Jan. 20, 2026

From Endless Summer to Carmel Wines: The Creative Journey of Walter Georis

Crazy story. 

Walter Georis wrote the soundtrack to the iconic surf film, The Endless Summer. With desires to make it big in music, the soundtrack would be their swan song in show business. What happens after, is shear career poetry.

I have to tell you that sitting down with Walter Georis was the kind of podcast taping that makes me glad I do this show. There’s something about a man whose life story connects surf music, fine dining, art, and wine that just puts a smile on your face—especially when he unspools it with such humble, matter-of-fact wisdom.

Now, I didn’t know much about Walter Georis before a friend tipped me off. I got an email out of the blue—one of those you almost skip past in your inbox. My friend, who I used to surf with in Palos Verdes, had been up late thinking about “The Endless Summer.” He does a quick search, and boom—finds out that the guy who wrote the music for that iconic film now owns a winery up in Carmel Valley. He tells me, “Paul, you’ve got to talk to this guy!” And, boy, am I glad I did.

From the start, Walter Georis came off with a grounded, European sensibility—someone raised on the value of seasons, making things from scratch, and, most importantly, letting nature express itself. I loved his opening line: “I don’t do anything to the wine to manipulate it…” For him, a vintage is a vintage, and that’s the story in the bottle. As someone who’s spent a lifetime talking with both big-shot and backyard winemakers, this kind of honesty always jumps out at me.

What floored me about Walter Georis was the stories. Here’s a Belgian kid, can hardly swim, never surfed, but ends up shaping the sound of California’s surf music scene in the sixties! He and his buddies, playing in garages and school gyms, end up composing for “The Endless Summer”—and not by luck, but because they show up, put in the hours, and play for the right parties (and some of the right glassers, too—if you know, you know). And, this is the kicker—he does all this as a French speaker, blending right in with the “stoked, it’s a trip” Southern California crowd.

But Walter Georis’s life isn’t about hanging onto some faded record label glory. He’s got this restless, creative spirit. After the music, he turns to art, painting eight hours a day in Carmel, living on the cheap. He spends years finding his style, blending the abstract with the figurative—until, naturally, he finds himself in the hospitality business, opening Casanova and La Boheme Song with his family. This is what I love: the European model, building legacy, not just chasing a fast-growing, flash-in-the-pan restaurant business. And Walter Georis gets it right—places that become international, drawing in everyone from actors to race car drivers, all wanting a piece of that Carmel magic.

But for me, this episode really shines when we dig into the winemaking. Walter Georis talks about honest wine—the idea that you don’t mess with what the vineyard gives you. He gets animated describing the soil, the minerality, the farming, the blending. He talks of Merlot and Cabernet, about planting olive trees, raising sheep (well, until the insurance company got involved)—all these things that anchor you to the land and seasons. He reminds me that great wine isn’t about ego or a label; it’s about caretaking, patience, storytelling.

The conversation wraps with stories of his mother giving birth during the Battle of the Bulge in a wine cellar. There’s a sense that all these threads—history, survival, family, creativity—flow right into the glass he pours. A life, a terroir, an honest wine.

And that, my friends, is why I do Wine Talks.

 

 

#WineTalks #WalterGeoris #PaulKalemkiarian #CarmelValley #EndlessSummer #SurfCulture #Winemaker #CaliforniaWine #MusicHistory #RestaurantLife #HonestWine #ArtAndWine #WinePodcast #BordeauxVarietals #CasanovaRestaurant #WineStories #VineyardLife #Terroir #FarmToTable #AmericanWine

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I don't do anything to the wine

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to manipulate it to be able to commercialize

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it. A vintage is a vintage and it's the

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expression of the terroir that

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particular year. Sit back and grab a glass.

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It's Wine Talks with Paul K.

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Hey. Welcome to Wine Talks with Paul Kay and we are in studio today in

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beautiful Southern California about to have a conversation with Walter Gioris up in the

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Carmel Valley. Introduction collections in just a minute. Hey, have a listen to a

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show I just recorded with Adam Kablani and he is a winemaker,

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high tech success who turned winemaker in

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Armenia trying to bring the wines to America. Great conversation yesterday.

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That's coming out in a day or two but not while we're here. I'm going

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to read. Walter, welcome to the show. Well,

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thank you. Great to be here. That was, I mean that was so easy to

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get, to get it going but it's a, it's all right.

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Yeah, I'm going to read to you what, what Chap GPT

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said. As I said, give me a hundred word introduction

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for Walter. George says today's guest is a true

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California original. Someone who's creative, creatively has shaped

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American surf culture, fine dining and the wine world. In

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the 1960s he co founded the Sandals and wrote iconic music

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for the Endless Summer, a soundtrack that helped define the spirit and

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adventure of generations of surfers. But the story

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doesn't stop there. He moved to Carmel, became an artist, restaurateur and ultimately

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pioneering vintner in the rugged hills of the Carmel Valley.

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His life work, bridges, art, travel, food, a deep

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respect for place. Please welcome the musician, the visionary,

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the winery founder, Walter Giors. How about that?

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Well, that kind of wraps it up. It's a bit

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more complicated than that but for the sake of

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diving into it, that'll work. Well, it's interesting

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because the reason I reached out to you and so

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happy you took, took the email and responded was a friend of

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mine who I served with growing up in Palos Verdes

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and he was, couldn't sleep one night and for whatever reason he was

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thinking about the movie the Endless Summer and decided to google information

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on it and your name came up as the author of the music. And he

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says my name, my nickname is Cal. He says, cal, did you know that

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the author of the music owns

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a winery? I said no, this is incredible. But so you're, we're

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talking San Clemente, the south, Southern California.

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Right. And this was a band, the Sandals, which I

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remember. Yeah. And who was in that band?

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Let me see it Depends at what, which period of time.

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But officially is myself, John

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Blakely, my brother Gaston, Danny

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Bronner and John Gibson.

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And this is. Was this a high school inspiration amongst you guys?

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Actually, we started

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in eighth grade. Wow. Yeah.

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And we went to school next to the school called

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Concordia, which is right next to

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what became the Western, or at least White House.

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Oh, wow. Right by the state park. Yeah, Nixon's place.

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That's right. We used to practice on

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Trafalgar Street. That became a very famous surf spot

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as well. Wow, how interesting. So, but you guys got together,

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you wanted to play music. I mean, even I, I played the banjo growing

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up and we tried to, you know, play some gigs and stuff. It was just,

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just a hobby. Do you think that maybe we are going to make a career

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out of this? Well, you know, we. We did it all day

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long, you know, that's all we talked about. That's all we

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did. We'd practice at least four or five hours a day as

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kids. I was 13, 14 years old.

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And we got better equipment as we could afford it

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and we taught each other.

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The inspiration for a lot of our music came

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from guys like Dwayne Eddy.

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You know, there's just a lot of the hot rod, hot rod songs

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like Stick Shift and so on. And we're just

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surfacing just a little bit after the Ventures

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started. Oh, right. So that's that the classic

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surf beat, you know, rhythmic music. Yeah,

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yeah. And so. But you had. I suppose as a

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teenager you had aspirations to make this big. How many albums did you guys produce?

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Or how many? 45, I guess at the time, you. Know, not that

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many. I think we released.

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Actually we recorded about three or four albums, but

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really released the only one, the Endless Summer.

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Oh, wow. Which originally was called Scrambler.

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I had the idea of doing motorcycle

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music because cars were the big thing for nine

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and that kind of stuff. I figured, oh, the next wave is going to be

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motorcycle. And so it was

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called Scrambler and it says, includes theme to the Endless

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Summer. Wow. And so that, you know that

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I'm thinking I have a. I just got a new video game. It's built

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in 2006, but it plays music from that era,

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I guess, non commission music. And there are a lot of songs

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about cars and there's even some motor sounds in this thing.

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And you play. It's a bowling game. So you're bowling, which is, you know, my.

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I love. I love the Americana of bowling.

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And certainly the music of the surf culture

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is pure Americana. Absolutely. Yeah. And

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so it's so it's. So, for me, it's just

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goes close to the heart because I grew up on this. On this music.

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But when you reached out to the

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production company, did you reach out to the production company for Endless Summer? I mean,

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all the bands of all the world that could have produced the music to this

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iconic movie, how did that come about? Well,

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actually, our

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drummer, Danny Bronner, was a

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glasser and a foreman at Hobie Surfboards. Oh,

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really? Yeah. So he was the old guy in the band.

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I think he was three years older than we were. When you're 18,

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that's a big difference. And so we

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would play for some of the parties

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for some of the early

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manufacturers, if you will. Grubby, Clark,

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Hobie. Bruce Brown was in the loop.

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Quite a few people that I didn't even know. Because it may come

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to a surprise to you that I'm a terrible swimmer. I've never

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surfed in my life. So.

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Yeah, yeah, it's just. It's like asking a

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vegetarian to do some. Yeah, right. Some

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beef dishes or something. Yeah. But no, I was always on

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the beach, kind of hanging out where the girls were at that time. Yeah,

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of course. And so we played for a lot of the

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parties. And one particular party

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actually started at LAX when Bruce

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Brown was receiving and welcoming a young surfer from Australia

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at the time. And we played in the hallways there at the airport

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and got paid for it. I think we got paid 75 bucks

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for the. For the three of us. And we got

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gigs from that, from people coming off the plane,

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including the owners of Kranzellerbach.

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So we would play all of their Encino parties at

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El Calbeiro Country Club. But we ended

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up being invited, and this. I don't recall how that happened

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to play for a Long beach

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surf industry, surf fare. And that

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was our first big gig where there were

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5,000 people and we were not equipped for it at

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all. There are no monitors or anything at that stage.

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You know, I had a hard time seeing the other musicians or even

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hearing them. But at that surf fair, Bruce Brown

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was showing a lot of his films, which,

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interestingly enough, the early surf films didn't have surf music. It was

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mostly jazz and,

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you know, like Bud Shank, et cetera.

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And. And those came from World

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Pacific Recordings. And

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after that particular evening,

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I approached Bruce Brown. I said, oh, Bruce,

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can I send you some tapes, some

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demos? I said, yeah, yeah, kid. And I still have an accent, but at that

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time, more of one, because I'm from Belgium and French was my native

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Tongue. Yeah. And says, yeah, yeah,

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kid. Well, within a week I had a tape going to

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him and I drove it up there and left

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it real to reel. And a couple days

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later I got a call from him at my house, my parents

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house where I was living. And he says, you know, I'd like to get together

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with you. I love the music. And

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we're totally stoked and we're saying, hey, you know,

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if we're going to do this, we'd like to be able to release a record

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because as young kids that's what you want to do. And so he

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says, yeah, I'll put you in contact with Dick Bach from World Pacific

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Records. And I took that same tape

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and took it to him and he listened to me. I was 18 years old

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at the time. And he kind of smiled and you know, I.

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I didn't know what I was doing except I was excited to be

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in the environment at the recording

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studio. And so I said, yeah, we can do an album.

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And that album was really driven by the idea of the theme

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to the Endless Summer, which my brother and John Blakely

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composed. I started the song with

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an acoustic guitar, a little vintage Martin

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guitar. We wrote that in the garage in San

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Clemente like a lot of bands have done

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in the past. And we had one of our friends

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ride a scrambler to fit 50

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motorcycle up and down the street as we followed with a

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mic to get a motorcycle sound. Wow.

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Yeah, it was a trip, but a two track

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Tanberg recording recorder.

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And I didn't really realize that Bruce Brown

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was a motorcycle fan. And I think that

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also kind of hooked him into

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the music as well. So that's what

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happened. The film was only, as you probably know, and you may have seen it,

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shown only as a 16 millimeter and live

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performance where he would speak and react to the

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crowd and his usual humor. And then

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he was trying to bring that up to 35 millimeter. And

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nobody really believed in the idea until,

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well, you know, the history. I think it was first shown somewhere

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in Midwest in the wintertime. And

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it was an incredible response, you know, but

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the production company or distributor says, well, you know,

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16 millimeter, you're blowing it up to 35.

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And they said, you know, the, the

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definition is not very good. And Bruce would say, did you

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see the waves? You know, the

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subject of this whole thing. That's right, yeah. Let me

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stop it there for a second because you said a lot that's so interesting. For

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one, I have to say, to hear a native French

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speaker say stoked and It's a trip is great

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because my father spoke French and I speak with it. I spoke with him before

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he passed. But yeah, you know, they're on my wall in Hermosa Beach.

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I have all these old posters or copies. I got them from the guy. He's

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a San Clemente as well. He don.

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This guy was the owner of Old Guys Rule.

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That was last name anyway. But going My Wave, have Board, Will

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Travel or some of these movies that were going on then. And I thought of

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something where you said that when you. They played it in the Midwest.

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Yeah. So much of America believes that the Beach

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Boys and that surf culture that you defined in the Endless Summ Summer is

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00:13:19,400 --> 00:13:23,200
really what is like pure American, pure

211
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Americana. And it's how we live here on the West Coast. I mean,

212
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that their whole image of life. Right?

213
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Yeah, it's amazing. It's very much like those

214
00:13:34,080 --> 00:13:37,840
postcards from the 50s of seeing the

215
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orange trees and then seeing the snow

216
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on the mountaintop and just a freeway

217
00:13:45,400 --> 00:13:48,360
with very few cars on it. It's like

218
00:13:49,160 --> 00:13:52,340
really a beautiful dre. Dreamy, idealistic

219
00:13:52,500 --> 00:13:56,220
lifestyle, somewhat innocent, if you

220
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will. And it became a very.

221
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Kind of the very center of the

222
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industry. San Clemente always kind of competed with

223
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Santa Cruz for that title. And of course, home ground was always

224
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Hawaii. Well, you know, we had. We had Hobie in

225
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Hermosa. We had Dewey Weber. You know, I live here in Arcadia now,

226
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and we go to the Sierra Madre, which little village, you know, basically Old Town.

227
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And I wear my Dewey Weber shirts all the time. And I get so many

228
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comments from characters our age that sort of say, hey, I remember those

229
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guys. They still, you know, the whole thing. They're in San Clemente now. But, you

230
00:14:33,130 --> 00:14:36,250
know, there's something. I went to an event not too long ago, and the

231
00:14:36,250 --> 00:14:40,010
Safaris were playing and they, you know, it was like

232
00:14:40,010 --> 00:14:43,730
a Rotary Club or something. Oh, really? Yeah. And he was talking

233
00:14:43,730 --> 00:14:47,450
about they were 16 years old or 18 years old

234
00:14:47,450 --> 00:14:51,090
like you guys were. And here they were thrown into this limelight of.

235
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Of Hollywood or music. All that. Was that a. Was

236
00:14:55,330 --> 00:14:59,010
that shocking to you guys was this sort of this. We. We said

237
00:14:59,090 --> 00:15:02,890
stoked about it, but I mean. Yeah, yeah. You know, we had

238
00:15:02,890 --> 00:15:06,730
no idea that we were part of this, what was going

239
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to be a huge movement. We knew. We knew what we're

240
00:15:10,450 --> 00:15:14,210
doing as young people can. To

241
00:15:14,290 --> 00:15:18,050
limited extent, but we were really going following

242
00:15:18,050 --> 00:15:21,650
our hearts. So our first gig, actually,

243
00:15:21,650 --> 00:15:25,050
it's interesting. You're talking about the Safaris. Our first gig,

244
00:15:25,290 --> 00:15:28,250
we got paid $5 each

245
00:15:29,130 --> 00:15:32,810
to play for the Lions Club. Really? Oh, wow. And

246
00:15:32,970 --> 00:15:35,930
we were 13 at that point. And

247
00:15:36,570 --> 00:15:39,690
I think we're just like, cute, I guess. And

248
00:15:40,410 --> 00:15:42,970
we were at the entertainment during their lunch.

249
00:15:44,490 --> 00:15:48,010
So that was along the coast highway, a place that's no longer there,

250
00:15:49,950 --> 00:15:53,710
but that's how it started. So we got, and I still have,

251
00:15:53,710 --> 00:15:56,830
by the way, those five bucks silver certificate.

