How the Right Wine Glass Changes Everything: Paul K Talks with Maximilian Riedel

Once I was asked to meet a vendor at a local diner...a diner like the one at the end of the movies Sideways. Complete with amber plastic tumblers. IN walked one of the old time great wine slaesman with his wares in tow. I must have looked cross-eyed because I was sure he would not want to taste his wines here, at this diner. I was wrong and he did. This is when I learned how important the proper glass is when tasting or drinking wine. I guess some of us learn the hard way.
Prepare to be absolutely amazed and inspired by this deep dive into the world of wine glasses and the family legacy behind Riedel, the world’s oldest glass-producing company! In this fascinating episode of Wine Talks, host Paul K sits down with Maximilian Riedel, the charismatic 11th-generation leader of Riedel, and the conversation will forever change the way you think about what’s in your glass.
Maximilian reveals that it’s the DNA of the grape that determines the shape of the glass—how cool is that? Wine glasses are not designed on computers or drawn out in some sterile lab; they’re born through taste, smell, texture, and endless experimentation alongside renowned winemakers from the world’s top regions. We learn that even the world’s most iconic glasses, meticulously crafted over generations, owe their existence to a relentless process of trial and error and to the subtle, invaluable feedback from true wine experts. Who knew that glass shape could affect the way wine tastes so much?
We’re also treated to incredible stories—from how only the last three generations of the Riedel family fell in love with wine, to wild collaborations with everyone from Champagne houses to the tequila industry (yes, Riedel invented the first tequila-sipping glass, honored by the President of Mexico!). Maximilian opens up about following in his father and grandfather’s footsteps, the influence of family, and how he’s trying to inspire his own young kids to appreciate the culture and storytelling of wine and glassware.
But the discussion doesn’t stop at the glass itself. Paul and Maximilian explore broader wine culture—why restaurant wine pricing can be intimidating, the evolving language of wine, and why social media is so crucial for connecting with younger generations and spreading the joy and artistry of wine.
This episode will make you want to rethink everything you know about wine tasting, glassware, and even the traditions and values that shape the way we drink. Maximilian’s passion, humor, and eye-opening insights will leave you wanting to experience wine in a whole new way.
If you’ve ever wondered whether the glass matters or are curious about the magical intersection of history, craftsmanship, and wine, this is a must-watch. Don’t miss this journey into the artistry, science, and family stories that make every sip extraordinary!
Riedel (Wine glass and decanter manufacturer)
https://www.riedel.com
Tiffany & Co. (Referenced as "Tiffany’s")
https://www.tiffany.com
Target (Referenced as "Target")
https://www.target.com
Dom Pérignon (Champagne house)
https://www.domperignon.com
Krug Champagne (Champagne house)
https://www.krug.com
George V / Four Seasons Hotel George V, Paris
https://www.fourseasons.com/paris/
#wine #winetalks #riedel #maximilianriedel #glassware #wineglasses #winestories #wineculture #crystalglass #sommeliers #winelover #wineindustry #terroir #wineeducation #familybusiness #tasteexperience #winemakers #finewine #socialmediawine #wineinnovation
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It is the DNA of the grape that determines the shape of the glass. When
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we develop a new shape for a specific grape variety, we never do it on
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our own. We always surround ourselves with some of
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the bigger and smaller winemakers from a particular region.
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Nothing is done on a computer. Trial and error. It's all about smell,
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taste, mouth, feel, texture, aftertaste. And we can only do
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this with the true influences of wine, which to me, are the winemakers.
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Sit back and grab a glass. It's Wine Talks
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with Paul K.
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Hey. Hey. Welcome to Wine Talks with Paul Kay. And yes, I am the guy
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that sold 17 million bottles of wine direct to the consumer and tasted
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100,000 wines along the way. We're here to have a conversation with
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Maximilian Rudel. Introductions in just a moment, but Wine Talks here
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is to tell the stories, the stories of wine, because wine is more than a
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story, what is in the glass. It's about why it's in the glass. And since
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we're with Maximilian today, we're going to talk about the glass. Yes. Welcome to the
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show. Thank you, Paul. Thank you for having me. You know, we were just talking
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a little bit about, you know, how important the glassware is,
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and I've tasted wine from in plastic tumblers to.
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To your fabulous glassware. But last night at dinner,
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mentioned to my friends, I'm going to see Maximilian Riddell.
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Riedel. Riddell, the way you want to pronounce it, but it's Riedel.
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Rhymes with needle. That's the way it works. Oh, okay. Riedel.
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And he said, why does that happen? Why?
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It just tastes better when we put it in the proper glass. Is there a
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simple answer to that? Well, nowadays it sounds
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simple, but when my grandfather did the research in the
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1950s, people thought he was on the wrong
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path. And over the next two
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generations, the wine world, including the consumer, became
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very much aware about the importance of the instrument, the tool,
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or how I like to call it, the loudspeaker for fine wine. And
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yes, the glass makes a difference. And it's very easy to test this
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at home. If you have real or not, just put the same beverage
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into different shaped vessels, smell and taste the difference, you
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will be amazed. It's kind of interesting because it's. And
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I have a hard time explaining it as well, to the extent that it is
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the same chemical compound in both glasses. If I put it in a
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plastic tumbler or put it in a fine crystal glassware, it
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is the same thing that's inside, but it's the vessel
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that is changing its perception. No, it's not the vessel, it's
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not the material, it is the flow, it is the
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shape, the architecture, the design that we have been
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studying. I mean, we are the oldest glass producing company in the world.
