570 --> 00:36:14,942
But then I see levels of service and I
589
00:36:14,942 --> 00:36:18,524
think we keep blaming COVID. Like the pre-COVID
590
00:36:18,556 --> 00:36:22,395
service standards in Australia were amazing. We've lost a lot
591
00:36:22,395 --> 00:36:25,575
of those hospitality people that wanted to do hospitality for
592
00:36:26,105 --> 00:36:29,767
their career. We are very lucky at Urban Vineyard,
593
00:36:29,783 --> 00:36:32,995
our wine bar bottle shop. We have a guy there. He's still one of them.
594
00:36:33,412 --> 00:36:36,553
Brian, and he's pretty crazy. He's pretty out there. But
595
00:36:37,562 --> 00:36:41,232
everyone just is like, this guy is the best at it.
596
00:36:41,360 --> 00:36:44,869
And I think it delivers. And he's the one that puts German Riesling and Grüner
597
00:36:44,869 --> 00:36:48,571
and orange wines and stuff into people's glasses. I'm like, how are we selling all
598
00:36:48,571 --> 00:36:52,241
this German Riesling in a suburb that's an hour out of
599
00:36:52,241 --> 00:36:55,846
Melbourne? That should be, and it is Shiraz and Chardonnay country.
600
00:36:56,231 --> 00:36:58,602
So he has to have a lot of trust. I mean, people have to trust
601
00:36:58,634 --> 00:37:01,840
him to do Because you don't just— no one walks in and says, I'd like
602
00:37:01,840 --> 00:37:05,040
a Riesling. No one walks in and says, I want a Gruner. No, I think
603
00:37:05,040 --> 00:37:07,440
he just pours them and tells them it's this and they think it's that. And
604
00:37:07,440 --> 00:37:10,800
he says, how was that? Oh good, I love that Sauvignon Blanc. Oh, it's Nebbiolo
605
00:37:10,800 --> 00:37:14,560
Bianco. Well, that's the term Nebbiolo Bianco. Like,
606
00:37:14,560 --> 00:37:18,340
I've never heard of that before. And Arneis is one of my favorite Italian
607
00:37:18,340 --> 00:37:22,120
whites. In fact, if I was to pick a, a
608
00:37:22,120 --> 00:37:25,820
genre of white wines, it would be the obscure Italian
609
00:37:25,820 --> 00:37:29,160
whites that intrigue me the most, right?
610
00:37:29,160 --> 00:37:32,560
Vermentino. Vermentino. We've made a Vermentino. We were just in, my partner and I were
611
00:37:32,560 --> 00:37:36,320
just in Puglia sitting there drinking Falanghina and we drank a lot by the
612
00:37:36,320 --> 00:37:40,040
end of that trip. It was just amazing. Yeah. I got
613
00:37:40,040 --> 00:37:43,720
bailed up yesterday by a, some buyer about
614
00:37:43,720 --> 00:37:47,520
Nebbiolo Bianco. Yeah. It's not a thing. I don't believe you. You had to
615
00:37:47,520 --> 00:37:51,000
ChatGPT and I just sat there and smiled. It's really, it's not a thing.
616
00:37:51,000 --> 00:37:54,300
It's a synonym, I guess, for Arneis, but it is used there.
617
00:37:54,696 --> 00:37:58,181
Before, that's got a few different names. I met a guy in South
618
00:37:58,181 --> 00:38:01,826
Australia because I saw this Nebbiolo Bianco many years before I'd even started Patch.
619
00:38:02,580 --> 00:38:06,113
And I was like, never heard of Nebbiolo Bianco. Who is this? He said, I
620
00:38:06,113 --> 00:38:09,790
couldn't sell Arneis to save myself. Did some research and saw this,
621
00:38:09,806 --> 00:38:13,210
changed the name of the wine. And people were intrigued by this
622
00:38:13,210 --> 00:38:16,855
because Nebbiolo has become quite big as a varietal. Yeah. Right.
623
00:38:17,513 --> 00:38:20,932
And then everyone sort of, when we did it in 22, I think we made
624
00:38:21,028 --> 00:38:24,636
32 dozen. We took 2 rows out of this vineyard just to test it and
625
00:38:24,636 --> 00:38:27,426
all the somms went crazy. What is this? I need to have it.