252
00:15:57,150 --> 00:16:00,430
Paper certificate. Yeah, yeah, yeah.

253
00:16:01,790 --> 00:16:05,310
But you know what's interesting? We were like the other kids

254
00:16:05,310 --> 00:16:08,910
hanging out at the music store because that's where

255
00:16:09,070 --> 00:16:12,030
equipment came in. That's kind of where

256
00:16:13,310 --> 00:16:16,710
kind of the mentor of a lot of the young

257
00:16:16,710 --> 00:16:20,020
musician kids. And, you know, we started,

258
00:16:20,970 --> 00:16:24,810
we learned our basic chords and so on, and then we

259
00:16:24,810 --> 00:16:28,650
became teachers to little kids. And it allowed us

260
00:16:28,730 --> 00:16:32,010
to make a few bucks. We charged like $3 an hour.

261
00:16:33,130 --> 00:16:36,930
And then if the kid bought a guitar, we'd get a little commission and

262
00:16:36,930 --> 00:16:39,850
then we'd be able to buy a guitar at a discount.

263
00:16:41,370 --> 00:16:44,410
And so we got one of the first piggyback

264
00:16:44,890 --> 00:16:48,700
Bandmaster. Fender Bandmaster. This was

265
00:16:48,700 --> 00:16:51,980
back late 59 or early 60s.

266
00:16:53,820 --> 00:16:57,620
I probably got some thunder geeks out there saying, oh,

267
00:16:57,620 --> 00:17:01,340
those weren't the dates, but it was an original,

268
00:17:01,500 --> 00:17:05,300
a 12 inch Jensen speaker.

269
00:17:05,300 --> 00:17:08,980
And we went and bought it at the music store and

270
00:17:08,980 --> 00:17:12,660
we blew it up at the first gig at a place called the Casino

271
00:17:12,660 --> 00:17:16,469
at that time in San Clemente where, you know, high school kids

272
00:17:16,469 --> 00:17:20,269
would come out and dance, do the Surfer Stomp and that kind of

273
00:17:20,269 --> 00:17:23,869
stuff. Well, the whole band played on that one speaker

274
00:17:23,869 --> 00:17:27,509
and blew it up. So the

275
00:17:27,589 --> 00:17:30,869
gentleman who had the music star was so kind to drive us

276
00:17:31,189 --> 00:17:34,789
into the orange groves in Fullerton. And we met Leo Fender

277
00:17:34,869 --> 00:17:38,469
there and. Leo Fender, wow. Yeah. And Leo

278
00:17:38,469 --> 00:17:42,309
Fender says, well, I'm going to set you guys up. And he put in

279
00:17:42,780 --> 00:17:46,420
the first band master with two with

280
00:17:46,420 --> 00:17:50,260
twin 12 inch. And that worked for a while, and

281
00:17:50,260 --> 00:17:53,980
then we were able to afford other amplifiers and

282
00:17:53,980 --> 00:17:57,620
so on. So over

283
00:17:57,620 --> 00:18:00,980
time, we got equipped pretty well for small

284
00:18:00,980 --> 00:18:01,580
gigs.

285
00:18:04,540 --> 00:18:07,020
And that's how we got into it, you know. But

286
00:18:08,620 --> 00:18:12,300
yeah, it was a pretty exciting frontier

287
00:18:14,220 --> 00:18:17,580
at that time. My first banjo, which I bought from

288
00:18:17,580 --> 00:18:21,340
Amendola Music in Playa Del Rey, was a Fender

289
00:18:21,420 --> 00:18:25,060
and it was named the Leo. Interesting.

290
00:18:25,060 --> 00:18:28,460
Yeah. Commemorative to him. Yeah, interesting.

291
00:18:29,020 --> 00:18:31,660
And I must tell you something really interesting.

292
00:18:32,780 --> 00:18:35,980
We played our whole career, musical career,

293
00:18:37,160 --> 00:18:40,880
on Gibson guitars. Wow. We never use

294
00:18:40,880 --> 00:18:44,520
defenders. Where are those guitars now? I still have mine.

295
00:18:44,680 --> 00:18:47,160
Oh, my goodness. Those things. Yeah.

296
00:18:47,880 --> 00:18:51,560
1961 Gibson 330

297
00:18:52,039 --> 00:18:55,160
TD, I believe. Yeah. That's beautiful. And

298
00:18:56,600 --> 00:19:00,280
so was the movie when you. Produced the soundtrack, which. Yeah,

299
00:19:00,360 --> 00:19:03,240
you know, I played it the other day for somebody and they just go, oh,

300
00:19:03,240 --> 00:19:06,970
that's Endless Summer. You know, it's just. It's so recognizable. Yeah. You know,

301
00:19:07,050 --> 00:19:10,010
it's such an interesting movie. I happened to watch it the other night. Not the

302
00:19:10,010 --> 00:19:13,770
other night, but for whatever reason, long before we decided to do this. Yeah.

303
00:19:14,090 --> 00:19:17,930
And it's almost timeless. The music is timeless to the era.

304
00:19:18,410 --> 00:19:22,210
And I think even today's generation who's looking for fast

305
00:19:22,210 --> 00:19:25,610
cuts and all kinds of action can watch the show and go, wow, this is

306
00:19:25,610 --> 00:19:29,330
really, you know, it's like a slash documentary, slash sort of

307
00:19:29,330 --> 00:19:33,050
surf culture expose on the thing. It's really quite fascinating as a product.

308
00:19:33,130 --> 00:19:36,800
Was that the. Was that the pinnacle of. Of the Sandals

309
00:19:36,800 --> 00:19:40,600
career or did you go on? Well, no. Yeah, we went on, but

310
00:19:40,600 --> 00:19:44,040
before I explained, we went on all the way to the San Francisco

311
00:19:44,040 --> 00:19:47,680
scene. We played a lot of gigs, light shows, did that whole

312
00:19:47,680 --> 00:19:51,480
thing, and we did well with that. And

313
00:19:51,480 --> 00:19:55,080
I would produce shows and et cetera, et cetera. But

314
00:19:55,160 --> 00:19:58,360
something that I neglected to say about inspiration.

315
00:20:00,210 --> 00:20:03,490
Having gone back on a summer vacation back in Belgium,

316
00:20:03,890 --> 00:20:07,410
I had my brother in law, or at least at that time, boyfriend of my

317
00:20:07,410 --> 00:20:11,210
sister. He had a record store and I would go in the

318
00:20:11,210 --> 00:20:15,050
booth and take the records and listen to all the

319
00:20:15,050 --> 00:20:18,850
different records as part of way of passing

320
00:20:18,850 --> 00:20:22,650
my time while I was there. And one of the

321
00:20:22,650 --> 00:20:26,470
big influences was a group called

322
00:20:26,470 --> 00:20:30,310
the Shadows. And the Shadows

323
00:20:31,510 --> 00:20:35,230
were Fender guitar players. And they're a backup band at that time

324
00:20:35,230 --> 00:20:38,710
for Cliff Richard. And therefore

325
00:20:38,870 --> 00:20:42,270
in our album, there's two cuts, one called

326
00:20:42,270 --> 00:20:45,910
Drifting and the other one's called Jet Black. And

327
00:20:45,910 --> 00:20:49,750
those are two songs that came from the Shadows. They

328
00:20:49,750 --> 00:20:53,030
inspired us. So when you listen to our sound

329
00:20:54,190 --> 00:20:56,270
were really not your typical

330
00:20:57,870 --> 00:21:00,270
Fender high echo

331
00:21:00,990 --> 00:21:04,830
reverb band. It's a

332
00:21:04,830 --> 00:21:06,110
bit more sophisticated.

333
00:21:08,830 --> 00:21:12,350
We weren't really like heavy duty

334
00:21:12,430 --> 00:21:16,270
drums and stuff. We were a bit more refined. How many

335
00:21:16,270 --> 00:21:19,630
pieces total? We're four of us.

336
00:21:20,910 --> 00:21:24,430
Because the soundtrack is very pure. No, we're five. We're five

337
00:21:24,990 --> 00:21:28,750
soundtrack. And you know that. That little

338
00:21:28,750 --> 00:21:31,710
haunting harmonica sound

339
00:21:32,590 --> 00:21:35,390
in the theme, that's a Claviera, which.

340
00:21:36,750 --> 00:21:39,710
The first time I saw that, it was made in Italy.

341
00:21:41,070 --> 00:21:44,350
The first time I saw that. Oh, God,

342
00:21:47,360 --> 00:21:51,160
Steve, he had a show on television. The keyboard

343
00:21:51,160 --> 00:21:54,200
guy, It'll come to me. But he played the

344
00:21:54,200 --> 00:21:57,960
Claviera and that gave my brother an idea. That would be kind of

345
00:21:57,960 --> 00:22:01,680
a nice haunting sound for

346
00:22:01,759 --> 00:22:05,400
this particular song. Well, and it's like

347
00:22:05,400 --> 00:22:08,120
a. Was it like a three hour Movie or something. I mean it's just like

348
00:22:08,120 --> 00:22:11,800
a. It's pretty long, right? I don't know if

349
00:22:11,800 --> 00:22:15,270
it's that long. No, I don't think it's that long. Yeah,

350
00:22:15,750 --> 00:22:19,190
but you know, we never really looked at footage and

351
00:22:19,270 --> 00:22:22,950
wrote music to it really. He just

352
00:22:22,950 --> 00:22:26,310
dropped the needle where, where he thought it should go.

353
00:22:26,950 --> 00:22:29,630
Well, that's an interesting way of putting. I mean, can you imagine that today and

354
00:22:29,630 --> 00:22:33,110
today's, with today's digital production and how,

355
00:22:33,510 --> 00:22:37,230
you know, you can drop beats now and everything. That's amazing. So after then

356
00:22:37,230 --> 00:22:41,040
this, I'm assuming this gave you national, if

357
00:22:41,040 --> 00:22:44,120
not, you know, worldwide? Yeah, it was bizarre.

358
00:22:45,320 --> 00:22:49,160
We never made a lot of money out of it. You know,

359
00:22:49,160 --> 00:22:52,360
we're kids so we didn't know what kind of contract we're signing.

360
00:22:53,960 --> 00:22:57,720
We shared Harbach Publishing, got

361
00:22:57,720 --> 00:23:00,680
the publishing and we were happy just to have a record.

362
00:23:02,280 --> 00:23:05,880
We got off and on some royalties, but never to the

363
00:23:05,880 --> 00:23:09,180
extent today that that would be

364
00:23:09,660 --> 00:23:13,460
a very questionable situation. You mean it wasn't

365
00:23:13,460 --> 00:23:17,220
like automatic, like somebody didn't say you need an agent and that's how you're going

366
00:23:17,220 --> 00:23:20,620
to manage this. That probably back then was more innocent than that that you did.

367
00:23:20,620 --> 00:23:24,260
It was much more innocent. I was a band member. I wore a different

368
00:23:24,260 --> 00:23:27,500
colored jacket because I was the band member

369
00:23:27,740 --> 00:23:31,180
at 18, 19 years old. I got the gigs

370
00:23:32,460 --> 00:23:35,800
and that was it, you know. And we did vocals also, you know,

371
00:23:37,720 --> 00:23:41,520
rock and roll vocals. We did

372
00:23:41,520 --> 00:23:45,040
a variety of music and we played different gigs. We played a lot of

373
00:23:45,040 --> 00:23:48,600
gigs at Camp Pendleton. Really? The Marines there,

374
00:23:48,600 --> 00:23:52,320
huh? Oh yeah. Every weekend. How fun is

375
00:23:52,320 --> 00:23:55,986
that? Every weekend we drive from San clemente just about 10,

376
00:23:56,054 --> 00:23:58,840
15 miles, play our gigs, come home

377
00:24:00,360 --> 00:24:03,740
and when it, we just moved out of our parents house.

378
00:24:03,980 --> 00:24:07,820
We pay one gig and we pay for all of our expenses

379
00:24:07,900 --> 00:24:11,420
like rent, food and everything. So

380
00:24:11,660 --> 00:24:15,460
was this like here you are, you're young and you're thinking, yeah,

381
00:24:15,460 --> 00:24:18,820
either you're thinking, this is big. We're going to be like, you know, the Beatles

382
00:24:18,820 --> 00:24:21,500
really weren't happening when they're just happening, but

383
00:24:22,860 --> 00:24:26,700
that whole movement, the whole rock and roll movement was happening. And there's this genre

384
00:24:26,700 --> 00:24:29,980
of surf music and you were sort of a jazz side of that. But

385
00:24:30,540 --> 00:24:34,330
were your vision, was there vision in the band to we're really

386
00:24:34,330 --> 00:24:37,690
going to kill it or we're just, we're just having a grand old time making

387
00:24:37,690 --> 00:24:41,410
rent and you know. Yeah, I, I think it was that way. We

388
00:24:41,410 --> 00:24:45,130
all had Danny, the drummer was

389
00:24:45,130 --> 00:24:48,770
making boards, you know, he was, he's still doing it Matter of fact. Really?

390
00:24:48,770 --> 00:24:51,570
Wow. Glassing boards down at Dana Point.

391
00:24:53,490 --> 00:24:57,130
And I had some other interest. I loved the

392
00:24:57,130 --> 00:25:00,810
music, but I. I was always interested in art, painting.

393
00:25:01,130 --> 00:25:04,410
You know, it's funny because you were talking about your. Was it the drummer who's

394
00:25:04,410 --> 00:25:08,050
a glass. Who's still glassing? Well, he's working out of his

395
00:25:08,050 --> 00:25:09,850
home. Yes, but he's still

396
00:25:12,090 --> 00:25:15,130
assembling or glassing, I should say.

397
00:25:16,009 --> 00:25:19,210
Surfboards. That's. Danny brought her.

398
00:25:19,690 --> 00:25:23,330
I was. My son in law at the

399
00:25:23,330 --> 00:25:26,450
beach. We're here in Hermosa beach. When we go to Hermosa Beach. There's an old

400
00:25:26,450 --> 00:25:30,060
board there. I forgot where I even got it. And he goes, let's get this

401
00:25:30,140 --> 00:25:33,820
repaired. So I took it down the street. I hadn't seen a place like

402
00:25:33,820 --> 00:25:37,500
this since I was a teenager. And there's probably

403
00:25:37,500 --> 00:25:41,340
the last glasser in Hermosa beach under the old sort

404
00:25:41,340 --> 00:25:45,140
of school working. So you walk into this. This sort

405
00:25:45,140 --> 00:25:48,940
of industrial little warehouse complex which I wish I owned, and

406
00:25:49,420 --> 00:25:53,180
it's. You were walking on years of

407
00:25:53,180 --> 00:25:55,510
resin in fiberglass.

408
00:25:59,990 --> 00:26:03,630
It's got all sorts of layers and layers and

409
00:26:03,630 --> 00:26:07,390
colors. Yeah, it's pretty cool, actually. It was

410
00:26:07,390 --> 00:26:11,110
so nostalgic. And the smell is so great. I mean, I

411
00:26:11,110 --> 00:26:14,750
tried to glass a board or two in those years and of course

412
00:26:14,750 --> 00:26:18,510
they're really crappy, but. So was

413
00:26:18,510 --> 00:26:21,680
that somebody else is doing it? Yeah, let's do it.