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We are in the 11th generation producing glass since
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270 years. And only the last three
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generations really fell in love with wine. As I said,
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1950s. And it's very interesting
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when we talk about white wine versus red wine, different shaped
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glasses used. When we talk about thin skinned red
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fruit such as Pinot Noir versus Cabernet, which is a very thick
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skinned red fruit, the glass can help, the glass can
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support the glass cannot change the wine.
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Yeah. So I suppose molecularly it's the same stuff. It's
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the same stuff. Correct. It's besides food
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having an influence over what you're doing.
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It is an important feature that I like to show people,
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and particularly at my home, when they come and they ask that question,
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are we talking about wine? And wine to a lot of people is an intimidating
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subject. But when you break it down to something as simple as this,
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as interesting as this, it starts to raise an eyebrow. Like, wow, I didn't even
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know this. Part of what you know. Yes,
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appreciate a glass of wine is how is it that it's only been three generations?
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I mean, you have 11 generations here in the company. Yeah, but you're saying the
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last three, maybe four generations had the
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appreciation for. For wine? Well, because wine, obviously,
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if you open history books, it has a long history. But the way how we
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enjoy it nowadays with food, and we're not
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royals or related to the church, it's fairly new, it's fairly
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unique. And so only in the
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1950 in Europe, people drank wine as a
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pleasure because wine was then seen as energy. You
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know, people who worked the fields, they got a glass of wine or beer.
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That's also the tradition. The concept behind the beer is the nutrition
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that it carries. So to make wine
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palatable the way we enjoy it now, I think my grandfather
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was there at the right time. And the first glass collection
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he dedicated to the world of wine was called sommelier
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in the 1970s. Wow. Word was even around that. Imagine.
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And in the 1970s, why call it sommelier? Because then
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the true wine influences were the sommeliers. If a sommelier said, this wine
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is good, it's going to be on my wine list, then you made it as
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a producer. Of course, times have changed, but
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only in the 1970s, the world really became aware
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of using proper stemware to enjoy wine, including the
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professionals. Now, how did crystal, lead, crystal at that
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time become the important factor of, you
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know, the breakdown of a glass? Or was it. Was it crystal in the first
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place? Lead crystal then was popular. It was
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introduced, invented by a gentleman called George
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Ravenscroft, turn of the century, 100,
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200 years ago. And the reason why lead was added
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was so that you could not only shape the glass, you
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had a longer period of time because it softened the glass to a
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certain degree. But in those those days, glasses were more art
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objects, so it was important to color them, it was important
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to engrave them. And for that, you needed the lead
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composition. Nowadays, we have replaced it. I don't want to call it
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organic, but it's much more environmental
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friendly in the production and in the recycling way. Was it really a bleed
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at that time? That's not even part of our subject matter. But was it really
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a bleed of lead into various beverages that
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were put into a lead? Well, I can't confirm that. I mean,
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obviously in those days, people have done tests, especially for
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decanters to hold whiskeys and
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other beverages. And I don't think that in those days
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people died of lead poisoning from crystal decanters. I think that the environment
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then was so poisoning. There were other reasons now, going back. To
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the wine and your. Your grandfather
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realizing. And that was the 70s, an important part of the wine
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path for Americans, of course, with the judgment of Paris correct. But
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I always, I contend that wine really hasn't changed that much in the
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last 6,000 years. It's still a fermented, it's a picked grape.
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Certainly we find the processes and we. And I've always asked the question of the
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winemakers, what is your end goal? What are you trying to do? Why are
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you spending so much time experimenting and innovating in the
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vineyard to do this? And I guess it's just to refine the expression of the
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wine. And. And certainly your glassware has a ton to do with that
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in these. These days. Is that appreciation being felt throughout
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the trade, in the restaurant trade, the consumer trade,
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that. That the. Your glass. We want more,
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right? Yes. No, I mean, it's a very good question,
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and I'm very thankful for that. I can only say I was just
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in Aspen, Colorado, with my family for them the first
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time, and I would say every other restaurant carried our
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product because they have paid attention to the wine
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portfolio. Wine has become a very important part of
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the restaurant dining industry, and it
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made me very proud and very happy. And it's similar
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all over the world because it's the consumer that
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demands it, I believe because the consumer
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is aware that the glass can have an impact on how we
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taste. People want to get the most out of their investment.
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To me, every bottle of wine is an investment depending on your budget.
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And obviously, we're not only working with the consumer and
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the restaurant trade. We are working with cruise ship industry. And they
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have done a lot of tests and they have learned that if they use proper
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stemware, maybe fine crystal,
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nowadays, the lighter the better. Interesting enough.
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In the old days, we had to explain how to proper polish them
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so they don't break. Nowadays, people seem to have gotten beyond that point.
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And the cruise industry has proven back to us that if you
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serve good wine in best wine glasses,
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it motivates you to maybe enjoy a glass or two more. So
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you're in Aspen with your family and you have children? Yes.
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One of the questions I had here was like your earliest recollection of
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the glass industry and whether you were going to default into
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the glass industry or that you had ambitions to do other things. Like many
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winemakers, come back to their family trade.