626
00:38:28,323 --> 00:38:31,194
And then they found out the year after it was Arnaise, but I kept buying
627
00:38:31,226 --> 00:38:34,866
it because the consumer enjoyed it what it was. And it's a beautiful wine. It
628
00:38:34,898 --> 00:38:37,800
just has, it's been hard as a variety, Arnaise, in its makeup.
629
00:38:38,682 --> 00:38:42,322
Well, I think it's a, you know, trying to go through like that shelf right
630
00:38:42,354 --> 00:38:45,849
there in that picture. You know, my dad was well known for, in the
631
00:38:45,881 --> 00:38:49,570
'70s for having created a wine shop. You know, there were probably 5 wine
632
00:38:49,570 --> 00:38:53,270
shops in Los Angeles that were of note. This was one of them because
633
00:38:53,270 --> 00:38:56,670
he would do that. And the other thing he did that, that, that was new
634
00:38:56,670 --> 00:38:59,890
to the industry was just nothing goes on my shelf unless I taste it first.
635
00:38:59,890 --> 00:39:03,270
Yeah. It's hard to believe that, that would— it was ever like
636
00:39:03,270 --> 00:39:07,110
that. But, you know, they would walk in, the liquor guy would walk in with
637
00:39:07,110 --> 00:39:10,590
his Jack Daniel's and say, oh, by the way, the new cab from Mondavi's in
638
00:39:10,590 --> 00:39:13,530
here, put it on the shelf. And my dad's like, no, you wanna open and
639
00:39:13,530 --> 00:39:17,176
taste it? We'll taste it. And, and that's, kind of where this discretion came from.
640
00:39:17,737 --> 00:39:21,361
He also catered to a lot of aerospace executives who
641
00:39:21,490 --> 00:39:25,274
had dinner parties and things. But there's also a group, and
642
00:39:25,274 --> 00:39:28,931
that's what this patch is about, called Les Amis du Vin, which was
643
00:39:29,123 --> 00:39:32,491
part of the story. You had to have a store to get a chapter. And
644
00:39:32,491 --> 00:39:35,891
they used to hold these magnanimous events for the neighborhood,
645
00:39:36,821 --> 00:39:40,670
you know, tastings. Basically it was tastings of the day, right? But women
646
00:39:40,670 --> 00:39:43,717
would get dressed up, they'd wear their minks, and they'd go to a restaurant and
647
00:39:44,102 --> 00:39:47,924
they'd have a speaker. And I keep thinking we're
648
00:39:47,956 --> 00:39:51,298
kind of going back to that. Hospitality is coming back. I know that
649
00:39:51,346 --> 00:39:55,010
post-COVID everybody suffered through this. First of all, none of the workers that knew
650
00:39:55,010 --> 00:39:58,505
hospitality came back to work. Like, that was too hard. I don't wanna do it
651
00:39:58,505 --> 00:40:02,340
again. Way too hard. And then when they did, the workers that
652
00:40:02,550 --> 00:40:06,341
did get to come back weren't hospitality trained. And I
653
00:40:06,341 --> 00:40:10,171
think that's changing again. So, and I
654
00:40:10,464 --> 00:40:13,934
tell the story before, the best wine servers I've ever had in my career
655
00:40:14,244 --> 00:40:16,602
is in— was in Palermo from a
656
00:40:16,666 --> 00:40:20,106
Slovakian wine
657
00:40:20,138 --> 00:40:23,496
steward. And I tipped him separately because it was so—
658
00:40:24,093 --> 00:40:27,109
I was so energized. I was so enthused to watch him
659
00:40:27,480 --> 00:40:31,078
prepare to service, to service the wine.