414
00:26:22,240 --> 00:26:25,720
Was that. So we were talking a little bit about the career of the

415
00:26:25,720 --> 00:26:29,160
sandal and how you weren't sure you were signing

416
00:26:29,160 --> 00:26:32,560
contracts, you were getting paid, you know, that you thought this was wonderful. But

417
00:26:33,760 --> 00:26:37,120
was there ever a point where you guys sort of sat down and said, look,

418
00:26:37,360 --> 00:26:41,040
we have a shot at this and let's really get serious. Or

419
00:26:41,680 --> 00:26:45,400
it just sort of played itself out over time and, you know, you went on

420
00:26:45,400 --> 00:26:48,830
your separate ways. I think it kind of played

421
00:26:48,830 --> 00:26:52,390
itself out. There was obviously a

422
00:26:52,390 --> 00:26:55,510
change in the genre of music

423
00:26:56,630 --> 00:27:00,270
from surf to Jimi

424
00:27:00,270 --> 00:27:04,070
Hendrix. True. Quote him, it says surf music is

425
00:27:04,070 --> 00:27:07,870
dead. It didn't totally die. There's

426
00:27:07,870 --> 00:27:11,510
more layers of music. Certainly the whole San Francisco thing

427
00:27:11,510 --> 00:27:15,110
was happening and we

428
00:27:15,110 --> 00:27:18,550
had. Each one of us had individual personal

429
00:27:19,910 --> 00:27:23,510
things we wanted to do. My brother who was a professor,

430
00:27:24,070 --> 00:27:26,870
Danny, who had a good job at Hobie

431
00:27:27,670 --> 00:27:31,470
working as a foreman. John Blakely was

432
00:27:31,470 --> 00:27:34,950
a great guitar player. He moved on and played with

433
00:27:35,190 --> 00:27:38,870
Stone Ground. Maria Moldart country to go

434
00:27:39,030 --> 00:27:42,790
a lot of the San Francisco group. He did some recording with Van

435
00:27:42,790 --> 00:27:46,590
Morrison. Yeah, a lot more.

436
00:27:46,910 --> 00:27:50,670
And I. I kind of traveled and wanted to go back

437
00:27:50,670 --> 00:27:54,390
into my true interest and that was painting. And

438
00:27:54,390 --> 00:27:58,110
I didn't want to really kind of depend on attorneys, producers

439
00:27:58,430 --> 00:28:02,230
and the industries to kind of guide on how I

440
00:28:02,230 --> 00:28:06,030
was going to live. And so that's

441
00:28:06,030 --> 00:28:09,710
what I pursued. And I wanted to get out of LA because in the

442
00:28:09,710 --> 00:28:13,420
60s, LA still, you know, was

443
00:28:13,420 --> 00:28:17,140
still using leaded fuel and it was just an

444
00:28:17,140 --> 00:28:20,780
awful place to live. So I kind of wanted to go

445
00:28:20,780 --> 00:28:24,580
north. I overreacted and tried to go into

446
00:28:24,580 --> 00:28:28,260
Lincoln City, Oregon, stopped in

447
00:28:28,260 --> 00:28:31,780
Carmel and rented a place. And I said, I'm going to

448
00:28:31,780 --> 00:28:34,940
paint. Wow. And I did. And

449
00:28:35,980 --> 00:28:39,710
I bought a house close to the Beach. This is 1970.

450
00:28:40,430 --> 00:28:44,110
And I had no idea what was going

451
00:28:44,110 --> 00:28:47,190
to happen through real estate. And I bought a house for

452
00:28:47,190 --> 00:28:48,510
$42,000,

453
00:28:50,590 --> 00:28:54,350
Carmel beach with $4,000 down, which

454
00:28:54,350 --> 00:28:58,150
is all I had. And I couldn't afford the

455
00:28:58,150 --> 00:29:01,070
payments and so I got a roommate. My payments were

456
00:29:01,070 --> 00:29:04,790
$232 a month, but I got a roommate that

457
00:29:04,790 --> 00:29:08,230
paid 150. So it was costing me 70 some

458
00:29:08,230 --> 00:29:12,050
bucks a my payments and my whole house

459
00:29:12,050 --> 00:29:15,810
got turned into a painting studio, quite frankly. And how old were

460
00:29:15,810 --> 00:29:18,650
you then when that happened? I was 25.

461
00:29:19,610 --> 00:29:23,170
So the sandals really. I don't know. We're going to sit, sit on

462
00:29:23,170 --> 00:29:26,490
Carmel now for a second. But just, just to highlight that because I,

463
00:29:27,050 --> 00:29:30,530
having dabbled in media now with this podcast trying to

464
00:29:30,530 --> 00:29:34,330
monetize, of course things are radically different, but what's not

465
00:29:34,330 --> 00:29:38,160
different is the relationship between talent and all the rest

466
00:29:38,160 --> 00:29:41,840
of the people that play in the media space and who you report

467
00:29:41,840 --> 00:29:44,760
to and how you try to get money and how you try to, you know,

468
00:29:45,240 --> 00:29:48,920
jobs. The talent part of it seems like, you know, it's the,

469
00:29:49,000 --> 00:29:51,960
not even the primary part of the whole thing. It's all about the other guys.

470
00:29:53,880 --> 00:29:57,680
That's what it feels like. So you landed

471
00:29:57,680 --> 00:30:01,320
in. Now, last time I was in Carmel, I have never played Pebble

472
00:30:01,320 --> 00:30:04,880
Beach. I've been there many times. I was in the Concord Elegance. I told you

473
00:30:04,880 --> 00:30:08,320
we visited, which is an incredible thing. I'm sure it's terrible for residents

474
00:30:08,800 --> 00:30:12,480
about the traffic and the parking that goes on. Yes.

475
00:30:12,800 --> 00:30:16,640
So is that, is that the area around pebble beach? That

476
00:30:16,720 --> 00:30:20,000
whole enclave of homes that, you. Know, that beautiful

477
00:30:21,360 --> 00:30:25,160
half circle white sand with cypresses

478
00:30:25,160 --> 00:30:28,760
down on the beach? That's. I was three

479
00:30:28,760 --> 00:30:32,600
blocks from there. Wow. Yeah, Beautiful. It's really beautiful. It must

480
00:30:32,600 --> 00:30:36,390
have been in the 70s. Well, let's, let's talk about that. You were, you,

481
00:30:36,390 --> 00:30:40,070
you left LA leaded gas. You know, it's very

482
00:30:40,070 --> 00:30:43,710
interesting because when you get behind a car today, that

483
00:30:44,910 --> 00:30:48,510
even though there's no leaded gas still, those cars, you.

484
00:30:48,510 --> 00:30:52,190
You remember the smell, right? And you think, how did I even

485
00:30:52,190 --> 00:30:55,910
live with this? Remember the smell like your father's cigars when you

486
00:30:55,910 --> 00:30:59,590
were little. That's right. How did you even live with that back then? How do

487
00:30:59,590 --> 00:31:02,550
we do that? But anyway, so you went. You went up to Carmel. It must

488
00:31:02,550 --> 00:31:06,300
have been a completely different place, as most towns are, but it had to

489
00:31:06,300 --> 00:31:10,140
be very rural at that point. You know, it was a

490
00:31:10,140 --> 00:31:13,980
place for a bunch of little cabins. Basically,

491
00:31:14,780 --> 00:31:18,060
artisans could afford to come in, which I was one of them.

492
00:31:19,340 --> 00:31:22,700
And a lot of vacation homes for

493
00:31:22,940 --> 00:31:26,740
people out of Bakersfield, Fresno, because when

494
00:31:26,740 --> 00:31:30,540
it gets hot in the summertime, they would come into Carmel, kind of hang out.

495
00:31:31,020 --> 00:31:34,780
You could park all day long on the major track of Ocean Avenue.

496
00:31:35,500 --> 00:31:39,260
You could park anywhere. In the wintertime, there

497
00:31:39,260 --> 00:31:42,980
was nobody in town. In fact, after

498
00:31:42,980 --> 00:31:45,700
opening a restaurant, we would close the whole month of December.

499
00:31:47,700 --> 00:31:51,500
Things were reasonable. The parking ticket was three bucks. Oh,

500
00:31:51,500 --> 00:31:54,980
wow. What? Did you realize that you, you know, painting

501
00:31:55,940 --> 00:31:59,300
was your thing? I mean, like, oh, as a child. As a child.

502
00:31:59,940 --> 00:32:03,580
Oh, yeah. Back home in Belgium, was there creativity and

503
00:32:03,580 --> 00:32:06,980
music in your family prior to that? It's really interesting.

504
00:32:09,220 --> 00:32:12,340
There are a couple of musicians, but my whole town

505
00:32:13,300 --> 00:32:16,500
in Belgium, my hometown, it was an

506
00:32:16,500 --> 00:32:20,340
extremely creative community, especially

507
00:32:20,420 --> 00:32:24,260
musically. We had to take music, and I took

508
00:32:24,260 --> 00:32:27,780
solfege at that time. In third or fourth grade.

509
00:32:27,780 --> 00:32:31,140
Third grade. Our music

510
00:32:31,300 --> 00:32:34,420
teacher was the organist at the cathedral.

511
00:32:34,990 --> 00:32:37,790
Wow. And so we. We were taught actually

512
00:32:38,510 --> 00:32:41,870
theory at a young age. Wow, that's interesting.

513
00:32:42,110 --> 00:32:45,670
When I was three years in third grade, I could

514
00:32:45,670 --> 00:32:47,950
sight read music.

515
00:32:49,790 --> 00:32:53,390
That's amazing. At third grade. It's incredible.

516
00:32:54,350 --> 00:32:56,710
My mom tried to get me to play the piano, though. I just sit down

517
00:32:56,710 --> 00:33:00,110
the other day and looked at the notes for

518
00:33:01,590 --> 00:33:05,270
Sound of Music and I kind of remembered it. I. There you go.

519
00:33:05,510 --> 00:33:07,910
Pick it out. My wife's like, who? What are you doing? I said, I don't

520
00:33:07,910 --> 00:33:10,150
know. I just got there. I played the banjo.

521
00:33:11,510 --> 00:33:15,350
Yeah, I played the banjo for, I don't know, 10 or 15 years

522
00:33:15,350 --> 00:33:19,190
and. And to play, could read the music, but never

523
00:33:19,510 --> 00:33:22,230
no one wanted to sit down and listen to me. So that's

524
00:33:23,670 --> 00:33:27,350
not the music. The banjo, yes. It doesn't really sound that great. Right.

525
00:33:28,370 --> 00:33:32,090
So, you know, it's interesting. Did you have to take the Bach? Was

526
00:33:32,090 --> 00:33:34,770
it the Bach in Belgium? You know, the French

527
00:33:35,970 --> 00:33:39,410
requirement at eighth grade? I think it is, where you determine whether you're going to

528
00:33:39,410 --> 00:33:43,010
become a tradesman or a academic.

529
00:33:43,170 --> 00:33:46,850
Actually, I left Belgium just Before that. Oh, I see. Okay.

530
00:33:47,010 --> 00:33:50,850
Belgium. It already is. It was at that time

531
00:33:50,850 --> 00:33:54,370
in fourth grade. Wow, that's really early.

532
00:33:54,450 --> 00:33:57,810
Yeah. Either you had the capacity to go on

533
00:33:59,010 --> 00:34:02,450
and. Or not. If you didn't,

534
00:34:02,770 --> 00:34:05,810
you would go to night school and also learn the trade.

535
00:34:06,850 --> 00:34:10,450
Wow. I don't think it's that much different really today.

536
00:34:10,450 --> 00:34:14,050
It's maybe a little more eighth grade. I think it's. You still

537
00:34:14,050 --> 00:34:17,490
take. You still take that test, and you still sort of get pigeonholed into

538
00:34:18,210 --> 00:34:22,050
something. Well, you know, I

539
00:34:22,050 --> 00:34:25,890
think it's a favor to everybody, to society. You end

540
00:34:25,890 --> 00:34:29,610
up with craftspeople that are really good, disciplined,

541
00:34:29,690 --> 00:34:33,330
and well trained. If. If in Belgium, you. You.

542
00:34:33,330 --> 00:34:37,090
You become a carpenter, you'll have gone to school for that. You

543
00:34:37,090 --> 00:34:40,930
just don't pick up, you know, a skill saw and a couple hammers

544
00:34:40,930 --> 00:34:44,170
and. And drills and just go to work as a goat.

545
00:34:45,070 --> 00:34:47,950
When you went, you. You already were qualified.

546
00:34:48,750 --> 00:34:52,510
I don't know what they call a journeyman or something like that, but

547
00:34:52,910 --> 00:34:56,750
certainly by 16, you. You were actually working and you were

548
00:34:56,750 --> 00:35:00,589
a professional. I. I kind of agree with that in

549
00:35:00,589 --> 00:35:04,110
the sense of we're. America got rid of that.

550
00:35:04,190 --> 00:35:06,750
We're gonna get on. We're gonna get on the Carmel here in a second. But

551
00:35:06,750 --> 00:35:10,030
this is an interesting thing because, you know, when I was in high school

552
00:35:11,110 --> 00:35:14,950
and the young man that told me about your career in wine

553
00:35:14,950 --> 00:35:18,750
that stumbled across the end of the summer story, you know,

554
00:35:18,750 --> 00:35:22,510
we. There was trade tax. You. There was auto school, and there was wood shop,

555
00:35:22,510 --> 00:35:25,830
and all those things happened, and they're all gone now, and they're coming back in

556
00:35:25,830 --> 00:35:29,590
the US And I always thought the European model for that was. Was

557
00:35:29,590 --> 00:35:33,390
a good one, as well as protecting the

558
00:35:33,390 --> 00:35:37,110
food, you know, the regional foods, the regional butter, the regional cheese,

559
00:35:37,550 --> 00:35:41,270
regional wines, I think is an important aspect of

560
00:35:41,270 --> 00:35:44,830
the European lifestyle that the Americans kind of lost. And we'll talk about that in

561
00:35:44,830 --> 00:35:47,830
a second. We're talking about your restaurant. So you're. You're in your hot. You're in

562
00:35:47,830 --> 00:35:50,430
this. Your. Your shack in Carmel.

563
00:35:51,870 --> 00:35:55,150
It's a pretty cool house. Oh, was it okay? I would say for

564
00:35:55,150 --> 00:35:58,510
42,000, you got a cool house,

565
00:35:58,750 --> 00:36:01,230
kind of Mediterranean, built by a local

566
00:36:01,950 --> 00:36:05,730
artisan, curved ceilings, you know, nice

567
00:36:05,730 --> 00:36:09,570
hardwood floors. You could actually move to Carmel and buy a

568
00:36:09,570 --> 00:36:12,690
$12,000 house, which was kind of like a

569
00:36:13,490 --> 00:36:16,930
batten board type. Yeah,

570
00:36:17,010 --> 00:36:20,810
right. Cabin. You could put your finger through the walls. But you

571
00:36:20,810 --> 00:36:24,290
were in Carmel. There's a couple of hotels there that. That

572
00:36:24,610 --> 00:36:27,450
rent those. Right. I mean, I think I stayed in one, which is Sort of

573
00:36:27,450 --> 00:36:31,170
just a little. Yes, two bedroom, one bedroom kind of thing. Not even. Yeah,

574
00:36:31,170 --> 00:36:34,850
yeah, yeah. Close to the beach. Yeah. Right. Wow. But you

575
00:36:34,850 --> 00:36:38,450
just start painting with no idea how you're going to sell this, earn a

576
00:36:38,450 --> 00:36:42,210
living. What did you do? Did you go find galleries or did you.

577
00:36:42,530 --> 00:36:44,530
Well, it's interesting. First of all,

578
00:36:46,530 --> 00:36:50,210
I, I drew every day and I'm talking

579
00:36:50,210 --> 00:36:53,250
about. I was drawing eight hours a day.

580
00:36:53,810 --> 00:36:57,330
Wow. I was chopping wood here. And

581
00:36:58,130 --> 00:37:01,480
it was my life and I was determined.

582
00:37:02,440 --> 00:37:06,200
I had the discipline from the music industry and when I was.