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So for you, was that the case? And then how about your kids? Yeah. So
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I'm very thankful towards my parents
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for the education that my sister and I have received. We are a family
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business. We're not the third generation that wants to sell. I'm the 11th
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generation. We are way beyond that. But it took also my
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parents, obviously a lot of creativity
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to make it interesting to me. I could have done everything in the world. I
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could have become a manager of a bank, for example. But my parents
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sold me the concept to be so interesting to world to
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work in the wine and in the wine glass industry, that this is all I
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wanted to do. And bringing up my kids, it's very similar. They're
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very young. Obviously they're not allowed to taste wine, but they're allowed
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to smell. They come to some of my tastings.
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I invite them. I want them to engage with the.
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The concept. I want them to be interested. I mean, for me, when I saw
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my dad for the first time on stage talking about our glasses to a bigger
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audience, he was like my hero. That's what I wanted to do. It's like watching
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a movie over and over again. And so I'm trying to do the same with
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my kids. I don't want to be the last. Let's put it this way, it
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has to be a 12th generation. That's fair enough. You know,
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for me, my father asked me to join him in
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1988. I had already been at Corporate America and already
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started a software company with five guys and no money and a bunch of business
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cards. And I wasn't. I didn't go to it because I thought this
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was an amazing industry. And I. I worked in it, my father's store, many
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years. But it took a few years for me to understand how
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valuable this interesting and important
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a glass of wine is to the human story
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culture. Yes. And I find that
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fascinating. It's not every day. It's not a day that doesn't go by that I
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don't thank my dad for having introduced me to this. Beautiful. And being part of,
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you know, the storytelling of it. Because it's just every
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person who. Like Today you have 500 people coming to your
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seminar. Unbelievable. In Los Angeles. So excited. Yes. And you're
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gonna. Every one of these people is gonna walk away better off than
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they were when they got there and more interested in telling your
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story. Yes. But of course, social media helps. You know, I've
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become, for whatever reason, very engaged with social media. There
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was a time where I was seeking a new way
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of communicating my product, especially to the
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younger audience. And social media came around the corner. And since day
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one, I was on Facebook. I was on Instagram. Originally, I saw it as a
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dating site. You know, I mean, let's not forget, when Facebook came out, what did
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we do? We were looking, we were peeking and sleeking. But nowadays
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I use it to communicate. And when I look at my nephews at the age
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of 19, they're my biggest fans. Not because I'm the
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coolest uncle. It's because they love what I do on Instagram. That's so interesting.
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I've noticed that. You know, and. And for sure, in this industry,
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I think that the industry in general, the wine industry, is slow to take that
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up. And this is one of the complaints, you know, you. You grasp it.
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Why? Because you think you're a star or something or. No. I tell you,
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wine is alcohol. And alcohol lately has a very tough time
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when we think about the birthplace, such as France. And it.
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Communication, advertising of alcohol is forbidden. And this
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is very sad. Not because of the term alcohol, but wine
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is part of every country's culture. That's true. And in
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America, you're allowed to advertise drugs. Good
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point. Billboards on the freeway. And what about wine?
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Yeah. Just because it falls under the category. And of course,
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it has been seen as a drug. It has damaged a lot of people
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or whatever. But wine goes
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with food. Wine is not something that you like a Whiskey
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consume on its own. Wine is culture.
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And there needs to be, of course, a limitation to it. Well,
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I have this theory and I bring it up all the time, and that is
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if you were to take, let's just say, five elements of a culture.
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Language, if you have a language. Land. If you have land.
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I'm Armenian. We have land. The food, the music
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and the wine. I agree with you. This part of the definition of
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your culture. And it's tradition. It's an expression. Yes. In the
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Austrian tradition with the grapes you have there, is
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it part of the culture? Absolutely. I mean, when you go to Austria,
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all the restaurants serve you Austrian wines, but of course, they're very
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international. We are a very small country. But when we talk about Austrian wines,
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we have some very local grapes, Grunewaldline, which has
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its origin in Austria, Blau Frankisch. I mean, these
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are all Austrian homegrown grape varieties that
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around the world are being faced with great respect and. And
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we celebrate that. I've seen recently there was a tasting here in la, not
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too far from here, that it was mostly Gruner
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and what a wide variety of styles that
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were coming from that part. And I absolutely. From the.
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From what you call supermarket versions to very elegant,
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sophisticated versions. I was stunned by that. And, you know, breaking a
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new grape. And again, I'm Armenian, so they're trying to bring grapes.
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Armenian grapes. Adoni, Voskahad, Kangun, all these crazy names.
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I've made glasses for them. Oh, have you? Yes, yes, yes, yes. I even
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made recently a decanter that you can see with the Armenian flag
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on my Instagram. So we do this. Why did that happen? We do that because,
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first of all, the wine culture is aware that a glass
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can make a difference. They see it also as a vehicle for
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communication. Advertisement meaning we're making glasses for Dom perignon, croque,
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champagne, etc. But why not make it for local grape varieties like
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Saparabi from Georgia? So we have done that
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with great respect and great success. So we're doing this to, of
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course, also work ourselves into some local markets. Are you the first
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of the generations then, that has reached out to,
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you know, to facilitate this kind of, like I say, flexibility,
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but sort of this approach to doing things like finding grapes, like
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Otany and producing grapes. Grapes, Glasses around the
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style. Well, it was initiated by my dad. He was the first
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interesting project that we had. Let's not only talk about
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wine because we make glasses for nearly every beverage. And he was
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invited by the government of Tequila. I'm not saying Mexico.
