From Australia to Paso: Jane Dunkley on Authentic Wine, Bezel, and California’s New Wave

Wine needs a fresh face. Well, that is if you ask the pundits in the industry. I am not sure I agree. Certainly, any industry needs to keep up with the times, I suppose marketing ideas and packaging ideas would follow. I am not sure I even agree with that... however, one thing I do believe is bringing a contemporary viewpoint to the table is beneficial. Meet a contemporary viewpoint in Jane Dunkley of Bezel Vineyards.
Reflecting on my conversation with Jane Dunkley of Bezel for the latest episode of Wine Talks, I’m left both energized and encouraged about where the wine industry is headed—and what truly matters in today’s wine world.
Our podcast’s mission has always been to tell the real stories of wine, far beyond tasting notes and ratings. So, sitting down (virtually, at least) with Jane, an Australian-born winemaker who has worked on both sides of the world and now crafts wines for the Cakebread family’s new Bezel brand in Paso Robles, was exactly the kind of exchange I live for.
Jane’s journey started far south of Perth, in Western Australia, on a beef cattle ranch—a background that immediately resonated with me. We swapped stories about the one-of-a-kind “smell” of cattle yards; a scent that, as Jane wryly put it, no amount of showers can really erase. It set her on the path to winemaking: the agricultural connection without the lingering aroma of livestock. That personal connection to the land gave her an appreciation—almost an obligation—to bring authenticity into her role as a winemaker.
That idea of authenticity kept surfacing. Jane made it clear: if you’re just coming into wine “because you couldn’t think of any other way to spend your money,” the market sees through it. The consumer is craving stories and purpose—an ethos to connect with, not just a pretty label or Instagram-ready tasting room. Her advice? If you’re ready to make this your life, with good intentions and a real story, there’s room for you. I couldn’t agree more.
We explored what Paso Robles has become—a place that’s evolved from cowboy hats and thrift stores to French restaurants and billion-dollar wine acquisitions (yes, I’m still amazed by the DAOU story). Yet, amidst the changing face of Paso, Jane finds the same rural, collaborative spirit that was there when she arrived. I can vouch for it myself; Paso still feels real and welcoming, even if, like me, you eventually learn you’re a much better wine storyteller than farmer.
It was refreshing to hear Jane champion the idea that innovation in wine isn’t about flash—wines in cans, weird flavors, or marketing gimmicks—but about a “unique voice,” expressed sincerely in the glass. We tasted her Bezel Sauvignon Blanc and Cabernet, and I was genuinely impressed. The Sauvignon Blanc brought a Southern Hemisphere intensity but was rooted in Paso—minerality and all. The Cabernet, meanwhile, struck that elusive balance between structure and approachability at a $30 price point. As a guy who’s sold millions of bottles in that sweet spot, I know how hard that is to get right.
At its heart, this episode underlined why I started Wine Talks: to share the stories, the struggles, and the triumphs of people like Jane Dunkley. Wine is about connection—between people, land, science, art, and most of all, experience. The future belongs to those willing to show what they stand for and bring their whole story to the table. And as long as there are voices like Jane’s willing to do that, I’ll keep telling these stories.
Cheers to authenticity—and to the next great bottle.
-
Bezel
(Jane Dunkley’s current winemaking project, associated with Cakebread Cellars) -
Cakebread Cellars
(Iconic Napa Valley winery, parent company for Bezel) -
Bonny Doon Vineyard
(Winery owned by Randall Grahm, mentioned regarding Jane’s past experience) -
Gallo (E. & J. Gallo Winery)
(Large wine company Jane worked with in California) -
The Language of Yes
(Project with Randall Grahm that Jane contributed to) -
Dow (DAOU Vineyards & Winery)
(Paso Robles winery referenced in industry context) -
Austin Hope (Hope Family Wines)
(Mentioned in relation to Paso Robles Cabernet benchmarks) -
Lewin Estate (Leeuwin Estate)
(Margaret River, Australia; discussed in early career context)
#WineTalks #Podcast #JaneDunkley #PaulKalemkiarian #BezelVineyards #CakebreadCellars #PasoRobles #Winemaking #WineIndustry #WineStories #MargaretRiver #AustralianWine #FemaleWinemaker #VineyardLife #WineTasting #WineInnovation #WineCommunity #WineAuthenticity #SauvignonBlanc #CabernetSauvignon
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If you're just coming to say, oh, geez, I really like to drink wine and
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I've got a little bit of money because I've whatever did
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xyz. And I'm coming to PASO to start a brand because I couldn't think
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of any other way to spend my money. I mean, bless those people. We. We
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need them in the industry. I think that the
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consumer is starting to really see through all of that,
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and people want to know what you stand for and why you're doing
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what you're doing. I think if you have a good story and
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you have good intentions and you're willing to
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make this your life, then I think
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there's definitely space. Sit back and grab a glass.