583
00:37:06,200 --> 00:37:09,080
To the clothing business in la,

584
00:37:09,960 --> 00:37:13,120
I knew how to focus in and understand the

585
00:37:13,120 --> 00:37:16,440
abstraction of painting. I was not into painting

586
00:37:16,440 --> 00:37:20,280
prefectures or representing, you know, doing

587
00:37:20,280 --> 00:37:23,720
a painting of Cyprus on the beach. I was a

588
00:37:23,720 --> 00:37:27,450
conceptual painter and I wanted to surround myself as

589
00:37:27,450 --> 00:37:31,090
a young man, young painter with some

590
00:37:31,090 --> 00:37:34,610
influential people. So I did find two people

591
00:37:34,690 --> 00:37:38,410
and I was fortunate that Carmel at that time had a couple

592
00:37:38,410 --> 00:37:41,490
really great painters

593
00:37:41,970 --> 00:37:45,810
and we became friends and I learned through them

594
00:37:46,370 --> 00:37:50,170
and I excelled really fast because I knew how to handle a

595
00:37:50,170 --> 00:37:53,580
paintbrush and how to see.

596
00:37:53,900 --> 00:37:57,420
But I needed to understand some of the theory, the abstract theory

597
00:37:57,980 --> 00:38:01,740
that applies to realism or abstract paintings

598
00:38:02,380 --> 00:38:06,140
or any genre, matter of fact. So that was

599
00:38:06,140 --> 00:38:09,820
part of it. So I painted, I would say at that point, about

600
00:38:09,900 --> 00:38:13,500
three years every day until I took a painting

601
00:38:13,820 --> 00:38:17,180
and hung it in a gallery. Wow. Then I

602
00:38:17,340 --> 00:38:21,000
belong to an art association where I was able to

603
00:38:21,000 --> 00:38:24,640
show and a couple of galleries and I did

604
00:38:24,640 --> 00:38:28,360
quite well. That's fascinating. You know, the

605
00:38:29,880 --> 00:38:33,600
art galleries, my, my, my sister in law just had opened one here in

606
00:38:33,600 --> 00:38:37,400
Glendale for mostly Armenian artists. It was very nice, but, you

607
00:38:37,400 --> 00:38:39,560
know, a tough business to make a go

608
00:38:41,160 --> 00:38:44,850
and let alone the artistry side of it. That's, that's. I mean

609
00:38:44,850 --> 00:38:48,210
there's the term starving artist is there for a reason. Right.

610
00:38:49,410 --> 00:38:53,250
So was there, you know, in your mind, was there any connection between,

611
00:38:53,410 --> 00:38:56,610
you know, the abstract portion of music,

612
00:38:57,170 --> 00:39:00,370
understanding music and your ability to paint or

613
00:39:00,370 --> 00:39:03,490
visualize on our. Yeah, well,

614
00:39:05,090 --> 00:39:06,610
I think if I had been,

615
00:39:09,090 --> 00:39:12,910
if I dove into that, the abstraction to music, I

616
00:39:12,910 --> 00:39:16,390
would have become a better musician. So

617
00:39:17,030 --> 00:39:20,750
I learned by ear. Here's a C chord, here's a

618
00:39:20,750 --> 00:39:24,390
D going up. The fretboard at that time was a little bit

619
00:39:24,390 --> 00:39:28,150
more abstract. Yes, Right. That kind of stuff. So

620
00:39:28,630 --> 00:39:32,110
I was able to play gigs. But where my

621
00:39:32,110 --> 00:39:35,910
abstraction came in, or at least my DNA

622
00:39:35,910 --> 00:39:38,950
gift, if you will, is I knew how to connect with people

623
00:39:39,680 --> 00:39:43,520
and put the music and the people together. And that of putting

624
00:39:44,240 --> 00:39:48,000
music and the people together applied to

625
00:39:48,000 --> 00:39:51,440
painting and that is, I've got the paints,

626
00:39:51,600 --> 00:39:54,800
I got all the equipment and then I've got the

627
00:39:54,800 --> 00:39:58,600
mindset on how to paint and

628
00:39:58,600 --> 00:40:02,360
deal with subconscious, with intellect and

629
00:40:02,360 --> 00:40:06,120
know where to work that fine line and then know when to

630
00:40:06,120 --> 00:40:09,920
put the paintbrush down before I. Before I

631
00:40:09,920 --> 00:40:12,920
ruin it. So the signature

632
00:40:13,640 --> 00:40:17,120
gioris on a painting and Carmel meant something to the

633
00:40:17,120 --> 00:40:20,600
locals. And how widespread did that

634
00:40:20,600 --> 00:40:22,520
get? Well, it's very interesting.

635
00:40:25,000 --> 00:40:28,760
I was selling paintings at that time. I'd sell a

636
00:40:28,760 --> 00:40:32,220
painting, you would pay the rent for the month. Wow, that's

637
00:40:32,540 --> 00:40:36,260
start. But when I was doing music, I'd pay one gig

638
00:40:36,260 --> 00:40:39,860
and pay rent for the month. Right. So I. Those

639
00:40:39,860 --> 00:40:42,620
things existed. There was a middle class of business,

640
00:40:44,700 --> 00:40:48,540
so. And then some of the

641
00:40:48,540 --> 00:40:51,820
designers that came into town and as

642
00:40:53,180 --> 00:40:57,030
the real estate market developed, the following

643
00:40:57,110 --> 00:41:00,790
become greater and greater. I start doing really large

644
00:41:00,870 --> 00:41:04,670
paintings. Then I had San Francisco collectors come

645
00:41:04,670 --> 00:41:08,230
in and buy my paintings. I had out of Palo

646
00:41:08,230 --> 00:41:11,949
Alto a gallery that would show my pieces. I would do one man

647
00:41:11,949 --> 00:41:15,750
show over there. Then the museum in Monterrey asked me to

648
00:41:15,990 --> 00:41:19,590
do a one man show at the museum, which is unusual because they never

649
00:41:19,670 --> 00:41:23,390
feature local painters unless they

650
00:41:23,870 --> 00:41:27,070
really believed in the work itself.

651
00:41:28,030 --> 00:41:31,670
Do you call this abstract? I'm a

652
00:41:31,670 --> 00:41:35,230
figurative painter, but I can get very

653
00:41:35,230 --> 00:41:38,950
juicy. In my early days I started with

654
00:41:38,950 --> 00:41:42,790
more conservative pieces, little still lives and

655
00:41:42,790 --> 00:41:46,550
stuff and loosely painted. But if you took a very small section

656
00:41:46,550 --> 00:41:50,210
of that, it looked like an abstract painting. I started

657
00:41:50,690 --> 00:41:54,530
making it larger and so I did for about

658
00:41:54,530 --> 00:41:58,130
a year. I did all erotic paintings that were

659
00:41:58,130 --> 00:42:01,850
just kind of, kind of a piece you'd find in New York

660
00:42:01,850 --> 00:42:05,650
perhaps. Yeah. And I also had my favorite

661
00:42:05,650 --> 00:42:09,090
painting painters, you know that

662
00:42:09,410 --> 00:42:12,770
international painters that obviously inspired me and

663
00:42:12,930 --> 00:42:15,710
directed me in different show as well.

664
00:42:16,740 --> 00:42:20,580
Did you, did this surprise you? This popularity that you. That grew

665
00:42:20,580 --> 00:42:24,340
and, and people were seeking to put you in their shows,

666
00:42:24,340 --> 00:42:27,780
put you in a museum? No, no. That's really

667
00:42:27,780 --> 00:42:31,580
strange. I, I've. I've never thought, I never thought

668
00:42:31,580 --> 00:42:35,300
that was important. I always

669
00:42:35,300 --> 00:42:39,060
had a basic economic structure

670
00:42:39,380 --> 00:42:42,990
that allowed me. And I, I could talk about

671
00:42:42,990 --> 00:42:46,270
it now, but that allowed me the freedom

672
00:42:46,510 --> 00:42:50,350
of expression regardless of what I've done. Including the

673
00:42:50,350 --> 00:42:53,950
wine. Yeah, well, I think

674
00:42:54,670 --> 00:42:57,269
we'll discuss that in a minute. But when it comes to wine, you better be

675
00:42:57,269 --> 00:43:01,070
in a pretty good position because it's

676
00:43:01,070 --> 00:43:04,830
pretty hard. Oh yeah. So you left your

677
00:43:04,830 --> 00:43:08,630
painting, you're probably still painting, but somehow you decided

678
00:43:08,630 --> 00:43:12,100
hospitality was a great direction. And

679
00:43:12,100 --> 00:43:15,820
Carmel of course known for its food and it's sort of nouvelle cuisine.

680
00:43:15,820 --> 00:43:19,140
It's. I never decided that

681
00:43:20,660 --> 00:43:24,460
actually my sister and her boyfriend wanted

682
00:43:24,460 --> 00:43:28,180
to get out of Southern California as well. He came up here, I think

683
00:43:28,180 --> 00:43:31,780
he was 20 years old. And they didn't have the money and

684
00:43:31,780 --> 00:43:35,330
I had a few bucks. I decided I'll be asylum partner.

685
00:43:37,560 --> 00:43:41,160
I don't think that's the case. And here I am, the solo guy.

686
00:43:41,320 --> 00:43:44,880
Yeah. So what, what's the name of the

687
00:43:44,880 --> 00:43:48,280
restaurant? We have a restaurant called Casanova.

688
00:43:48,280 --> 00:43:52,120
Casanova. And then. So that was started then you were supposedly

689
00:43:52,120 --> 00:43:55,600
going to be just. And I don't know in the

690
00:43:55,600 --> 00:43:59,400
restaurant business. We have very successful cousin here in Southern California.

691
00:43:59,720 --> 00:44:03,500
The restaurant called me Piache 37. In the years, as you know, on the, you

692
00:44:03,500 --> 00:44:07,140
know, it's interesting to me. Let's touch on that for a second. The

693
00:44:07,140 --> 00:44:10,620
French culture, Belgian culture, restaurants are

694
00:44:10,620 --> 00:44:14,420
lineage their family. It's not unusual to

695
00:44:14,420 --> 00:44:17,900
see a 30, 40, 50 year restaurant. It's not unusual to see third

696
00:44:17,900 --> 00:44:21,580
generation. But America, that's really not the case.

697
00:44:22,220 --> 00:44:25,860
You know, they're business, business enterprises. How fast can you get in,

698
00:44:25,860 --> 00:44:29,260
get out and, and move on to the next one? Well, how can you

699
00:44:29,340 --> 00:44:32,740
convince somebody to be contributing

700
00:44:32,740 --> 00:44:36,340
financially and take the loss for a period of four or five

701
00:44:36,340 --> 00:44:39,980
years? That's true. It's a write off. They try to get some hot chef

702
00:44:41,340 --> 00:44:45,180
who's like elite guitarist who wants to move on to a different band. You

703
00:44:45,180 --> 00:44:48,060
know, that's the vulnerability

704
00:44:48,860 --> 00:44:52,460
and that's the anxiety. Whenever you

705
00:44:52,460 --> 00:44:56,270
have a restaurant who's who the real draw is

706
00:44:56,270 --> 00:44:59,470
the chef. You're in trouble unless the chef's the owner.

707
00:45:00,350 --> 00:45:03,870
Chef centric. Yeah. If the chef leaves all of a

708
00:45:03,870 --> 00:45:07,710
sudden the identity of the restaurants out. You're right.

709
00:45:07,710 --> 00:45:11,510
I've seen that happen many times and I've seen some, some you

710
00:45:11,510 --> 00:45:15,190
know, migration successful and the restaurant's still, still

711
00:45:15,190 --> 00:45:19,030
handling it. But yeah, we're, we're, we talk about that a lot because of our

712
00:45:19,030 --> 00:45:22,610
experience with our, our, with our cousin. So. But you, you weren't

713
00:45:22,610 --> 00:45:25,610
planning on that. You funded the thing and then.

714
00:45:26,650 --> 00:45:30,210
So what happened that you had to become an operator? Oh, that first

715
00:45:30,210 --> 00:45:32,010
restaurant was called La Boheme

716
00:45:34,650 --> 00:45:38,250
Song. Yeah. Right. So

717
00:45:38,570 --> 00:45:42,130
La Boheme is kind of a painter song, the blank

718
00:45:42,130 --> 00:45:45,810
canvas, you know. And that

719
00:45:45,810 --> 00:45:49,580
eventually became La Bicyclet, which is still there

720
00:45:49,580 --> 00:45:53,340
today. Very popular. Probably one of the

721
00:45:53,340 --> 00:45:56,940
most popular restaurants on the west coast.

722
00:45:57,980 --> 00:46:01,620
But that had a Jors name on it at one point. Yes, it still does.

723
00:46:01,620 --> 00:46:04,860
But on my brother's side now

724
00:46:05,260 --> 00:46:09,100
I see. Yeah. So French

725
00:46:09,100 --> 00:46:12,700
cuisine, obviously it's kind of a

726
00:46:12,700 --> 00:46:15,440
hybrid. It's, it's more

727
00:46:15,440 --> 00:46:19,280
Mediterranean, slash California. Okay, so we were

728
00:46:19,280 --> 00:46:22,600
just have to tell you, this is your.

729
00:46:22,840 --> 00:46:26,120
Your native language is French. We. We're in Paris,

730
00:46:26,840 --> 00:46:30,360
Texas. Yesterday, I was in there. My wife's still there. Yeah.

731
00:46:30,680 --> 00:46:34,440
And it's a great town. It's a rural. Like

732
00:46:34,440 --> 00:46:38,040
the movie. There's a movie called Paris, Texas. Yeah, Right. In this. The town.

733
00:46:38,040 --> 00:46:41,880
The. The movie that's most recent about the girls that go there. That's. None

734
00:46:41,880 --> 00:46:45,560
of us filmed there, unfortunately, except for the Eiffel Tower. But. But I.

735
00:46:45,560 --> 00:46:49,160
I had two things going. I had. I did a podcast with last year's

736
00:46:49,160 --> 00:46:52,360
winner, the grand champion of the state championship

737
00:46:52,360 --> 00:46:55,960
barbecue. Oh, okay. And so I went to it Saturday.

738
00:46:56,520 --> 00:47:00,200
If you've ever had a beef hangover, which maybe you've had one before. Jesus

739
00:47:00,440 --> 00:47:04,200
Christ. It was. It was amazing. Anyway, the reason

740
00:47:04,200 --> 00:47:08,050
I brought it up was there's a new restaurant there. This is a very,

741
00:47:08,050 --> 00:47:11,890
very cute, prideful town. So the restaurant's

742
00:47:11,890 --> 00:47:14,290
called Bonfire, and it says on the window,

743
00:47:15,250 --> 00:47:17,490
French Texan cuisine.

744
00:47:18,930 --> 00:47:22,290
And so we're walking in, I'm like, I wonder what that means, you know? And

745
00:47:22,290 --> 00:47:25,410
so I had French onion soup with brisket in it.

746
00:47:26,130 --> 00:47:29,970
Oh, my God. It's

747
00:47:29,970 --> 00:47:33,810
a brisket too. But it was

748
00:47:33,810 --> 00:47:37,580
pretty good. But I just thought it was pretty unusual. Anyway, so.

749
00:47:37,740 --> 00:47:41,340
But did you enjoy that part of the business? Because

750
00:47:41,340 --> 00:47:44,460
operating a restaurant is, you know, tireless work.

751
00:47:45,500 --> 00:47:49,300
Well, yeah, it's

752
00:47:49,300 --> 00:47:52,380
really. Aside from the food with.

753
00:47:53,580 --> 00:47:56,380
My sister's boyfriend was a chef.

754
00:47:57,100 --> 00:48:00,140
It's really the show business. Yeah, right.

755
00:48:01,880 --> 00:48:05,520
The servers or the actors and the customers are

756
00:48:05,520 --> 00:48:09,200
on stage with you. There's music being

757
00:48:09,200 --> 00:48:12,920
played. There's a rhythm to

758
00:48:12,920 --> 00:48:16,720
it. You hope at the end of the night that you've

759
00:48:16,720 --> 00:48:20,200
done good numbers so that you can open the next day.

760
00:48:21,400 --> 00:48:25,000
And the longevity of that is, in fact,

761
00:48:25,560 --> 00:48:28,820
knowing how to manage food costs, labor costs,

762
00:48:29,530 --> 00:48:32,650
and all of those things, which are very mechanical,

763
00:48:33,210 --> 00:48:36,810
easy to study, oftentimes neglected.