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I'm saying tequila because obviously the quila, it's a stage. And
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they invited him. And the president of Mexico gave him
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a medal of honor for making the very first glass
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for tequila. Not to get wasted
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over it in form of a shot, but to enjoy it, like
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fine wine. And it's amazing. I mean, nowadays we talk more about
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reposado and angejo than about blanco. Well,
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it is a properly made tequila. Fine tequila
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is really more like a brandy. You sip it. Amazing. And you swirl it and
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you smell it. If you have it in a proper glass, you can smell it.
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It's amazing. You know, actually, that brings up the interesting point.
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Since your father was honored by the state of tequila,
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I mean, you've sat with and been to and
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discussed the trade with some of the greatest minds in this
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business. Sure. You've seen. Is there something. I mean,
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I know I have an answer for the question, but do you see a
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unifying thread of these in the intellect
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of people that do this with such,
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I guess, importance? Well, yes
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and no. It depends on the country. It depends on the different
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producers. Some of the producers that we all know
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have become very cocky because they have made it and they think that they
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are at the height. But
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you know, when you are getting the chance to sit with some humble
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people, like Robert de Vilain from de Mont de Romelu
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Conti, he is the most kind, most gentle person.
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Person. He reminds me very much of Robert Mondavi.
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He's open for any kind of question, any kind of discussion.
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And I'm always invited and I feel very honored. Every December
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in Paris when they release the new vintage underground. It's truly
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underground for a very small group of people. I've been invited
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ever since, and it fascinates me to talk about
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a wine that the whole world knows and respects. Maybe some of them
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even sees it as the best wine in the world. And the people behind it
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stay so humble. And I love that.
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It's such a. Just as a tangent to that.
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I sold some real estate. It was a rather large
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transaction for me anyway. And at the end of the
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transaction, and this is just before it closes, it's. A couple years ago,
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I had promised the buyer a bottle of DRC
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Latash. Fantastic. And he was there the
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next day. You know, this is a big enough transaction where the money came from
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Japan to build these apartments, whatever it was. He was there the next
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day at my office and said, where's my wine? Fantastic. I go,
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you went through all this two years with this headache and you're worried about
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the wine. Closed the deal. It closed the deal. Imagine, totally close the deal. It's
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such an iconic beverage. Yes. And if you've never had it, I tell
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you, you will not be disappointed. But the
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expectations might be very high as well. At the end, it's a great
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bottle of wine made in. In a way that most wines are
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made. But what makes the difference is
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terroir is the dirt on which the vines grow.
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They get the energy and they make the best wines. Is that what
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your glassware? And I actually was sitting with
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Mariam Sakatalian at a little wine shop called Envino in Yerevan,
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Armenia, and she had just gotten whatever certification you
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offer for study it. Yes, Ambassador. Real ambassador.
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Ambassador. Right. So she excited about that, and she says, you know, we have
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a great. A glass for Ottomy. And I thought.
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I thought, that's really cool. And we discussed that. But is that what the
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objective would be then, when you sit down with
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varietal, to find the shape that best
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expresses its terroir, where it's coming from? Like, does
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it feel like. I just tasted Armenian wine yesterday, it was sent to me and
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I tasted the minerality that comes from that part of the world. It doesn't
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always happen. Yeah, yeah. Is that the objective of. Well, the objective is the DNA
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of the grape variety. My glasses don't change
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because the vintage changes or the blend
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goes 1% up or down. It is the DNA of
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the grape that determines the shape of the glass. This is exactly
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what. When we develop a new shape for a specific grape variety, we never
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do it on our own. We always surround ourselves with some
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of the bigger and smaller winemakers from a particular
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region. A lot of wine is made in
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different styles. That's also very important to understand. So we want to cover all
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the styles. And so it's a tough job.
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Nothing is done on a computer. Trial and error. It's all about smell,
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taste, mouth, feel, texture, aftertaste. And we can only do
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this with the true influences of wine, which to me, are the winemakers.
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Is this a group inside Riedel? You know, it's like Michelin guide. You know,
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it's the same people that go around or you're sitting. It's me
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and it was my dad before, and before that, it's my grandfather. We are
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blessed with a good palate. Yes. I mean, if we wouldn't have our
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senses, we couldn't do the job. No. It's interesting,
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though, because last night, as I was tasting and writing notes for this Armenian
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winemaker, I've known this of myself before. I'm
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not great at determining and talking about fruit impressions
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or equating it to satsuma plum, stuff
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like that. But I did notice that my palate is really good at structure,
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like understanding the flow and the transition and the length of
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the finish, all those kinds of things that happen with the structure. And I suppose
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you see that as well, where people's interpretation of what your
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glass is doing have different impressions on what they're doing. Absolutely.
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But we try to keep them tamed because obviously if I say it's sour
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and somebody says no, it's sweet, then we have an issue that's a problem.
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Do you think that this is the intimidating
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part of wine or the aristocracy of wine
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that these generations supposedly, which you and I
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have been watching the news, listening to people on LinkedIn, et cetera, that,
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you know, the Gen Z's don't want this, they just want to have an experience.
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Do you agree with that? So I tell you my personal
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point of view. It's very personal. I think that
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some of the fine dining
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world restaurants have
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taken too much advantage of fine wine in the sense that they see this
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as a money maker. And
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a good example is when we talk about wine
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lists, people getting awards for it. For me, what is
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a good wine list, of course, is an assortment of different grape
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varieties from different countries. But most important is the fair price.