660
00:40:31,239 --> 00:40:34,596
Yeah. I'm wondering if you see that coming back,
661
00:40:35,128 --> 00:40:37,695
not only in Australia but in America too. I think service is—
662
00:40:39,584 --> 00:40:43,300
it's getting better. I think people are now probably not It's
663
00:40:43,300 --> 00:40:46,620
not okay to be average at that. Yeah. And, you know, everything's going up and
664
00:40:46,620 --> 00:40:50,340
I think we're seeing the cost of living at home is, it's every day I
665
00:40:50,340 --> 00:40:53,640
open my phone, it's cost of living this, cost of living that. So out of
666
00:40:53,640 --> 00:40:57,000
COVID everyone had money, they didn't go, boom, everyone went everywhere. They didn't care. Let's
667
00:40:57,000 --> 00:41:00,040
just get out. But now you're seeing people are probably spending a bit less. They're
668
00:41:00,040 --> 00:41:03,860
going to venues less. It's funny. Like the bottom
669
00:41:03,860 --> 00:41:07,580
end of hospitality is doing okay. It's feeding the masses. And then this
670
00:41:07,580 --> 00:41:11,370
huge gap the top end at home is doing very well. Yeah, that's
671
00:41:11,370 --> 00:41:13,650
right. So that says a bit about spend, right? Like, I'll wait. I'm not gonna
672
00:41:13,650 --> 00:41:16,290
go out 2 or 3 times a week. I'll go. Yeah. Thanks. So the top
673
00:41:16,290 --> 00:41:19,510
end's going well, but you look at these lists that they write and
674
00:41:19,510 --> 00:41:23,290
they're exorbitantly priced. Yeah. The pricing is ridiculous. Oh, it's
675
00:41:23,290 --> 00:41:26,870
disgusting. Yeah. It's, and we have a wine bar and we, our
676
00:41:26,870 --> 00:41:30,610
model's a bit different. We set all our bottle stuff is retail price and you
677
00:41:30,610 --> 00:41:33,230
do a little corkage to drink in. So you're drinking it at retail price, which
678
00:41:33,230 --> 00:41:36,992
is that. That's fair enough. Yeah. Well, we set our margin as a bottle shop
679
00:41:37,040 --> 00:41:40,184
and with people sitting around, it's fun. So we, we do that. But I
680
00:41:41,147 --> 00:41:44,917
think people do expect it. You know, it's, it's, I think here's different
681
00:41:44,917 --> 00:41:48,511
because tip, the tipping game is very different. Yeah. But it's not
682
00:41:48,511 --> 00:41:52,105
everywhere. I mean, the prices, you know, usually the typical
683
00:41:52,843 --> 00:41:56,517
restaurant markup is 2x the retail price.
684
00:41:57,608 --> 00:42:00,993
Some do 2x the wholesale plus 5 or something like that.
685
00:42:01,266 --> 00:42:04,747
But I don't think that's changed much. I haven't seen a whole standard.
686
00:42:04,940 --> 00:42:08,000
It's been like that forever. Even at home. Yeah. I don't think anybody's backing off
687
00:42:08,000 --> 00:42:11,720
of that. But then I have restaurateurs telling me my bottle sales
688
00:42:11,720 --> 00:42:15,480
are off 40%. Well, here's an interesting thought. I asked
689
00:42:15,480 --> 00:42:18,780
that same restaurateur, I said, how is, how is your staff
690
00:42:18,780 --> 00:42:22,100
trained? Yeah. You know what he told me? He goes, they don't know shit. Yeah,
691
00:42:22,100 --> 00:42:25,880
exactly right. Well, what do you expect then is gonna happen?
692
00:42:25,880 --> 00:42:27,740
Well, half of 'em, you gotta point to the wine on the list and then
693
00:42:27,740 --> 00:42:30,900
they walk off with it so they don't forget it. Yeah. Right. Where when I
694
00:42:30,900 --> 00:42:33,940
ran restaurants, all the guys were engaged and they knew most of the bottles. If
695
00:42:33,940 --> 00:42:36,270
they didn't, it was a shock. And they knew where to go and find it.
696
00:42:36,270 --> 00:42:38,490
They knew how to serve it. You didn't need a somm to come over and
697
00:42:38,490 --> 00:42:41,950
help you unless it was something very special. But
698
00:42:41,950 --> 00:42:45,010
opening sparkling is a good one, right? That's the one that gets them. Yeah, right,
699
00:42:45,010 --> 00:42:48,230
right. This crazy concept of this cork and
700
00:42:48,230 --> 00:42:51,970
pressure. But I think people enjoy service. And if you can give it
701
00:42:51,970 --> 00:42:55,670
without, we're not a high-end wine bar, but people come
702
00:42:55,670 --> 00:42:59,370
and we're in the suburbs and you give excellent service. I think that's what
703
00:42:59,370 --> 00:43:02,741
people want. They want to feel You don't need to go over the top. You
704
00:43:02,757 --> 00:43:06,543
don't need to be Michelin star or anything like that. Just give it.