764
00:48:38,570 --> 00:48:42,170
But, yeah, it was fun. You get to meet people.

765
00:48:42,250 --> 00:48:44,810
Especially in our restaurants, we get to meet people,

766
00:48:45,850 --> 00:48:49,570
all sorts of. You know, we get all people from all

767
00:48:49,570 --> 00:48:53,330
over the world. We got all the movie stars, all the

768
00:48:53,330 --> 00:48:56,490
musicians come in, all the sports team,

769
00:48:57,460 --> 00:49:00,980
of course, all the golfers, the people that race cars at

770
00:49:00,980 --> 00:49:04,660
Laguna Seca. So we're kind of a international

771
00:49:06,100 --> 00:49:09,540
Casanova. Is an international restaurant

772
00:49:09,940 --> 00:49:13,260
in an artistic community. Less

773
00:49:13,260 --> 00:49:17,020
artistic now than before, but just one of the

774
00:49:17,020 --> 00:49:20,820
most beautiful places in the world, quite frankly. That's a

775
00:49:20,900 --> 00:49:24,620
really interesting perspective. I didn't think about the clientele base because of the.

776
00:49:25,170 --> 00:49:28,210
Because of Laguna Seca, of course. Pebble beach and

777
00:49:28,290 --> 00:49:31,890
Spyglass and all the rest of them. You probably get an amazing cross

778
00:49:31,890 --> 00:49:35,690
section of people that hear about Casanova. Oh, yeah. And want

779
00:49:35,690 --> 00:49:39,490
to experience it. Yeah. All the movie actors, Jack Nicholson,

780
00:49:40,130 --> 00:49:43,850
you know, all the Tonight show guys, the

781
00:49:43,850 --> 00:49:46,690
musicians from the bands, the

782
00:49:46,690 --> 00:49:50,090
49ers, Eric Ryan, Joe

783
00:49:50,090 --> 00:49:53,780
Montana, Bobby Ray hall, you know,

784
00:49:53,940 --> 00:49:57,700
really good. Everybody comes through our restaurant.

785
00:49:57,700 --> 00:50:01,380
Clint Eastwood. Oh, yeah, absolutely. I'm sure

786
00:50:01,620 --> 00:50:03,700
he was a regular. I had to bring that. I had to. I had to

787
00:50:03,700 --> 00:50:06,939
throw that in. He had a shop down the street. Yeah, yeah. We had to

788
00:50:06,939 --> 00:50:09,540
show that in there. So that. That turned into.

789
00:50:11,780 --> 00:50:14,420
This is. I don't think this is horribly unusual.

790
00:50:15,460 --> 00:50:19,260
And I just had a podcast with Chef David Slade here in Hermosa beach,

791
00:50:19,260 --> 00:50:22,840
who continues to open restaurants, and they continue to be successful. So you understand

792
00:50:23,240 --> 00:50:26,880
that. That task. But he also features wines on his list

793
00:50:26,880 --> 00:50:30,440
from Slay Vineyards, which is a real

794
00:50:30,440 --> 00:50:34,120
place in Santa Ines. And

795
00:50:35,960 --> 00:50:39,760
it's. The wine trade, as you know, is. Is not an easy

796
00:50:39,760 --> 00:50:43,520
trade. Did you find this alluring from the restaurant

797
00:50:43,520 --> 00:50:46,570
side of it? In other words, wouldn't it be cool to have a wine on

798
00:50:46,570 --> 00:50:50,050
a list here or you fell in love with some other. Well,

799
00:50:50,210 --> 00:50:53,810
it was never ego driven. I

800
00:50:53,810 --> 00:50:57,090
come, as I may have mentioned earlier, from

801
00:50:58,370 --> 00:51:01,409
farm families, you know, back in Belgium.

802
00:51:02,130 --> 00:51:05,690
To me, the seasons have always been something that

803
00:51:05,690 --> 00:51:08,970
I've always enjoyed. The winter, fall, the dropping of the

804
00:51:08,970 --> 00:51:11,570
leaves, you know, all that kind of stuff.

805
00:51:12,840 --> 00:51:16,600
So farming and the dirt has always been

806
00:51:17,480 --> 00:51:19,720
in my DNA. I had no choice.

807
00:51:21,000 --> 00:51:24,760
So wherever I lived, automatically the garden was a big

808
00:51:24,760 --> 00:51:28,560
part of it. The house I have now in Carmel, I grow most of

809
00:51:28,560 --> 00:51:32,200
our produce right in the front yard. Wow.

810
00:51:32,360 --> 00:51:35,480
We're in a little sun belt now. Not the same house, by the way,

811
00:51:36,040 --> 00:51:39,720
a more interesting house a little further from the beach, but a larger property.

812
00:51:40,620 --> 00:51:44,340
And that part kind of

813
00:51:44,340 --> 00:51:47,900
dovetailed right into the restaurant, the wine

814
00:51:47,900 --> 00:51:51,580
part. I remember as a child, the first wine I ever

815
00:51:51,580 --> 00:51:55,340
drank was a Alsatian wine. I think it was after my

816
00:51:55,820 --> 00:51:59,540
first communion. I must have been, oh, my

817
00:51:59,540 --> 00:52:03,020
buddy and I drank a bottle of Alsatian wine and then

818
00:52:03,500 --> 00:52:06,940
didn't get tipsy, but we acted a little bit tipsy because we thought

819
00:52:07,350 --> 00:52:10,230
that was the protocol. And

820
00:52:11,670 --> 00:52:14,790
we had a grocery store where we sold nice wines,

821
00:52:15,190 --> 00:52:18,950
but my grandparents always had a barrel of Burgundy

822
00:52:18,950 --> 00:52:22,150
and a barrel of Bordeaux in the

823
00:52:22,230 --> 00:52:25,350
cellar. Really? Yeah, in those days.

824
00:52:26,390 --> 00:52:30,110
Hence comes the terminology, you have chateau barrels

825
00:52:30,110 --> 00:52:32,630
or transport barrels, because

826
00:52:34,460 --> 00:52:38,180
prior to the 60s, all of the wine out of

827
00:52:38,180 --> 00:52:40,620
France was being shipped in barrels.

828
00:52:41,500 --> 00:52:45,260
Transport barrels. Because the roads were so

829
00:52:45,260 --> 00:52:47,900
bad that you could not ship bottles.

830
00:52:49,500 --> 00:52:53,260
The roads were bad, the distance, the weather fluctuation.

831
00:52:53,820 --> 00:52:57,660
So it was always shipped. And then it was bottled in Belgium

832
00:52:57,980 --> 00:53:01,630
by local wine distributors with

833
00:53:01,630 --> 00:53:05,270
the Belgian label. But of that chateau, and also they

834
00:53:05,270 --> 00:53:09,070
ship to Germany, to Holland, to England, and still

835
00:53:09,070 --> 00:53:12,910
today you'll find that you'll find some of the old

836
00:53:12,910 --> 00:53:16,470
vintages saying bottled in Belgium, et cetera.

837
00:53:16,630 --> 00:53:19,370
Even sometimes you'll find a 7,

838
00:53:19,623 --> 00:53:22,950
730 ML bottle instead of

839
00:53:23,430 --> 00:53:27,150
750. Interesting. Yeah. And. But if they

840
00:53:27,150 --> 00:53:30,710
did send wine in bottles, they would drop

841
00:53:30,950 --> 00:53:34,230
one or two drops of eau de vie of

842
00:53:34,550 --> 00:53:38,230
alcohol for the journey, you know, to protect the wine.

843
00:53:38,230 --> 00:53:41,950
Sure, yeah. Well, I mean, part of that was the

844
00:53:41,950 --> 00:53:45,670
negociant system that was prevalent in Burgundy and Bordeaux during

845
00:53:45,670 --> 00:53:49,270
all that. That period until the 70s, I think it was. It still

846
00:53:49,270 --> 00:53:52,710
is rather popular methodology, but. But I can see the other

847
00:53:53,110 --> 00:53:56,390
problem that Madame Clicquot had the same problem in the late

848
00:53:56,390 --> 00:53:59,950
1700s. Things get blown up on her because of the roads and the

849
00:53:59,950 --> 00:54:03,750
shipping. I wanted to mention. I'm not sure I answered your

850
00:54:03,750 --> 00:54:07,190
question. Sometimes I'm listening to my head and not paying as

851
00:54:08,310 --> 00:54:12,110
forward to the sentence, I'm dropping out here. So

852
00:54:12,110 --> 00:54:15,030
for me, I had a restaurant,

853
00:54:15,430 --> 00:54:18,890
Casanova, and I had 30 wines on the wine list.

854
00:54:19,210 --> 00:54:22,970
Okay. As I tasted the wines

855
00:54:22,970 --> 00:54:26,570
and so on, and having been in the environment of not

856
00:54:26,570 --> 00:54:30,210
producing wine but in Belgium, it was

857
00:54:30,210 --> 00:54:33,969
part of our environment through the selling of

858
00:54:33,969 --> 00:54:36,890
wine and consumption as well, even as children,

859
00:54:38,250 --> 00:54:41,370
I kind of want to connect that earthiness

860
00:54:42,010 --> 00:54:45,140
with the idea of wine.

861
00:54:45,700 --> 00:54:49,220
And having lived in Los angeles for about 10

862
00:54:49,300 --> 00:54:52,100
plus years, a little bit more,

863
00:54:52,980 --> 00:54:56,420
I realized that there are no seasons in Los Angeles.

864
00:54:56,580 --> 00:55:00,100
You've got kind of spring, summer, and that's it.

865
00:55:00,260 --> 00:55:02,980
And a year is gone within six months. Right.

866
00:55:04,100 --> 00:55:07,700
And I wanted to go further north and do something that would

867
00:55:07,860 --> 00:55:11,290
put me potentially in the vulnerability or the

868
00:55:11,290 --> 00:55:15,090
challenges or the excitement of seasonal

869
00:55:15,650 --> 00:55:18,610
activities. Pruning

870
00:55:19,250 --> 00:55:22,530
to training, to harvest, to

871
00:55:23,250 --> 00:55:26,970
making of the wine gave me a different sense of

872
00:55:26,970 --> 00:55:30,730
the calendar and therefore a different sense enrolled my

873
00:55:30,730 --> 00:55:34,370
life and my position within that.

874
00:55:34,930 --> 00:55:38,690
And however, the years are going just as fast, but at least

875
00:55:38,930 --> 00:55:42,450
I have better distractions. Yeah, that's like a

876
00:55:42,450 --> 00:55:45,810
biodynamic life, isn't it? That's something

877
00:55:45,970 --> 00:55:49,770
it's always been. It's always been even when I had the

878
00:55:49,770 --> 00:55:53,570
band that collected wines. So when I would cook

879
00:55:53,570 --> 00:55:57,330
dinner for the band and I'd have a bottle of wine at dinner

880
00:55:57,330 --> 00:56:00,810
time, we all ate and we had this beautiful eight Bedroom

881
00:56:00,810 --> 00:56:04,450
Victorian in Riverside, where we all lived.

882
00:56:04,450 --> 00:56:08,180
And it was like, yeah, we really did it well.

883
00:56:08,180 --> 00:56:11,900
Riverside, Cucamonga, you know, the birthplace of really of California wine in the

884
00:56:11,900 --> 00:56:15,580
1700s. But this is an interesting thing. Let me see if I can articulate

885
00:56:15,580 --> 00:56:19,380
this. The seasonality of food is

886
00:56:19,460 --> 00:56:22,900
critical, I think, for the health of the food and the healthy organisms.

887
00:56:23,940 --> 00:56:27,540
And I always thought it fascinating that, for instance, with organic. Let's just go with

888
00:56:27,540 --> 00:56:29,940
organic wines in this case.

889
00:56:31,220 --> 00:56:34,900
They were always. Were organic. The wines that you. Your parents drank in the

890
00:56:34,900 --> 00:56:38,700
60s were organic. They weren't. They weren't pesticides around or insecticides.

891
00:56:38,700 --> 00:56:42,380
They didn't use them then. And. And they now.

892
00:56:42,380 --> 00:56:46,180
And then we butcher them. We butcher, particularly in America, we butcher our

893
00:56:46,180 --> 00:56:49,620
farms and they produce a ton of stuff, but it's all crap.

894
00:56:49,940 --> 00:56:53,060
And then now we're going back to seasonal

895
00:56:53,380 --> 00:56:57,180
foods, which is so critical, and organic

896
00:56:57,180 --> 00:57:00,910
or biodynamic wines. And we. We applaud ourselves for

897
00:57:00,910 --> 00:57:03,550
doing this. And it's like. But it always was this way.

898
00:57:04,750 --> 00:57:08,590
We screwed it up. I have a lot of comments. Obviously,

899
00:57:10,110 --> 00:57:13,790
you know, I studied

900
00:57:14,190 --> 00:57:17,990
winemaking and working in the vineyard pruning in Bordeaux for

901
00:57:17,990 --> 00:57:21,150
a couple of years, in and out of Bordeaux.

902
00:57:21,630 --> 00:57:25,320
And I kind of, as a mentor, was an

903
00:57:25,320 --> 00:57:28,440
old gentleman in Margaux.

904
00:57:29,080 --> 00:57:32,200
Very little vineyard under capitalized.

905
00:57:32,920 --> 00:57:36,680
But I learned what

906
00:57:36,680 --> 00:57:40,520
I already knew from my childhood and that

907
00:57:40,520 --> 00:57:43,720
was how to deal with the earth,

908
00:57:43,800 --> 00:57:47,640
recognize the vulnerabilities and the advantages and what

909
00:57:47,640 --> 00:57:51,330
that ground can produce and tying it

910
00:57:51,330 --> 00:57:55,170
in to produce. I really believe, and

911
00:57:55,170 --> 00:57:58,490
I've always used this as an example to make a point

912
00:57:59,450 --> 00:58:03,170
in Germany. I really believe that part of the strength of the

913
00:58:03,170 --> 00:58:06,170
German people in the past, and perhaps still today,

914
00:58:06,810 --> 00:58:10,410
was the cabbage that was being grown in these particular

915
00:58:10,570 --> 00:58:13,610
soils that were high in the

916
00:58:14,010 --> 00:58:17,670
minerality. And you look

917
00:58:17,670 --> 00:58:21,230
at. That's interesting. Probably one of the best food

918
00:58:21,470 --> 00:58:25,190
that you probably could eat, you know? Yeah, interesting. It's a

919
00:58:25,190 --> 00:58:29,030
natural probiotic and so on. So natural. Let's go

920
00:58:29,030 --> 00:58:32,350
back to natural. At that time, you basically

921
00:58:33,630 --> 00:58:37,430
improve the soils by manure. That

922
00:58:37,430 --> 00:58:41,030
was it. Okay. Yeah. And so you depended on the

923
00:58:41,030 --> 00:58:44,670
local villagers that had cows, sheep, horses,

924
00:58:45,070 --> 00:58:48,920
whatever that was. And we had one of those

925
00:58:48,920 --> 00:58:51,840
farms. My godfather, uncle

926
00:58:52,640 --> 00:58:56,080
had one of those. And the urine from the cows

927
00:58:57,120 --> 00:59:00,760
was spread over the fields where the cows would eat the grass

928
00:59:00,760 --> 00:59:04,560
and the little daisies and they made milk. The

929
00:59:04,560 --> 00:59:08,160
fertilizer was spread also in the gardens. And we

930
00:59:08,160 --> 00:59:11,840
grew things. Wow. No

931
00:59:11,840 --> 00:59:15,010
pesticides. Because if there were some

932
00:59:16,050 --> 00:59:19,570
economically, didn't make any sense. It was too expensive.

933
00:59:20,130 --> 00:59:23,810
Okay, so now to winemaking. You

934
00:59:23,810 --> 00:59:27,570
see, most of these small

935
00:59:27,570 --> 00:59:30,210
producers in France and all over Europe

936
00:59:31,490 --> 00:59:35,130
prior to the 70s were small,

937
00:59:35,130 --> 00:59:38,810
the small producers, except some of the first growth, but small

938
00:59:38,810 --> 00:59:42,550
producers all. And we always know that the better market

939
00:59:42,710 --> 00:59:46,350
usually is one geographically close to you. It

940
00:59:46,350 --> 00:59:49,910
requires less shipping, you get your money faster, et

941
00:59:49,910 --> 00:59:53,190
cetera. So that's how it happened.