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And that's where we are right now, the fair price. It
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cannot be that I pay for the same bottle of wine. And I know
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because of my global distribution about import tax
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and duty, so nobody needs to fool me on that. It
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cannot be that. In a country like France, for example, Dom Perignon is
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double the price than it is in Los Angeles. That's a ripoff. Good. There's
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absolutely no reason, there is no excuse for that. And it needs to be pointed
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out. So you can see you just poked me the right way because I
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feel that the young gener doesn't have the
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access to fine wine because it has gotten too expensive. And we have
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to reconsider that. I rather pay for
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the chef's creation a wonderful plate of food more
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than being overpaying for wine. There is no sense behind
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this. Why do I have to go through a three star Michelin restaurant and
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pay triple the price on a bottle of wine? You're right. If you want to
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cover the cost, which is absolutely fair and you should do so, but
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put it in a into the price point of either
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service or the food because that's what you're famous for. Don't try
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to steal it by increasing the wine prices to a
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point where it's not fun anymore to drink wine,
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it's absolutely right. And I think the best evidence
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of that is you can probably go in this neighborhood and go to three different
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restaurants and find considerably different prices for the same bottle of wine. Absolutely. And
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there is, for me, always. How. Should I call it?
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A benchmark. There are three, four wines around the world that every wine list
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carries. And based on that, I see if the restaurant is
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overcharging for wine or not. And this. Sometimes it gets to a point
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where I only would like to drink water just to
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send a signal. Good, yes, I can afford it, but I don't want to
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because it's not fair. And I
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think that this is one of the main drivers. And if I ask my nephews
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who are brought up in a
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restaurant dining environment, and imagine the
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boys are between 19 and 21, obviously in
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Europe, they're allowed to drink alcohol at that age. And I asked them, so how
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was this and that experience? Yes. And I said, so what did you drink with
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it? Well, we had maybe one cocktail or water.
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And I said, how is that possible? Well, we know everything about
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wine because we grew up in this family, but why should we be ripped off?
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I mean, imagine how sad that is. So I don't think that there
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is this overwhelming trend against alcohol
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seen as being the worst, and it's
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damaging, which of course, if you over access it, do it, it is.
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But I think it's a question of budget and
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fairness. I think that has a lot to do with it. And
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there's a. Actually, what's interesting, that more wine was sold in the US
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Last year than the year before. So whatever the consumption issues are
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doesn't seem to be real when it comes out to the numbers. But then I
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talked to a restaurant the other day, a restaurateur, and he had hired a new
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somme, thinking that was his problem. You'll laugh at this because
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his. His bottle sales are off 40%. And, you know, that's
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substantial. Wow. You know, tasting room traffic. For instance, I was
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with, you know, a very famous wine winery last week, and
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she was saying that their. Their tasting room Traffic is off 20 or 30%,
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which is a very important part of their business. But regardless, this restaurant. So this
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guy was changing the psalm because the sales were. I
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said, what about your waiters and your servers? What do they do? Because
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they don't know. Well, maybe that's part of the problem, is
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that you're not training the waiter staff to understand what they
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have in front of them. Absolutely. And one of the things that happens now, and
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it drives me crazy, maybe you, too, is they talk about the
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changing the language of wine. My father had his things. My God,
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I'm getting that on social media. Big thing. I don't understand what that
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means. Yeah, yeah. Because my dad's language, he would cringe at
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some of the stuff I would say, but that just means he's in a different
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generation. And I'll cringe at what my kids say. And the
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evidence of that is yesterday at this restaurant, the one I was telling you about,
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they organized the wine list by the following
432
00:26:47,810 --> 00:26:51,610
categories. Not Cabernet Pinot Noir. It was big
433
00:26:51,610 --> 00:26:55,170
and vivacious, light and airy. And so my wife loves
434
00:26:55,170 --> 00:26:59,010
Bordeaux varietals, whether it's Napa or Bordeaux, Me too. And so
435
00:27:00,020 --> 00:27:03,540
I had to go to each section to see where they had put those wines.
436
00:27:03,860 --> 00:27:06,980
Yeah. And I thought, that doesn't make any sense. It doesn't make any sense. But
437
00:27:06,980 --> 00:27:10,420
I also have to say that there's a big discussion calling a wine
438
00:27:10,420 --> 00:27:14,060
feminine or masculine. Oh, no. And I never use
439
00:27:14,060 --> 00:27:17,820
those terms to express my palette or to talk
440
00:27:17,820 --> 00:27:21,460
about wine, but I think it's going. It's getting too far. You know, if
441
00:27:21,460 --> 00:27:24,660
some countries, if some people, whatever, want to express
442
00:27:25,460 --> 00:27:28,540
the style of a wine in a certain way, so be it. I think we
443
00:27:28,540 --> 00:27:32,240
don't need to go too far. Wine should not be
444
00:27:32,240 --> 00:27:35,600
discriminated. Do you think that this generation is then going to understand.
445
00:27:37,120 --> 00:27:40,880
Well, you just explained that you really don't think that's the problem. So that's.