705
00:43:06,607 --> 00:43:09,142
And I think if you've got staff, that's the thing, you need to put energy
706
00:43:09,174 --> 00:43:12,816
into the staff and finding staff that are engaged, that want to learn about
707
00:43:13,971 --> 00:43:17,565
wine and Gruner and Nebbiolo Bianco and Nerinto and crazy
708
00:43:17,597 --> 00:43:21,271
varieties. But because I think the consumer is, if you are
709
00:43:21,271 --> 00:43:25,057
confident about it, and that's where we do well at Urban, is they'll
710
00:43:25,057 --> 00:43:28,048
back us in if it's going to be All right, it's crazy. Let's try it.
711
00:43:28,983 --> 00:43:31,385
I think enough. They go, you know, I, I go back to my sales training
712
00:43:31,401 --> 00:43:34,334
when I was sold, sold all my life
713
00:43:35,830 --> 00:43:39,542
and understanding that consumer that's sitting at that table asking the questions that
714
00:43:39,542 --> 00:43:43,286
makes that consumer feel confident that you've got their best interest in mind. And when
715
00:43:43,318 --> 00:43:47,132
you make a suggestion finally after you've earned their trust, that they're gonna
716
00:43:47,664 --> 00:43:50,417
open it with welcome arms. It's not gonna be resistant to it. They're gonna say,
717
00:43:51,167 --> 00:43:54,005
you know, they ask the questions, they interested in what I'm doing, what I'm eating,
718
00:43:54,119 --> 00:43:57,891
what, What I usually drink? All those questions that
719
00:43:57,891 --> 00:44:01,580
help people understand that you've got them, they've got your
720
00:44:01,612 --> 00:44:05,389
back. They want you not telling people what you should
721
00:44:05,389 --> 00:44:06,841
be drinking. Well, I think
722
00:44:09,117 --> 00:44:12,296
putting energy into a wine list or an offering too, so many times at home
723
00:44:12,344 --> 00:44:16,072
and here you go, oh, there's the same 5 wines on by the glass.
724
00:44:16,201 --> 00:44:19,171
I get it. There's a commercial list and the hotels all have the same because
725
00:44:19,171 --> 00:44:22,770
that's the same at home. They all done by the big companies. But even it
726
00:44:22,770 --> 00:44:25,450
feels a little bit lazy. Some of the venues we see, oh, you can tell
727
00:44:25,450 --> 00:44:28,830
that being from the industry, one wine company's written this
728
00:44:28,830 --> 00:44:32,110
list. And the owner's like, you know what? The minute you walk in, I get
729
00:44:32,110 --> 00:44:34,930
a rebate or I get free glass or I get whatever out of the back
730
00:44:34,930 --> 00:44:37,210
of it. But someone will write it and they'll print it and it just sits
731
00:44:37,210 --> 00:44:40,350
there. There's not a single vintage on it. It's
732
00:44:40,350 --> 00:44:44,170
just— We can walk in any restaurant in Los Angeles. I can
733
00:44:44,170 --> 00:44:47,510
tell you who the supplier was, at least up until a couple years ago. when
734
00:44:47,767 --> 00:44:51,409
all of this has changed radically. So let's go back to Patch for a
735
00:44:51,409 --> 00:44:54,089
second. And we're actually out of time. It's unbelievable. But
736
00:44:54,538 --> 00:44:58,293
you've got this Turkish rose, you've got Grüner, you've
737
00:44:58,293 --> 00:45:02,096
got Grenache here, you've got Riesling. Is there something in the vineyard right now
738
00:45:02,850 --> 00:45:05,369
that we don't know about that you're seeing if it works?
739
00:45:06,139 --> 00:45:09,974
Also, this Italian family that we work with has got some interesting
740
00:45:10,070 --> 00:45:13,777
stuff. We'll see what's there. Patch is going through a bit of a
741
00:45:13,777 --> 00:45:17,560
change. I think I'm quite busy with my day job as well. So it's
742
00:45:17,560 --> 00:45:21,255
sort of, how do you manage the time? And giving that the
743
00:45:21,255 --> 00:45:24,870
respect that it needs to pay my wage and pay me for me to
744
00:45:24,870 --> 00:45:28,682
do these things. One thing I'm excited
745
00:45:28,682 --> 00:45:32,458
about, we found a little vineyard in the Yarra, sort of outside the Yarra.