942
00:59:53,990 --> 00:59:57,750
So I bought bottles of chateau Petrus for 75

943
00:59:57,750 --> 01:00:01,510
bucks in the 70s or

944
01:00:01,510 --> 01:00:05,310
good luck, you can't buy the empty. Yeah, that's

945
01:00:05,310 --> 01:00:09,150
right. So, so how do I, how does do I relate

946
01:00:09,150 --> 01:00:12,870
to that? Well, I traded that original house, the

947
01:00:12,870 --> 01:00:16,710
42,000, for 40 acre ranch, and I

948
01:00:16,710 --> 01:00:20,230
planted vines on it. Wow.

949
01:00:20,470 --> 01:00:24,310
And then I had a friend of mine make the wine who had a small

950
01:00:24,310 --> 01:00:28,110
winery. And once I tasted the wine, I said, now I can go to the

951
01:00:28,110 --> 01:00:30,470
bank and borrow some money to build a winery.

952
01:00:31,840 --> 01:00:35,280
Phenomenal. So 40 acres. So what's now planted? How many?

953
01:00:35,520 --> 01:00:39,240
I will have 13 acres planted and I've got

954
01:00:39,240 --> 01:00:42,800
about 6 acres, 700 olive trees.

955
01:00:43,040 --> 01:00:46,800
And we just finished the olive harvest. We got three tons.

956
01:00:46,800 --> 01:00:50,640
I think. You monetize the olives as well or just for fun?

957
01:00:51,120 --> 01:00:54,720
Yes, well, it's kind of just for fun and the wine too,

958
01:00:54,720 --> 01:00:58,040
quite frankly, because your profit margin or just like

959
01:00:58,670 --> 01:01:02,350
you're buying it to a lifestyle. And I never understood why

960
01:01:02,670 --> 01:01:06,110
people that have a lot of money would do a winery

961
01:01:06,990 --> 01:01:10,790
if they're not winemakers. It didn't make sense to me. I

962
01:01:10,790 --> 01:01:14,590
think they just like to be there and be there. Then I'm the owner of

963
01:01:14,590 --> 01:01:18,070
a winery that's got nothing to do with making wine. And the

964
01:01:18,070 --> 01:01:21,910
farming side, if you're not taking care

965
01:01:21,910 --> 01:01:25,640
of the vineyard, the viticulturist, and making the

966
01:01:25,640 --> 01:01:29,440
wine, you're not going to make great wines. You know, that's a really

967
01:01:29,440 --> 01:01:33,080
important question. We could probably talk for a whole podcast on

968
01:01:33,080 --> 01:01:36,400
that alone. But it's very important because this is what happened to

969
01:01:36,400 --> 01:01:40,200
Napa in that, you know, a lot of money. You're

970
01:01:40,200 --> 01:01:43,720
government contractor, surgeon, successful eye surgeon, whatever. And you,

971
01:01:43,800 --> 01:01:47,440
you think this lifestyle is what you want because you can have your own brand.

972
01:01:47,440 --> 01:01:51,130
But then you get there and you realize it is farming. And

973
01:01:51,130 --> 01:01:54,450
I'm not a farmer. Absolutely. Interrupt you.

974
01:01:54,930 --> 01:01:58,730
Go ahead. You can't make great wine if you don't have a

975
01:01:58,730 --> 01:02:02,530
great piece of land. You have to have those soils.

976
01:02:02,530 --> 01:02:05,810
And people only look at the top of the soil. It's

977
01:02:06,290 --> 01:02:10,130
all the way 20ft down. You have layers of

978
01:02:10,130 --> 01:02:13,850
minerality where the vine pulls

979
01:02:13,850 --> 01:02:16,770
from. And obviously we're familiar with the

980
01:02:16,770 --> 01:02:20,460
microclimates. But part of the microclimates are actually

981
01:02:20,460 --> 01:02:24,220
the people themselves who take care of the

982
01:02:24,220 --> 01:02:27,780
vineyard. Right. The bird life, the trees around

983
01:02:28,180 --> 01:02:31,700
the vineyard, who also who the roots

984
01:02:32,020 --> 01:02:35,700
connect with the vineyard and communicate.

985
01:02:36,340 --> 01:02:39,860
There's a lot of factors in

986
01:02:40,740 --> 01:02:43,380
how to produce good fruit.

987
01:02:46,290 --> 01:02:49,250
Let me add to that equation for a second, see if you agree with me.

988
01:02:49,650 --> 01:02:53,370
I had May Elian Longson on

989
01:02:53,370 --> 01:02:56,890
the show. She's 100 now. She was the Comtesse of

990
01:02:56,890 --> 01:03:00,690
Pichon Longville and she was 15 when her,

991
01:03:00,930 --> 01:03:04,730
when the Nazis came into her chateau and shot it up. And she remembers,

992
01:03:04,730 --> 01:03:08,490
she saw it. And I contend not only

993
01:03:08,490 --> 01:03:11,870
is the terroir what you're talking about, the soil and the depth of the vines

994
01:03:11,870 --> 01:03:15,550
and the, and the caretaking of those vines, but it also kind of

995
01:03:15,550 --> 01:03:19,270
should include or does include these stories that was handed down from

996
01:03:19,270 --> 01:03:22,470
generation to generation of what happened here and what.

997
01:03:23,190 --> 01:03:26,750
You're not going to taste it in some kind of tannic acid or fruit component,

998
01:03:26,750 --> 01:03:30,550
but you're going to the lesson learned from all those

999
01:03:30,550 --> 01:03:33,910
different types of, of environmental changes to

1000
01:03:33,910 --> 01:03:37,510
somebody's life and the family's life, I think show up in the

1001
01:03:37,510 --> 01:03:40,880
bottle as part of the terroir. They, it crafts

1002
01:03:41,200 --> 01:03:44,920
part of the wine. And I think that's, that's the part that's

1003
01:03:44,920 --> 01:03:48,040
lost. I'm in a

1004
01:03:48,040 --> 01:03:51,840
crossroads. Wine's consumer driven. We have to sell it, we need to make money

1005
01:03:51,840 --> 01:03:55,520
at it. But at the same time, it's like no other product in the world

1006
01:03:56,000 --> 01:03:59,800
as it represents a place and a time and a

1007
01:03:59,800 --> 01:04:03,600
culture balance that. Well, well said.

1008
01:04:06,180 --> 01:04:09,860
I may add something that you may not have thought of During World

1009
01:04:09,860 --> 01:04:13,660
War I and World War II, the women

1010
01:04:13,660 --> 01:04:14,820
were making the wine.

1011
01:04:17,540 --> 01:04:21,380
Good point. Right. Well, I did learn during my studies. I was. Well,

1012
01:04:21,380 --> 01:04:24,900
you know the book Wine and War, I'm sure with the clad strips, they're good

1013
01:04:24,900 --> 01:04:28,540
friends, they wrote the book. But it's interesting that

1014
01:04:28,540 --> 01:04:31,220
they found, let's go back to that for a second, that In World War I,

1015
01:04:31,690 --> 01:04:35,410
the invading armies were tearing up the vineyards and they've ruined some

1016
01:04:35,410 --> 01:04:38,890
of champagne, still can't plant there from all their phosphorus

1017
01:04:38,890 --> 01:04:42,570
bombs. But World War II, they, they knew better and

1018
01:04:42,570 --> 01:04:46,210
so they were like took over the wineries and you know, Hitler had a 80,000

1019
01:04:46,210 --> 01:04:50,050
bottle seller and didn't. It didn't even drink. So they want the

1020
01:04:50,050 --> 01:04:53,770
wine of the cognac. For sure they wanted the wine of the cognac. So

1021
01:04:54,170 --> 01:04:57,950
do you have these conversations with your guests when

1022
01:04:57,950 --> 01:05:00,950
your guests come to the winery, if you're there hanging out in the tasting Room.

1023
01:05:01,430 --> 01:05:05,150
Do they get pretty ethereal like that? Pretty deep about what wine

1024
01:05:05,150 --> 01:05:08,590
is, or it's mostly consumer tourism type? I think

1025
01:05:08,590 --> 01:05:12,350
it's mostly consumerism. However, I've

1026
01:05:12,350 --> 01:05:15,350
been in Carmel now since 1970

1027
01:05:16,310 --> 01:05:19,830
through the restaurants. We have a couple other restaurants,

1028
01:05:20,630 --> 01:05:24,470
one that's called the Corkscrew Cafe. It's right next door to

1029
01:05:24,470 --> 01:05:28,230
our tasting room. And our son, who has Michelin

1030
01:05:28,230 --> 01:05:31,390
accolades, has a place called In

1031
01:05:31,390 --> 01:05:34,190
Seaside. People come there

1032
01:05:35,550 --> 01:05:37,710
because they know it's different.

1033
01:05:39,150 --> 01:05:42,790
My establishment are designed kind of old world, if you

1034
01:05:42,790 --> 01:05:46,110
will. I've always replicated what felt

1035
01:05:46,110 --> 01:05:49,550
comfortable to me, and that's what I, you know, usually

1036
01:05:49,710 --> 01:05:53,530
you kind of go back to your childhood for

1037
01:05:53,530 --> 01:05:56,610
many reasons. And so they like coming to our

1038
01:05:56,610 --> 01:06:00,370
establishment. And I make honest wine,

1039
01:06:00,370 --> 01:06:04,090
and I need to kind of define what that means.

1040
01:06:04,250 --> 01:06:07,730
I love that. That's my favorite word. I want to hear your

1041
01:06:07,730 --> 01:06:11,410
definition. Okay, well, definition is I don't

1042
01:06:11,410 --> 01:06:13,610
do anything to the wine

1043
01:06:15,690 --> 01:06:19,410
to manipulate it, to be able to commercialize

1044
01:06:19,410 --> 01:06:22,810
it. Excellent. A vintage is a vintage,

1045
01:06:23,130 --> 01:06:26,450
and it's the expression of the

1046
01:06:26,450 --> 01:06:29,850
terroir that particular year. Okay.

1047
01:06:30,490 --> 01:06:34,130
Now, what I will do, however, as a

1048
01:06:34,130 --> 01:06:36,890
winemaker, I am good at blending.

1049
01:06:38,330 --> 01:06:41,970
So when I harvest, even though I have 13

1050
01:06:41,970 --> 01:06:45,250
acres, I will have seven or eight different lots

1051
01:06:46,530 --> 01:06:50,290
because they mature at different times or different varietals

1052
01:06:51,410 --> 01:06:54,930
at different age divides. So I keep those

1053
01:06:54,930 --> 01:06:58,050
lots independent of each other.

1054
01:07:00,370 --> 01:07:04,090
Ferment them separately, pick them, obviously, at different

1055
01:07:04,090 --> 01:07:07,770
times, and then I. Taste them through the year, and then I

1056
01:07:07,770 --> 01:07:10,690
decide at which point we start doing our blend.

1057
01:07:11,820 --> 01:07:15,420
So we bring out the glasses, the graduates, and we

1058
01:07:15,420 --> 01:07:19,140
start figuring out how can we make the best wine

1059
01:07:19,140 --> 01:07:21,980
possible from our state fruit.

1060
01:07:23,340 --> 01:07:26,300
I'm going to go back to that definition of honest wine. This is what I

1061
01:07:26,300 --> 01:07:29,980
add to it, because you're not touching it.

1062
01:07:31,180 --> 01:07:34,420
And it's a definition that I came up with with a French winemaker sitting here

1063
01:07:34,420 --> 01:07:36,660
in the studio. And they go. He goes, you know, I'm going to start using

1064
01:07:36,660 --> 01:07:40,420
that. And that is the concept is if you're making honest wine,

1065
01:07:40,420 --> 01:07:43,820
in other words, it's the best example of what you can produce for that vintage.

1066
01:07:43,980 --> 01:07:47,340
Obviously, vintage division, the beauty of wine is that it's different every

1067
01:07:47,340 --> 01:07:51,020
vintage, is that there's no bad vintages. Meaning

1068
01:07:51,340 --> 01:07:54,980
under the definition that I'm going to make what's been presented to

1069
01:07:54,980 --> 01:07:58,700
me the best that could be presented, then that's an honest wine.

1070
01:07:58,700 --> 01:08:02,380
That's a good wine, period. Well, honest,

1071
01:08:02,870 --> 01:08:05,830
there are no hidden things. The only thing that we add

1072
01:08:06,550 --> 01:08:09,510
is a certain level of SO2

1073
01:08:10,070 --> 01:08:13,670
based on the ph and the acidity of the

1074
01:08:13,670 --> 01:08:17,510
wine. Right. Well, that's normal. We want to have a balance there. Okay.

1075
01:08:17,750 --> 01:08:21,190
So. So 2. And possibly tartaric acid

1076
01:08:21,350 --> 01:08:24,390
if your ph is too high. Okay.

1077
01:08:25,030 --> 01:08:28,800
Not very often, but when necessary, it's

1078
01:08:28,800 --> 01:08:32,360
the thing to do in order to protect the wine, in the integrity of the

1079
01:08:32,360 --> 01:08:35,640
wine. That is it. Yeah, that. That's a

1080
01:08:35,640 --> 01:08:39,440
preservative. This. Preserve it, basically. Well, it's not preservative.

1081
01:08:39,440 --> 01:08:43,280
It's natural. It's a natural preservative. Preservative is not the word because we

1082
01:08:43,280 --> 01:08:46,240
associate that with chemistry only and

1083
01:08:46,880 --> 01:08:50,240
whatever you can use to preserve it. You know, everyone

1084
01:08:50,560 --> 01:08:54,030
has its lifespan based on the

1085
01:08:54,030 --> 01:08:57,590
structure that the fruit is going to provide. Right.

1086
01:08:58,150 --> 01:09:01,510
And the environment that it's being stored. All right.

1087
01:09:02,070 --> 01:09:05,830
So we make wine on great vintages,

1088
01:09:05,990 --> 01:09:09,430
which I would say is probably the great ones. As one out of three,

1089
01:09:11,190 --> 01:09:13,910
those will age 30 years, no problem.

1090
01:09:16,710 --> 01:09:20,540
The one lighter vintages year into about 10

1091
01:09:20,540 --> 01:09:23,820
years. Yeah. But they all will age so great.

1092
01:09:24,300 --> 01:09:27,660
What are you growing? I know you have Syrah. No,

1093
01:09:27,900 --> 01:09:31,700
no. Syrup? No, I've got. Well, we may

1094
01:09:31,700 --> 01:09:35,220
have bought some syrup to do an endless summer red.

1095
01:09:35,220 --> 01:09:37,100
Yeah. That's the only reason I know it is.

1096
01:09:38,860 --> 01:09:42,540
That's what I figured. What we have as an estate wine,

1097
01:09:42,700 --> 01:09:45,830
we have. We grow Merlot. Wow.

1098
01:09:47,190 --> 01:09:50,910
Cabernet and Malbec. All

1099
01:09:50,910 --> 01:09:54,470
Bordeaux varietals. All Bordeaux varietals. I do

1100
01:09:54,470 --> 01:09:58,030
have a little over an acre of Pinot

1101
01:09:58,030 --> 01:10:01,590
Noir, and I just planted between

1102
01:10:01,750 --> 01:10:05,470
rows a white varietal called Pic

1103
01:10:05,470 --> 01:10:09,270
Poul. Oh, Pic Poul de Panet. Yeah. One of my favorite wines at

1104
01:10:09,270 --> 01:10:12,760
the Wine of the Month Club when I featured them. Yeah. So when we first

1105
01:10:12,760 --> 01:10:16,400
established the vineyard, the rows were like eight

1106
01:10:16,400 --> 01:10:19,720
feet wide. But we have equipment so that we can go

1107
01:10:20,120 --> 01:10:23,560
between the rows. In one part, we put some pig pool.