446
00:27:40,960 --> 00:27:44,080
I mean, that's my personal. That's a good thing. You see it every day. And
447
00:27:44,080 --> 00:27:47,680
it's an important. Yeah, I have three millennials
448
00:27:47,760 --> 00:27:51,280
and their millennial husbands, and
449
00:27:52,080 --> 00:27:55,360
they very much appreciate a good glass of wine. And maybe it's because of
450
00:27:55,680 --> 00:27:59,130
our culture at home. Yes. It's just part of our culture. Absolutely. But
451
00:28:00,250 --> 00:28:04,050
I can't point to them as evidence as to whether the
452
00:28:04,050 --> 00:28:06,890
messaging is out there or not. So you're on social, which,
453
00:28:08,010 --> 00:28:11,050
you know, there's. Do you remember. Do you. Do you ever know the TV show
454
00:28:11,050 --> 00:28:14,650
Bewitched? It was a true. Okay, sure. And in those
455
00:28:14,650 --> 00:28:18,490
days. Right. Larry Tate, the advertising guy, you go in, you get the pitch,
456
00:28:18,490 --> 00:28:21,290
they have the easel, they do the drawings, they come up with a slogan, and
457
00:28:21,290 --> 00:28:24,590
then that was. That was marketing. Yes. You have no place else to go
458
00:28:24,910 --> 00:28:28,430
today. I mean, you're probably in. In the main trade mags.
459
00:28:28,910 --> 00:28:32,550
Trying to sell your wares. But really social is where you have to
460
00:28:32,550 --> 00:28:35,910
be. You have to be. You have to be no matter what you do, no
461
00:28:35,910 --> 00:28:39,710
matter what you try to communicate, what you try to sell, and
462
00:28:39,710 --> 00:28:43,510
especially if you want to find a niche, how to communicate with
463
00:28:43,510 --> 00:28:47,310
the next generation, which is so important because. There'S a new brand out.
464
00:28:47,790 --> 00:28:51,140
I'm going to say it. It's called Whiny Baby, and she's coming on the show
465
00:28:51,140 --> 00:28:54,380
in the next couple weeks. And I want to push a little bit as to
466
00:28:54,380 --> 00:28:58,140
what. And this is a Gen Z thing. Now, your grandfather and
467
00:28:58,140 --> 00:29:01,940
your father. My dad in his wine shop, we used to sell
468
00:29:02,100 --> 00:29:05,859
this piece of tape that you'd put over the
469
00:29:05,859 --> 00:29:09,420
label, and that's when people sort of wanted to collect labels and put it in
470
00:29:09,420 --> 00:29:12,820
their seller book. And. Yes, I remember those things. All those things. Right? Yeah. Especially
471
00:29:12,820 --> 00:29:16,100
with Chateau Mouton. Yeah, yeah, of course with the
472
00:29:16,180 --> 00:29:19,820
labels. But this Whiny Baby is very interesting.
473
00:29:19,820 --> 00:29:23,020
This is a Gen Z brand. The whole point of it is
474
00:29:23,420 --> 00:29:27,060
you can write on the label who you drank this with and when you
475
00:29:27,060 --> 00:29:30,740
drank it and what occasion, and you peel that off. And I thought,
476
00:29:30,740 --> 00:29:34,380
well, that's not new. You know, your father was doing it. My father was doing
477
00:29:34,380 --> 00:29:37,900
it. But you know what? I think any kind of innovation that goes into our
478
00:29:37,900 --> 00:29:41,580
beautiful industry helps. And if
479
00:29:41,580 --> 00:29:45,300
she starts communicating this in the proper way, maybe others will pick up
480
00:29:45,300 --> 00:29:49,110
on this trend. I wish for it because it would be so sad to
481
00:29:49,590 --> 00:29:53,230
imagine go into a restaurant trying to socialize and
482
00:29:53,230 --> 00:29:56,310
not have a glass of wine in your hands, which.
483
00:29:57,270 --> 00:30:00,910
Yeah, I mean, everybody. Wine speaks to people differently,
484
00:30:00,910 --> 00:30:04,470
but it calms me down, you know, it makes me relaxed, and that's what I
485
00:30:04,470 --> 00:30:07,950
need after a busy day. I mean, I'm not doing home office. I've never done
486
00:30:07,950 --> 00:30:11,710
it. I'm too busy. My job doesn't allow it. So I
487
00:30:11,710 --> 00:30:14,980
need to unwind, and I like to do this over a glass of wine. Fine.
488
00:30:15,060 --> 00:30:18,340
It's very hard to do, by the way, just so you know, because I. I
489
00:30:18,420 --> 00:30:22,180
transitioning out of. I have an office still, too.
490
00:30:22,180 --> 00:30:26,020
I have a studio in an office, and I have to go there. I can't
491
00:30:26,020 --> 00:30:28,820
sit at the house. No, I couldn't. Even though I have all the horsepower there
492
00:30:28,820 --> 00:30:32,020
that I need, I can't do it now. My daughter who works for Apple,
493
00:30:32,660 --> 00:30:36,260
during COVID she was. She came out of the retail world of Apple,
494
00:30:36,260 --> 00:30:40,100
and she was interviewing for
495
00:30:40,100 --> 00:30:43,300
a job that was solely from the house. Whose house? My house.
496
00:30:44,020 --> 00:30:46,860
She would leave her house to come to my house to be. Make that our
497
00:30:46,860 --> 00:30:50,340
house became her office. I thought, wait a minute, didn't you move out
498
00:30:50,660 --> 00:30:53,860
a few years ago? So what do you.
499
00:30:55,700 --> 00:30:59,419
You're. You're relentless on social, and you're traveling the world. You're
500
00:30:59,419 --> 00:31:02,740
taking your kids to Aspen. You're showing them the world this way, which is great.