746
00:45:32,506 --> 00:45:35,705
It probably was almost at the southern end of the Yarra that had Pinot Meunier.
747
00:45:36,219 --> 00:45:40,056
So we've done a— Wow. Yeah. Another thing just to
748
00:45:40,056 --> 00:45:43,690
play with, but that I've gone, sparkling category is very
749
00:45:43,690 --> 00:45:47,250
strong at home. Very strong. So yeah. Big sparkling in the Yarra Valley. A lot
750
00:45:47,250 --> 00:45:50,570
of sparkling, a lot of Chardonnay, Pinot-based. There's Chardonnay and Pinot there. So there's Pinot
751
00:45:50,570 --> 00:45:53,890
Meunier. So there's a 100% Pinot Meunier Blanc de Noirs
752
00:45:53,890 --> 00:45:57,509
that's sitting in bottle. I've been dying to
753
00:45:57,509 --> 00:46:00,910
taste a champagne-based still
754
00:46:00,910 --> 00:46:04,190
wine from Pinot Meunier. Champagne-based. Yeah.
755
00:46:04,190 --> 00:46:07,790
There's some Pinot Meunier out there. There's some Pinot Meunier in Australia.
756
00:46:07,954 --> 00:46:11,759
that do still wines. I have no idea what character to
757
00:46:11,792 --> 00:46:15,438
expect from it, but— Yeah, I'm not sure we've got it 100% right. It can
758
00:46:15,438 --> 00:46:18,874
be a little lean in times. Yeah, I would suspect that. One from King Valley,
759
00:46:18,890 --> 00:46:21,878
Nomad Ben's sort of similar to what I do. Sort of a, he's a bit
760
00:46:21,878 --> 00:46:24,804
bigger than me. I'd love to see his wines here. They're amazing. He does a
761
00:46:24,853 --> 00:46:27,035
Pinot Meunier and it's knockout. We have it in the shop.
762
00:46:29,044 --> 00:46:31,247
But for us, that's a very cold site where we got this one from. And
763
00:46:31,247 --> 00:46:34,037
it's, so that was bottled and it's just sitting and I'm,
764
00:46:35,380 --> 00:46:38,870
Again, Méthode Traditionnelle sparkling wine is not great for the
765
00:46:38,870 --> 00:46:42,170
pocket. I mean, those are wine geeky things to
766
00:46:42,170 --> 00:46:45,590
want. Pinot Meunier from Nièvre
767
00:46:45,590 --> 00:46:49,130
Valley. Yeah. Well, I think that's just that sparkling and it will package it well
768
00:46:49,130 --> 00:46:52,830
and it'll change package on this. But that, so it's
769
00:46:52,830 --> 00:46:56,550
been fun doing these things. I think looking to probably streamline a
770
00:46:56,550 --> 00:46:59,670
little bit and is there something I want to do? It's been hard. Like Nebbiolo
771
00:46:59,670 --> 00:47:02,250
Bianco, we made every year and then the vineyard said, you know what? We're not
772
00:47:02,250 --> 00:47:05,147
going to sell it to you. So you go, okay, well now what? Gruner's a
773
00:47:05,147 --> 00:47:08,951
one-off. Arinto, we made it once, people love it. And
774
00:47:08,951 --> 00:47:12,724
then they, they, they pull the vineyard out so that fruit's gone,
775
00:47:13,402 --> 00:47:17,203
you know? So then what's the retail of these? $30 in America.
776
00:47:17,284 --> 00:47:20,820
$30. That's fair enough. Yeah. Really fair.
777
00:47:21,189 --> 00:47:23,150
You know, the other day my wife was at a
778
00:47:24,822 --> 00:47:28,579
conference, about 8 women went out to dinner in Orange County,
779
00:47:28,676 --> 00:47:32,465
one fancy steakhouse, and she sends me this exhaustive list. Yeah.