1108
01:10:23,880 --> 01:10:26,120
That's pretty interesting. Yeah, it's pretty. Where

1109
01:10:28,280 --> 01:10:32,120
the Monterey never known, at least in the general area, for

1110
01:10:32,280 --> 01:10:36,120
Bordeaux varietals, though, there have been some good ones. Now I think everybody's learning.

1111
01:10:36,360 --> 01:10:38,840
But. But where is the vineyard that you. Well,

1112
01:10:39,800 --> 01:10:43,440
Monterey doesn't want to produce Bordeaux

1113
01:10:43,440 --> 01:10:47,080
varietals. Okay. The climate was produced

1114
01:10:47,480 --> 01:10:51,160
Sauvignon Blanch, Chardonnay, Pinot Noir, and some

1115
01:10:51,160 --> 01:10:54,880
other less popular, if you will. Where

1116
01:10:54,880 --> 01:10:58,360
are Carmel Valley Appellation,

1117
01:10:59,080 --> 01:11:02,680
which is a sub appellation within Monterey County?

1118
01:11:04,570 --> 01:11:07,930
Different influences of wind. Oh, yeah. We're in the little Valley,

1119
01:11:08,810 --> 01:11:12,570
and I think we may be five or six wineries there

1120
01:11:13,850 --> 01:11:17,410
in a couple of vineyards. And it gets hot in the

1121
01:11:17,410 --> 01:11:20,090
summertime. Monterey does not

1122
01:11:21,130 --> 01:11:24,850
where Pinot Noir grows. So we get the temperatures and

1123
01:11:24,850 --> 01:11:27,690
what is unique about, again, that's part of the terroir

1124
01:11:28,410 --> 01:11:31,130
during the day. In the summertime, we get temperatures

1125
01:11:32,360 --> 01:11:36,040
up to possibly 95, mostly upper 80s,

1126
01:11:36,520 --> 01:11:40,360
and the nights drop down to the 50s. Wow, that's great.

1127
01:11:40,680 --> 01:11:44,120
40 degree difference. Yeah, that's great. What that does.

1128
01:11:44,600 --> 01:11:48,440
And I learned this from a guy that grows cherries in the foothills of

1129
01:11:48,440 --> 01:11:51,400
the Sierras. It brings on color,

1130
01:11:53,400 --> 01:11:57,000
so we harvest later because we're not like

1131
01:11:57,000 --> 01:11:59,790
napa, where it's 90 degrees at midnight

1132
01:12:00,990 --> 01:12:04,830
and the fruit's hot. Our fruit is cold

1133
01:12:06,350 --> 01:12:09,990
in the morning from the night, and so it needs to

1134
01:12:09,990 --> 01:12:13,630
start up again through photosynthesis, as you know.

1135
01:12:14,190 --> 01:12:17,950
So our harvest is usually

1136
01:12:18,110 --> 01:12:21,590
towards the end of October. Napa is done by

1137
01:12:21,590 --> 01:12:25,390
September. September 15th. That's right. You're going deep into the.

1138
01:12:25,850 --> 01:12:29,610
Almost to the fall now. So you know about making a good sauce, right?

1139
01:12:30,090 --> 01:12:33,810
It's got to go slowly. Yeah. You can't make a good sauce.

1140
01:12:33,810 --> 01:12:37,530
Just hot heat, make it quick. So

1141
01:12:37,850 --> 01:12:41,290
I like to use that. It's a great analogy if you like the five mother

1142
01:12:41,290 --> 01:12:44,970
sauces. And you have to know that. Yeah, yeah. So

1143
01:12:48,810 --> 01:12:52,610
basically, for quite a while, we used to raise on part

1144
01:12:52,610 --> 01:12:55,610
of our property, we used to raise sheep for personal

1145
01:12:55,770 --> 01:12:59,490
consumption. And eventually my

1146
01:12:59,490 --> 01:13:03,210
insurance company. This is a boring story, but they said, do you have livestock?

1147
01:13:03,210 --> 01:13:07,050
Yes. Well, your insurance is doubling. I said, why?

1148
01:13:07,050 --> 01:13:10,850
Because they could run on the road and cause an accident. I said,

1149
01:13:10,850 --> 01:13:14,530
okay, we're getting rid of the sheep. We're going to put a plant, a

1150
01:13:14,530 --> 01:13:18,170
vineyard. That was their reason. Well, they'll find any

1151
01:13:18,170 --> 01:13:21,850
reason, but whatever. But it ends up

1152
01:13:22,650 --> 01:13:26,430
that that's the best parcel. And the way

1153
01:13:26,430 --> 01:13:30,070
I found that, well, was as I mentioned earlier, we do.

1154
01:13:31,110 --> 01:13:34,310
We keep the parcels separate of each other with

1155
01:13:34,710 --> 01:13:37,830
Vinify. And I had a psalm from France

1156
01:13:38,870 --> 01:13:42,470
from Van Gogh's Maison Van Gogh

1157
01:13:43,030 --> 01:13:45,590
north of Paris.

1158
01:13:46,710 --> 01:13:50,460
I had a connection with that

1159
01:13:50,460 --> 01:13:53,900
establishment. He came and we did barrel

1160
01:13:53,900 --> 01:13:57,340
tasting. And he says, God, those three barrels over there are really good and

1161
01:13:57,340 --> 01:14:01,020
exceptional. Now, this was a guy that drinks only French wines.

1162
01:14:01,740 --> 01:14:04,940
And I went back, looked at my record, and it was from that vineyard.

1163
01:14:05,660 --> 01:14:09,460
And I'm going, okay. Now, we harvested separately all

1164
01:14:09,460 --> 01:14:12,780
the time, and we ended up producing

1165
01:14:13,660 --> 01:14:16,130
a wine called Clos des Moutons.

1166
01:14:17,480 --> 01:14:19,640
Clos de Mouton. Not Mouton or Shield.

1167
01:14:20,920 --> 01:14:23,800
Yeah. Cheap. Yeah. But Clos de Mouton, which is

1168
01:14:24,520 --> 01:14:27,560
a cloister where we kept the sheep. Wow.

1169
01:14:28,360 --> 01:14:31,960
Now, that particular vineyard

1170
01:14:32,360 --> 01:14:34,680
clone, a friend of mine had visited

1171
01:14:36,040 --> 01:14:39,720
Chateau Petru's vineyard in the wintertime

1172
01:14:40,120 --> 01:14:43,390
and they were cutting out some of the vines and. And he picked up a

1173
01:14:43,390 --> 01:14:46,710
couple cuttings and sent them to me. Wow.

1174
01:14:47,030 --> 01:14:50,750
I planted them and propagated that. And

1175
01:14:50,750 --> 01:14:53,510
Claude Mouton is Chateau Petrus cologne.

1176
01:14:55,270 --> 01:14:59,030
Hey, that's pretty pedigree stuff right there. The wine

1177
01:14:59,990 --> 01:15:03,830
we had a. I have a distributor in Japan with a

1178
01:15:03,830 --> 01:15:06,630
blank tasting and our clothing with D

1179
01:15:08,000 --> 01:15:11,680
won the blank tasting with Petrus being the other

1180
01:15:11,680 --> 01:15:14,400
wine. Wow, that's pretty.

1181
01:15:15,840 --> 01:15:19,680
I know the winemaker and I own some

1182
01:15:19,680 --> 01:15:23,280
of that wine and I've drank older vintages back in the

1183
01:15:23,280 --> 01:15:27,080
50s and so on that I was able to get in Belgium and some

1184
01:15:27,080 --> 01:15:30,880
of the family cellars. But

1185
01:15:31,360 --> 01:15:34,790
the wine's exceptional. I've got to get your address, by the way.

1186
01:15:35,980 --> 01:15:39,820
Well, it's funny because I was telling this story about our first episode

1187
01:15:40,300 --> 01:15:44,020
to. I have coffee at Starbucks in the morning usually. And as a

1188
01:15:44,020 --> 01:15:47,780
regular guy there and regular friend. And I

1189
01:15:47,780 --> 01:15:51,260
told him, he goes. When I got. He got home that morning and he

1190
01:15:51,260 --> 01:15:54,980
faxed, texted me a picture of the endless bottle that

1191
01:15:54,980 --> 01:15:58,620
he apparently bought at your winery. He knew all about

1192
01:15:58,620 --> 01:16:02,460
you. And I thought, wow, how interesting is that? How random is that?

1193
01:16:02,460 --> 01:16:06,090
That I'm in Starbucks at Sierra Madre. Yeah. And he showed me the bottle. I

1194
01:16:06,090 --> 01:16:09,850
thought that was. That's why. Only reason I knew there was Syrah somewhere around. Right,

1195
01:16:09,850 --> 01:16:13,530
right, right, right. But I find this fascinating that you're making these

1196
01:16:13,610 --> 01:16:15,370
Bordeaux style wines and having.

1197
01:16:17,770 --> 01:16:21,210
Having this success with this. I think it's fascinating.

1198
01:16:21,690 --> 01:16:25,210
And the reason I brought the end of the story bottle is because Stephanie

1199
01:16:25,210 --> 01:16:29,010
Bois was here from Chateau Angelouz and

1200
01:16:29,010 --> 01:16:32,370
I did a tasting with her and they, they have a bottling of their

1201
01:16:32,370 --> 01:16:36,210
007 or 2007. Angelou's

1202
01:16:36,290 --> 01:16:39,570
in a magnum that celebrates

1203
01:16:39,890 --> 01:16:43,490
the movie Casino Royale with. With James

1204
01:16:43,490 --> 01:16:46,850
bond. Yeah. It's $7,000 retail.

1205
01:16:47,330 --> 01:16:50,450
Yeah. I think I can pick it up for a song at 3,000 for the

1206
01:16:50,450 --> 01:16:53,490
wholesaler. But they, but they don't.

1207
01:16:54,770 --> 01:16:58,450
They only have a handful of bottles left. And I've been trying, I was

1208
01:16:58,450 --> 01:17:02,130
trying to kind of court her into getting. Letting me buy one through the

1209
01:17:02,130 --> 01:17:05,970
distributor here in Los Angeles. You mentioned

1210
01:17:05,970 --> 01:17:08,690
though, you use Japan. We're going to be out of time here a second. We're

1211
01:17:08,690 --> 01:17:12,330
going to have to do this again because it's really fascinating. But use a

1212
01:17:12,330 --> 01:17:15,130
distributor in Japan. Do you make enough to

1213
01:17:15,610 --> 01:17:19,290
handle distribution that many countries? No,

1214
01:17:20,010 --> 01:17:23,750
no, I only just. I have one distributor that's in Japan.

1215
01:17:24,060 --> 01:17:27,900
That's it. Okay, this is going to loop around to one of the

1216
01:17:27,900 --> 01:17:31,580
questions about the economics. I have a wine

1217
01:17:31,580 --> 01:17:35,180
club and I have

1218
01:17:35,900 --> 01:17:39,620
three restaurants. So that's why you

1219
01:17:39,620 --> 01:17:42,940
can afford to have a winery. And so

1220
01:17:44,460 --> 01:17:48,100
the good Belgian business sense is, for me, I

1221
01:17:48,100 --> 01:17:51,190
wanted to make wine. I wasn't looking to make money,

1222
01:17:52,150 --> 01:17:54,470
but I knew it had to pay for itself.

1223
01:17:55,990 --> 01:17:58,950
So I'm able to do it because I have

1224
01:18:00,070 --> 01:18:02,870
the tasting rooms and the restaurants

1225
01:18:05,349 --> 01:18:08,950
and Japan, and I sell out.

1226
01:18:09,510 --> 01:18:13,310
That's a really, really good model, the Clos de Mouton. I

1227
01:18:13,310 --> 01:18:16,470
only do under 200 cases, depending on the vintages.

1228
01:18:17,000 --> 01:18:17,560
That's me.

1229
01:18:21,080 --> 01:18:24,680
And then the other flagship

1230
01:18:24,680 --> 01:18:27,240
wine is called La Chapelle. Okay.

1231
01:18:29,160 --> 01:18:32,440
The other thing that's interesting, Paul, is that

1232
01:18:34,920 --> 01:18:38,680
Sideways, the movie really damaged the industry

1233
01:18:39,480 --> 01:18:42,320
of anybody that produced Merlot. Right.

1234
01:18:43,270 --> 01:18:46,510
So people didn't know about it 10 years. It took more than 10 years to

1235
01:18:46,510 --> 01:18:50,350
recover. Exactly. So immediately I

1236
01:18:50,350 --> 01:18:53,030
figured I got to stop making Merlot.

1237
01:18:54,230 --> 01:18:57,510
But I'm Gros Merlot. So I changed my label.

1238
01:18:57,910 --> 01:19:01,190
The design was the same. I called it La Chapelle

1239
01:19:01,750 --> 01:19:05,350
and Crudemouc. That's

1240
01:19:05,350 --> 01:19:08,900
smart. So La Chapelle is a blend of Cabernet. ILF

1241
01:19:09,290 --> 01:19:12,570
fluctuates in percentages, so I'm not stuck

1242
01:19:12,970 --> 01:19:16,730
to the definition of the varietal

1243
01:19:16,890 --> 01:19:20,410
and those percentages. It's all about making the better wine.

1244
01:19:21,610 --> 01:19:24,650
All right. Yeah. But I still do

1245
01:19:25,450 --> 01:19:29,210
a little bit of Merlot from whatever's left from my

1246
01:19:29,210 --> 01:19:32,970
final blends. There's usually some odds and ends, and those are

1247
01:19:32,970 --> 01:19:35,610
being sold at a different price point.

1248
01:19:36,510 --> 01:19:39,950
Okay, so what is interesting now?

1249
01:19:42,430 --> 01:19:46,030
I don't remember which one it is, but one of the great

1250
01:19:47,310 --> 01:19:51,110
Pomerol, I believe producers has

1251
01:19:51,110 --> 01:19:54,430
decided because of the climate change

1252
01:19:56,430 --> 01:19:59,470
that they're going to be able to buy

1253
01:20:00,510 --> 01:20:04,120
fruit from outside of the appellation

1254
01:20:04,520 --> 01:20:08,360
in order to be able to make a better wine. And it will

1255
01:20:08,360 --> 01:20:11,720
not come out. Do the research. And it will not come out

1256
01:20:12,120 --> 01:20:15,960
as a Pomerol or Satign. I forget what

1257
01:20:16,760 --> 01:20:20,600
can't. Yeah, but it's going to come out under their label. But no

1258
01:20:20,600 --> 01:20:24,280
appellation, because they feel they can produce a better wine that

1259
01:20:24,280 --> 01:20:28,090
way, which means they extend their option for blending.

1260
01:20:29,450 --> 01:20:33,250
You know, that. That's a very historical viewpoint as well. But I think

1261
01:20:33,250 --> 01:20:37,010
I. I thought the Right bank, unlike the. Unlike the

1262
01:20:37,010 --> 01:20:40,770
classification where classification only classified the

1263
01:20:40,770 --> 01:20:44,410
chateau, it had nothing to do with the land necessarily. And in the Right bank,

1264
01:20:44,410 --> 01:20:48,250
it is the land that is being classified. But, you know, it

1265
01:20:48,250 --> 01:20:52,090
wasn't that long ago that all that stuff was perfectly accepted. I'm

1266
01:20:52,090 --> 01:20:55,760
talking about maybe the 40s and 50s, you know, they were buying juice

1267
01:20:55,760 --> 01:20:57,880
from all over the world and putting. It in Bordeaux

1268
01:20:59,400 --> 01:21:02,200
in the docks over in Bordeaux. There are

1269
01:21:02,920 --> 01:21:06,360
hoses coming out of there from north, you know,

1270
01:21:07,080 --> 01:21:10,439
and they needed color. They weren't getting color right.

1271
01:21:11,800 --> 01:21:15,560
And in Bordeaux, at the end of the roast, they would always have these other.