501
00:31:03,460 --> 00:31:07,100
Well, it's not only Aspen. We started the US Tour in Denver a couple days
502
00:31:07,100 --> 00:31:10,780
ago. We. We moved from Denver up. Up to. Through
503
00:31:10,780 --> 00:31:14,420
the Independence Pass. I mean, I'm a European, and I've done it
504
00:31:14,420 --> 00:31:17,620
already five times. I don't know how many Americans have been up to an Independence
505
00:31:17,620 --> 00:31:21,380
Pass, which is very impressive. I wanted to show that to my kids. Us
506
00:31:21,380 --> 00:31:24,820
coming from the mountains of Austria, we have been to Aspen. We did fly
507
00:31:24,820 --> 00:31:28,540
fishing. We went to the Smuggler Mine. We had had so many activities.
508
00:31:28,620 --> 00:31:31,620
Wow. Aspen in the summer, to me is even better than in the winter, because
509
00:31:31,620 --> 00:31:35,460
snow I got at home myself. Yeah, that's right. And now we're in la. We're
510
00:31:35,460 --> 00:31:38,990
here for a couple of days, then we're moving up to Napa Valley. Kids are
511
00:31:38,990 --> 00:31:42,390
for the second time in Napa. They love it up there. And then we end
512
00:31:42,390 --> 00:31:46,110
up in San Francisco. And they love to go in San Francisco through,
513
00:31:46,270 --> 00:31:50,070
obviously, what we tourists do. We're going for the second time to
514
00:31:50,070 --> 00:31:53,230
Alcatraz, really, before it's turned back to prison.
515
00:31:53,470 --> 00:31:57,070
Hopefully it doesn't. And of course, this is, for me, culture.
516
00:31:57,070 --> 00:32:00,750
It's culture for them. And I like them to explore because that's
517
00:32:00,750 --> 00:32:04,430
exactly what my parents did with me in the 1980s. Obviously, the world
518
00:32:04,430 --> 00:32:07,960
was very different then, but imagine what they're going to tell their
519
00:32:07,960 --> 00:32:11,680
kids. Yeah, right. So that's what it's all about, storytelling. It's the
520
00:32:11,680 --> 00:32:14,840
new world. And I have this conversation quite frequently
521
00:32:15,640 --> 00:32:19,280
as an American. I'm a Francophile. I learned
522
00:32:19,280 --> 00:32:22,560
French from my father because he spoke French, and I want to speak French with
523
00:32:22,560 --> 00:32:26,240
him. And then I'm reading a book now on the last Empress
524
00:32:26,240 --> 00:32:30,040
of France, Eugenie, you know, and
525
00:32:30,600 --> 00:32:34,400
I'm enamored by this history. Josephine Baker. I mean, I'm enamored by
526
00:32:34,400 --> 00:32:38,130
these things. And I find it fascinating because I'm looking at the old
527
00:32:38,130 --> 00:32:41,450
world going, wow, how structured, how interesting. This
528
00:32:41,450 --> 00:32:45,130
Appalachian control. A. And there's, you know, there's protection of the butter,
529
00:32:45,130 --> 00:32:48,850
protection of the wine, protection
530
00:32:48,850 --> 00:32:52,410
of cheese. But America's a new world. I mean,
531
00:32:52,410 --> 00:32:56,050
you've. It's. And we love it. I tell you, it's still the land of opportunity,
532
00:32:56,050 --> 00:32:59,490
especially for my brand. We have so much room to grow.
533
00:32:59,730 --> 00:33:03,530
And I lived in America for 15 years. I
534
00:33:03,530 --> 00:33:07,210
got the opportunity to build a company here, and wow, I didn't know
535
00:33:07,210 --> 00:33:10,350
that. And I think we're the only brand that is from tea to tea, which
536
00:33:10,350 --> 00:33:14,030
means from Tiffany's to Target. So, you know, that's
537
00:33:14,030 --> 00:33:17,710
part of this conversation. That's a big. A big achievement because
538
00:33:17,790 --> 00:33:21,430
everybody still wants, in my eyes, to
539
00:33:21,430 --> 00:33:25,150
enjoy wine at the best. And wherever wine is being sold, Riedel is not allowed
540
00:33:25,150 --> 00:33:28,950
to be missed. Did you. Was that your doing or your father's
541
00:33:28,950 --> 00:33:32,510
doing that Riedel became part of the luxury
542
00:33:32,510 --> 00:33:36,270
world? I mean, it seems to me that it wasn't founded on a luxury product.
543
00:33:36,270 --> 00:33:39,890
It was founded on glassware. But, well, I think everything that is not really necessary
544
00:33:39,890 --> 00:33:43,610
to survive is part of luxury. Good. Let's put it this way. So glass
545
00:33:43,610 --> 00:33:47,050
always is seen as luxury. The
546
00:33:47,050 --> 00:33:50,770
origins of Riedel were in the jewelry, glass jewelry business, coming out of
547
00:33:50,770 --> 00:33:54,490
Bohemia in the chandelier and light business. And
548
00:33:54,490 --> 00:33:57,530
so it slowly ventured into wine and glass.