780
00:47:32,822 --> 00:47:36,592
and says, you know, text me, pick something for us. And they
781
00:47:36,608 --> 00:47:40,185
wanted a white, and they went, and my eye caught the Lewin
782
00:47:40,281 --> 00:47:43,939
Estate Chardonnay, which is one of the first wines I was
783
00:47:43,971 --> 00:47:47,500
allowed to buy when I started working with my dad. It was in
784
00:47:47,500 --> 00:47:50,756
1983 or something. Yeah. Wow. Yeah. And it was so good.
785
00:47:51,430 --> 00:47:54,687
And I thought, I don't know, I gotta support this brand 'cause it was part
786
00:47:54,687 --> 00:47:58,376
of my early career. And I never heard back from 'em. I gotta
787
00:47:58,392 --> 00:48:01,667
ask her what they thought of this wine. 'Cause, 'cause I was surprised it was
788
00:48:01,699 --> 00:48:04,990
on the list. The Art Series version or just the— I, it didn't say. Okay.
789
00:48:05,151 --> 00:48:07,864
It was like, you know, you're talking about the wine list, it just said Lewin
790
00:48:07,864 --> 00:48:11,509
Estate. And it could be one of 2 different levels of pricing. Yeah. I
791
00:48:11,638 --> 00:48:14,303
mean, all beautiful wines. Yeah. Yeah.
792
00:48:14,383 --> 00:48:18,221
That's, it's a, it is a bucket list for me to get down
793
00:48:18,221 --> 00:48:21,898
there and, and tour as much
794
00:48:22,235 --> 00:48:25,930
wine country in Australia as I can. But
795
00:48:25,930 --> 00:48:29,249
it's stacked up a bunch of other places I gotta get to. That are probably
796
00:48:29,249 --> 00:48:32,870
closer, right? We have had some good groups through Wine Australia that have come
797
00:48:32,870 --> 00:48:36,590
out. There's some nice jobs that it's, but for them, that's, it's
798
00:48:36,590 --> 00:48:39,390
even more hectic than my schedule, I think, at the moment. They come in and
799
00:48:39,390 --> 00:48:41,730
they're in a region in the morning, then they go to another region in the
800
00:48:41,730 --> 00:48:44,910
afternoon, then they're somewhere else and they fly. And then it's, how do you get
801
00:48:44,910 --> 00:48:48,730
your 5-minute window with these buyers? But— But you gotta do it. You gotta
802
00:48:48,730 --> 00:48:51,260
do it. You gotta do it. You gotta do it. But no, I think like,
803
00:48:51,586 --> 00:48:55,369
For Australian brands, it's hard to get in, get
804
00:48:55,369 --> 00:48:58,976
your offering right. It's that you can't just be, I'm gonna be this and you're
805
00:48:59,008 --> 00:49:01,525
not. No, you're not gonna be that. Nothing. Find out where your bottle wants to
806
00:49:01,525 --> 00:49:05,212
be. In the '80s, maybe. Maybe. You know, Hardee's
807
00:49:05,212 --> 00:49:08,723
and I'm trying to remember all the brands, Penfolds.
808
00:49:09,781 --> 00:49:13,307
What was the other big brand that was here? There were a
809
00:49:13,307 --> 00:49:17,010
few. And like I said, I bought containers
810
00:49:17,010 --> 00:49:20,620
full of Late Harvest, the semion, and people were buying it. It
811
00:49:20,620 --> 00:49:23,800
was— I even, I think I even bought more than Trader Joe's bought that year.
812
00:49:23,800 --> 00:49:27,520
Wow. Yeah, it was nuts. So I wish you luck in your trip. Thank
813
00:49:27,520 --> 00:49:29,980
you. Thank you for coming in and spending the time with me today. And we'll—
814
00:49:29,980 --> 00:49:33,400
I appreciate it. Tell the story. It's— thanks for having me. Rather, rather interesting. No,
815
00:49:33,400 --> 00:49:37,040
it's been fun. And yeah, we're really happy that the brands have been supported
816
00:49:37,040 --> 00:49:40,080
so far. So, well, you got Nick on the job here, so that's, you know,
817
00:49:40,080 --> 00:49:42,840
he's done great. We've had a good couple of days here. Yeah. So we'll bounce
818
00:49:42,840 --> 00:49:46,040
around the country for the next week and a half and good luck. Keep having
819
00:49:46,040 --> 00:49:47,580
a crack. Yeah. Thank you. Cheers. Appreciate it. Cheers.
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