1272
01:21:16,360 --> 01:21:20,160
I don't know what the varietals are, but in French they call them vin

1273
01:21:20,160 --> 01:21:23,340
tatterrier. Wine to dye

1274
01:21:23,980 --> 01:21:27,460
color. Dye the wine. Oh, wow. Strictly for

1275
01:21:27,460 --> 01:21:31,100
color. I don't know that term. Yes.

1276
01:21:36,300 --> 01:21:39,580
Well, let's. We're going to wrap this up now. I don't want to. This is

1277
01:21:39,580 --> 01:21:42,540
a whole show in itself, but. And we'll do it again. Actually, we're going to

1278
01:21:42,540 --> 01:21:45,020
come up to Carmel and I'll bring my little studio

1279
01:21:46,140 --> 01:21:49,670
and we'll sit down there at the chateau and in the wine tasting room and,

1280
01:21:49,980 --> 01:21:53,500
and talk again. But you know, there is this current

1281
01:21:53,900 --> 01:21:57,700
issue with the trade. I'm not an alarmist, I'm not a doom

1282
01:21:57,700 --> 01:22:01,500
and gloomer. I think wine, wine

1283
01:22:01,500 --> 01:22:05,100
is the one product. This is what I try to tell people that

1284
01:22:05,180 --> 01:22:08,460
talk about how we need to change our way of thinking and we have to

1285
01:22:08,460 --> 01:22:11,700
put it in cans or put it in 100ml or whatever we're trying to do

1286
01:22:11,700 --> 01:22:15,260
to attract the consumer. Look, white Zinfandel did it in the 70s,

1287
01:22:15,640 --> 01:22:18,840
Lancers, you know, Matuse, all those.

1288
01:22:19,240 --> 01:22:22,600
Boone's Farm. I had to tell you a funny story. I met this barbecue

1289
01:22:23,000 --> 01:22:26,800
in Texas. It's this championship and I went and visited

1290
01:22:26,800 --> 01:22:30,320
a couple of his trailers as they're smoking their meats and the guy's literally

1291
01:22:30,320 --> 01:22:34,160
drinking Boone's Farm out of a bottle. And it

1292
01:22:34,160 --> 01:22:37,560
says wine on the label. So look, we need those kinds of wines into the

1293
01:22:37,560 --> 01:22:41,030
industry. But the point I'm going to make is wine is

1294
01:22:41,340 --> 01:22:44,860
wine is the product that doesn't shouldn't change.

1295
01:22:44,860 --> 01:22:48,700
Wine is what you're doing. An honest glass of wine is produced

1296
01:22:48,780 --> 01:22:52,580
based on what the vineyard provided. And it doesn't change for

1297
01:22:52,580 --> 01:22:55,740
the consumer. The consumer has to change for it.

1298
01:22:56,380 --> 01:22:59,940
And that's a unique part of the product. Any other product in the world you

1299
01:22:59,940 --> 01:23:03,740
can manipulate to do something, but it takes away from its

1300
01:23:03,740 --> 01:23:07,130
honesty. And so the industry's

1301
01:23:07,600 --> 01:23:11,240
suffering a little bit. You're not in the sense of you have you built this

1302
01:23:11,240 --> 01:23:14,880
beautiful model where you're selling. Of course the wine has to be.

1303
01:23:15,040 --> 01:23:18,000
What's in the bottle has to be very good in order for this model to

1304
01:23:18,000 --> 01:23:21,720
work. That's the key. But a lot of people that

1305
01:23:21,720 --> 01:23:25,520
over planted that Were projecting five years down the road, and now we

1306
01:23:25,520 --> 01:23:29,280
have a glut. They're tearing out vineyards. And my

1307
01:23:29,280 --> 01:23:31,920
advice to most of these people that are in the honest side of it is

1308
01:23:31,920 --> 01:23:34,820
just, you got to stay the course. You know, if you can afford to stay

1309
01:23:34,820 --> 01:23:38,580
the course, it's going to. The honesty is going to pay off. The

1310
01:23:38,580 --> 01:23:42,380
honesty is going to be dyed in the wool.

1311
01:23:43,020 --> 01:23:46,780
Well, I have to. If I may interrupt you. I'll

1312
01:23:46,780 --> 01:23:50,580
add two to that. You'll find very few people that are the

1313
01:23:50,580 --> 01:23:54,300
winemaker, viticulturist, and owner.

1314
01:23:54,620 --> 01:23:58,220
Yeah. Very few. Good point. And those that

1315
01:23:58,220 --> 01:24:00,290
are not over planting

1316
01:24:01,880 --> 01:24:05,680
because they know intuitively. Intuitively

1317
01:24:05,680 --> 01:24:08,840
what's going on. That makes a ton of sense. The other thing is

1318
01:24:09,800 --> 01:24:13,000
there may be a reduction in

1319
01:24:13,160 --> 01:24:16,920
consumption, but I

1320
01:24:16,920 --> 01:24:20,760
look at the wine almost like a perfume. Not

1321
01:24:20,760 --> 01:24:23,400
everybody can afford the special quality

1322
01:24:24,280 --> 01:24:27,970
scents that are expensive, that have been made from

1323
01:24:29,490 --> 01:24:33,010
essential oils and so on. But the best stuff

1324
01:24:33,410 --> 01:24:37,250
is all. Always gets sold. Yeah. Because there's always

1325
01:24:37,250 --> 01:24:40,210
an enthusiast for that. And I always say,

1326
01:24:40,770 --> 01:24:43,890
drink less and better. That's my

1327
01:24:43,890 --> 01:24:47,690
philosophy. And I, you know, my. Similar to that. I drink as much

1328
01:24:47,690 --> 01:24:48,690
as I can, but better.

1329
01:24:51,570 --> 01:24:55,350
I can afford. Well, it's good

1330
01:24:55,350 --> 01:24:59,070
to have good friends. Yes, that's right. Well, you know, my.

1331
01:24:59,150 --> 01:25:02,830
My daughter. Unfortunately, her home was not burned in the fires in

1332
01:25:02,830 --> 01:25:06,350
Altadena, but it was affected, so they're living with us. Oh.

1333
01:25:06,830 --> 01:25:10,670
Which is fine. I. I have my three grandkids. Special time. It's a very special

1334
01:25:10,670 --> 01:25:14,110
time. We had a great time. The only negative to it is

1335
01:25:15,230 --> 01:25:18,590
when I sold the Wine of the Month club, the buyer wanted none of my

1336
01:25:18,670 --> 01:25:22,380
premium vintages here. And I have. I don't know, I had like 3,000 bottles of

1337
01:25:22,540 --> 01:25:26,300
all kinds of stuff, including Petrus Magnums, but all kinds

1338
01:25:26,300 --> 01:25:29,980
of boutique Napa and all kinds of classified growth

1339
01:25:29,980 --> 01:25:33,340
and lots of Grand Cru and Premier Crew Burgundy. And

1340
01:25:33,660 --> 01:25:36,620
they didn't want it, which was great. So I have this stash.

1341
01:25:37,340 --> 01:25:41,140
So I built a cellar at the house, which holds about 900 bottles in our

1342
01:25:41,140 --> 01:25:44,860
kitchen. Nice. But the depletion is going much faster than expected,

1343
01:25:47,540 --> 01:25:51,340
so I have to thank goodness I still have my licenses. I can

1344
01:25:51,340 --> 01:25:54,660
still buy stuff wholesale, but whatever. There you go. There you go. I have a

1345
01:25:54,660 --> 01:25:58,300
special relationship with somebody. That's right. Let me know if you have a

1346
01:25:58,300 --> 01:26:02,020
problem. It's a great honor to have you on the show,

1347
01:26:02,099 --> 01:26:05,500
and I look forward to meeting you in person and doing it again, because we

1348
01:26:05,500 --> 01:26:08,260
have a lot to talk about. Let me know. We'll open up a nice Pile

1349
01:26:08,260 --> 01:26:11,380
of Claude. I'd love to do that. That sounds like a fun.

1350
01:26:12,030 --> 01:26:15,630
Okay. Thanks again, Walter. I really appreciate the time. And good luck.

1351
01:26:16,350 --> 01:26:19,390
Good luck means keep doing what you're doing.

1352
01:26:20,110 --> 01:26:23,390
Exactly. And thank you for taking me on this journey of

1353
01:26:23,390 --> 01:26:26,990
reflection and kind of digging in a little bit and

1354
01:26:27,710 --> 01:26:31,430
not losing sight of what's important. Well, you

1355
01:26:31,430 --> 01:26:35,270
know, it's funny you said that and appreciate that. It is about the

1356
01:26:35,270 --> 01:26:39,050
stories and it's. That's what builds businesses,

1357
01:26:39,050 --> 01:26:42,570
of what builds a life and what builds. I just realized this when I got

1358
01:26:42,570 --> 01:26:45,370
home from Paris, Texas. I was there for a week. My wife's there for a

1359
01:26:45,370 --> 01:26:48,050
month. My daughter had her fourth child.

1360
01:26:49,170 --> 01:26:52,450
You know, when I take the kids to the barbecue,

1361
01:26:53,010 --> 01:26:56,690
then there's huge barbecue and he's. I think they're 4 and 3

1362
01:26:56,690 --> 01:27:00,290
or 5 and 4. Those are the stories that they're going to tell.

1363
01:27:00,930 --> 01:27:04,370
Those are the influences they're going to have in their lives. And. And you get

1364
01:27:04,370 --> 01:27:06,830
to do that with your wine and your restaurant. And that's

1365
01:27:08,020 --> 01:27:11,620
sometimes hard to keep that target

1366
01:27:11,860 --> 01:27:15,140
because people that walk into your restaurants and get that experience.

1367
01:27:16,500 --> 01:27:20,260
It's got to be warming. It's got to be. Yes. Thing I

1368
01:27:20,260 --> 01:27:23,980
may not have told you about this is. You can

1369
01:27:23,980 --> 01:27:27,460
edit this out, but during the Battle of the

1370
01:27:27,460 --> 01:27:30,660
Bulge is when I was born and

1371
01:27:30,980 --> 01:27:34,790
middle of it, my parents had to evacuate from the

1372
01:27:34,790 --> 01:27:37,710
house. Wow. To the next village

1373
01:27:38,510 --> 01:27:42,150
where my mother gave birth to me in a

1374
01:27:42,150 --> 01:27:45,910
wine cellar. Wow. How crazy that we should have

1375
01:27:45,910 --> 01:27:47,230
started with that conversation.

1376
01:27:50,910 --> 01:27:54,670
That's pretty incredible. That's incredible because I forgot the Baston.

1377
01:27:55,470 --> 01:27:58,730
Yeah. If you look it up

1378
01:27:59,600 --> 01:28:03,320
later, my hometown was Malmedi, where there

1379
01:28:03,320 --> 01:28:06,400
was a huge massacre. That's in the movie.

1380
01:28:07,680 --> 01:28:11,280
They talk about that town in the movie. Yeah. So that's where I was

1381
01:28:11,280 --> 01:28:14,919
raised. Oh, my gosh. And our farm. My

1382
01:28:14,919 --> 01:28:18,760
father was a farrier. In our backyard, in the garden, we

1383
01:28:18,760 --> 01:28:22,000
had two American tanks broken down. Tanks

1384
01:28:23,040 --> 01:28:26,890
still. Not now. When you grew up. When you grew

1385
01:28:26,890 --> 01:28:30,650
up. I grew up, yeah. Wow. And when

1386
01:28:30,650 --> 01:28:34,450
the snow melted, 1945 was a very cold year. When the

1387
01:28:34,450 --> 01:28:38,210
snow melted, there was a hand sticking out

1388
01:28:38,210 --> 01:28:41,770
of. Out of the snow. And it was

1389
01:28:41,770 --> 01:28:44,570
like a young 16 year old German soldier.

1390
01:28:46,330 --> 01:28:50,170
And my mother never planted vegetables there again. She just planted

1391
01:28:50,170 --> 01:28:53,240
flowers. That is an amazing story.

1392
01:28:54,360 --> 01:28:57,640
That's what I'm talking about. That's what's going to come back into your wines. How

1393
01:28:57,640 --> 01:29:01,000
can you. How can that not be part of your history? Exactly.

1394
01:29:01,720 --> 01:29:05,480
So leave it at that then. That's amazing. And as kids

1395
01:29:05,480 --> 01:29:08,440
we would look for bullets. And take.

1396
01:29:08,840 --> 01:29:12,280
Separate the shell and light the gunpowder

1397
01:29:12,280 --> 01:29:15,480
powder. The gunpowder burn. Look at me around.

1398
01:29:15,880 --> 01:29:19,020
Burned our hair often and. Yeah.

1399
01:29:19,980 --> 01:29:23,340
You know what? Do you travel to Paris much? Yeah,

1400
01:29:24,620 --> 01:29:28,220
I think, you know, we're there. Well, I would live there if I could.

1401
01:29:28,460 --> 01:29:32,300
Yeah. The clad strips live there. They're. He's a. They're

1402
01:29:32,300 --> 01:29:35,660
American expats. She just finished the book called

1403
01:29:35,660 --> 01:29:39,500
Eugenie, about the Princess Eugenie, which is a

1404
01:29:39,500 --> 01:29:43,340
great story. It just got published. And they're also, like I

1405
01:29:43,340 --> 01:29:47,160
told you earlier, the. The authors of the book, Wine and War,

1406
01:29:48,040 --> 01:29:51,880
which started with a conversation with Monsieur Hue, you know,

1407
01:29:51,880 --> 01:29:55,400
from the Loire, and he was just opening a bottle of

1408
01:29:55,400 --> 01:29:58,920
45. I guess it's

1409
01:29:58,920 --> 01:30:01,560
Sauvignon Blanc or chin a blanc. Huh. And.

1410
01:30:03,400 --> 01:30:07,000
And they. He. He says, guess what this is? And they were

1411
01:30:07,000 --> 01:30:10,770
guessing in this. This is about 2000, 2001. They were guessing it

1412
01:30:10,770 --> 01:30:13,450
was from the 70s. He goes, no, this is. This is the vintage that kept

1413
01:30:13,450 --> 01:30:16,850
me alive in the prison of war camp I was in.

1414
01:30:17,250 --> 01:30:20,290
Because he was at Cayet. Yeah. And

1415
01:30:20,930 --> 01:30:24,730
it would be a fascinating dinner if we ever. Oh, wouldn't

1416
01:30:24,730 --> 01:30:28,130
that. Yeah. And they're wonderful people. He was the ABC

1417
01:30:28,130 --> 01:30:31,890
correspondent for. For 40 years in America, in France,

1418
01:30:32,210 --> 01:30:35,330
with. When our kids were little, we moved to Paris for a year.

1419
01:30:35,980 --> 01:30:39,780
Took him out of school because I always felt, never let school

1420
01:30:39,780 --> 01:30:42,780
interfere with your education. So.

1421
01:30:43,420 --> 01:30:46,380
Il sa Louis. The little island behind Notre Dame.

1422
01:30:47,180 --> 01:30:50,740
Wow. Yeah. Beautiful. We lived above Bertillon. Ice

1423
01:30:50,740 --> 01:30:54,220
cream. And by the way, to wrap it up, my last

1424
01:30:54,220 --> 01:30:57,020
name is Greek.

1425
01:30:57,900 --> 01:31:01,420
Yes. Georis,

1426
01:31:01,930 --> 01:31:05,650
from the earth. Oh, wow. It's all come together,

1427
01:31:05,650 --> 01:31:09,290
full circle. It's like.

1428
01:31:09,450 --> 01:31:13,210
What? I love it. I look forward to having this

1429
01:31:13,210 --> 01:31:16,490
conversation in Carmel. Yeah. Come on up.

1430
01:31:17,369 --> 01:31:20,370
We'll have a bite to eat and have a nice bottle of wine. I love

1431
01:31:20,370 --> 01:31:24,010
it. Okay. Look forward to it. Take care, Walter. Thanks so much.

1432
01:31:24,010 --> 01:31:25,130
Bye. Bye. Bye.