549
00:33:58,090 --> 00:34:01,810
And yeah, when we talk about the average price of a bottle of wine
550
00:34:01,810 --> 00:34:05,210
in restaurants, you can still relate to it as a luxury. And, yes,
551
00:34:05,880 --> 00:34:09,720
that's why we, I believe, are part of this kind of industry. You know,
552
00:34:11,080 --> 00:34:13,560
I just thought of an experience, and
553
00:34:15,400 --> 00:34:18,920
I think glassware ties into this. Not only does
554
00:34:18,920 --> 00:34:22,120
wine, when you go to Italy, you go to France or you go to Austria,
555
00:34:22,120 --> 00:34:25,120
and you have that glass of wine that turns your head. And every time you
556
00:34:25,120 --> 00:34:28,720
get that wine, it's the reason why people join wine clubs is
557
00:34:28,720 --> 00:34:32,480
that they went to a winery and they now get that box and
558
00:34:32,480 --> 00:34:36,240
they go back to that day. And I just realized I have that same
559
00:34:36,240 --> 00:34:40,019
experience with glassware. I don't think. I don't think there's rle,
560
00:34:40,019 --> 00:34:43,139
but we went to an auction in Paris, and I bought
561
00:34:43,219 --> 00:34:46,979
martini glasses from George Sank, the Four Seasons Hotel
562
00:34:47,139 --> 00:34:50,939
at an auction. And I have to tell you, every time I pull that out
563
00:34:50,939 --> 00:34:54,099
and I make a martini, it's a reflection.
564
00:34:54,899 --> 00:34:57,779
It changes your mood. Yes. Like you were saying.
565
00:34:58,499 --> 00:35:02,099
Yeah, it's really special. And I think the
566
00:35:02,099 --> 00:35:05,880
luxury version of the luxury aspect of a
567
00:35:05,880 --> 00:35:09,600
fine glassware, of a real glassware has that same
568
00:35:09,600 --> 00:35:13,440
feeling, has that same sort of, you know, I'm not. Not I've
569
00:35:13,440 --> 00:35:17,000
arrived, but I feel like I'm something special by doing
570
00:35:17,000 --> 00:35:20,559
this. Well, it. I think it's the beverage in the glass that makes you feel
571
00:35:20,559 --> 00:35:24,240
like that. Well, that's true. But of course, real, we produce machine made, we produce
572
00:35:24,240 --> 00:35:26,920
handmade, mouth blown. So we are one of the last
573
00:35:27,480 --> 00:35:31,160
unicorns out there that really is capable of shaping
574
00:35:31,240 --> 00:35:34,980
glass the way it can be shaped by machine or
575
00:35:34,980 --> 00:35:38,700
by hand. And sadly, this kind of craft
576
00:35:38,860 --> 00:35:42,580
of handmade is dying because people don't want to
577
00:35:42,580 --> 00:35:46,420
work in a factory environment anymore. And if that is the case, then
578
00:35:46,420 --> 00:35:49,980
say goodbye to handmade products, not only in the world of fine glass,
579
00:35:50,380 --> 00:35:54,060
but in general. So that's, that's. I have to be the ambassador
580
00:35:54,620 --> 00:35:58,300
of communicating also the importance of crystal, of glass,
581
00:35:58,300 --> 00:36:02,100
the element, the product not only related to wine. And
582
00:36:02,100 --> 00:36:05,260
this is also where I use social media for that. I mean, what are you
583
00:36:05,260 --> 00:36:08,760
fighting daily when you wake up? Your. Your goal is to
584
00:36:09,880 --> 00:36:13,640
continue to tell. The world to stay alive, is to stay alive, keep. Keep
585
00:36:13,640 --> 00:36:16,840
my kids motivated. Going to school. And of course,
586
00:36:18,120 --> 00:36:21,560
since I've lived in America for such a long time and I've had my group,
587
00:36:21,560 --> 00:36:25,080
my crew of close to 100 employees, the most important
588
00:36:25,800 --> 00:36:29,120
thing as an entrepreneur, if you can't do it on your own, is to motivate
589
00:36:29,120 --> 00:36:32,800
your people. Yeah. And. And that's my rule number one. I
590
00:36:32,800 --> 00:36:36,360
always want to come with a smile on my face, on my lips, into
591
00:36:36,360 --> 00:36:39,860
the matter, how tough the times are. I need to be the one who
592
00:36:39,860 --> 00:36:42,980
motivates the group. They have to be inspired by your story.
593
00:36:44,100 --> 00:36:47,700
They are. And I appreciate the time today to hear the story.
594
00:36:47,780 --> 00:36:50,460
Appreciate it. Thank you for having me. I look forward to the seminar and I
595
00:36:50,460 --> 00:36:54,180
look forward to seeing you out on social. Yes. Appreciate
596
00:36:54,180 --> 00:36:57,740
it. It's very nice. Thank you. And by the way, if anybody has any questions,
597
00:36:57,740 --> 00:37:01,580
please look me up on maxireedle. R I E D E
598
00:37:01,580 --> 00:37:05,370
L I'm the one who answers all the questions personally on my Instagram,
599
00:37:06,160 --> 00:37:09,800
which is close to now 600,000 followers. I guess
600
00:37:09,800 --> 00:37:13,600
most of the people are food and wine lovers, and I love to chat and
601
00:37:13,600 --> 00:37:17,120
I love to be inspired. Wow. That's phenomenal. Appreciate it.
602
00:37:17,200 --> 00:37:21,000
I'm going to test that. Good. Okay. Cheers. Thank you for coming. Cheers. Take
603
00:37:21,000 --> 00:37:21,280
care.