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It's Wine Talks with Paul K.
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Hey, welcome to Wine Talks with Paul K. And I'm laughing because I did not
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push record on the previous take of this show, but I did push record
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this time. I'm here in Southern California. I am the guy that tasted 17.
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I actually only tasted 100,000 wines, but sold 17 million bottles along
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the way. And those 100,000 wines I tasted got
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100,000 stories. And I decided Wine Talks is going to tell
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the stories of the wine business. While we're on the line today with Jane Dunkley
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of Bezel Vineyards. Welcome to the show. Thanks, Paul. Thanks for having me and
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allowing me to contribute to one of those stories. Actually, the first thing I said
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to you when we got on the call was like, where your accent was from.
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And it's going to lead into other things. So I had a hard time guessing.
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Well, I got close. I got 50%. But Australia was
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where we landed. Yes, it's Australia. And, you know, like in
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Australia, you know, like we do in other places, we have
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regional accents. So this is a Western Australian accent.
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So Western Australia would be, well,
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let's see, the Barosa is in the
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south, right bottom. And so what's in the west?
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There's not much in the west, and that's kind of a blessing and a curse.
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So one of my. My shtick is kind of that Perth is
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the most isolated city in the world. And I grew up three hours south of
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there in a small rural town.
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And I did most of my winemaking in Australia. In
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Margaret river is the wine region. Down there, which is a beautiful region.
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But so that's interesting. How would somebody from south of Perth
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and the tiny, I'm guessing either agricultural
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town or out in the bush, I guess
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yes. Ends up on the wine trade. How does that happen? It's kind of
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funny, isn't it? You know, I feel really blessed to.
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I just think that I realized so early on in my
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life that this was what I wanted to do. You know, I grew up on
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a beef cattle ranch and I
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knew I wanted to be involved in agriculture in some way.
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But there's a certain smell that you get when you've been working in the
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cattle yards that kind of no amount of showering will sort
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of get rid of. And I think that my maybe my
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sensory kind of skills were already honed at a young age.
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I was like, I can't smell like that for the rest of my life. So
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I thought, you know, what other avenues are there where I can sort of
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be involved in agriculture, but
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in sort of a different way to my
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family kind of heritage? And winemaking kind of popped up
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as one of those things that could tick these boxes.
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And also leaning into the science, I like cooking, I like
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gastronomy, but, you know, working in a hot kitchen didn't
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sound like much fun either. And so winemaking it is.
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So it was an all, as they would say, an olfactory,
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know, decision. I don't want to smell like a cow. And you know,
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I, I know the feeling because I. My first job, they put me
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in the cattle processing part of Los
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Angeles to sell stuff. And I know exactly what you're
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talking about. Yeah, it's a very. And it's not
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even necessarily a very bad smell. Like I,
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I have fond memories, kind of altered smell, but I just don't need
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to be smelling that every single day. Well, you know, you're in a
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business that is traditionally and expected
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to be trigger smells. And this is what's the thing that's really
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amazing about wine for me and probably for you, is that you
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can, you can smell a wine and five years later, ten years
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later, approach that glass again. And maybe it's age, but
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you still know where you were and what was happening. Yeah,
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when that, when you smelled that. Same with food. Right. I mean, you. The memory
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of food and the memory of smell and the taste is so
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identifiable as to where. When you are. But how did you end up then
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in the United States or you started making wine in Margaret river, which is a
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beautiful, elegant part of the winemaking district of, Of
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Australia and makes fairly elegant wine. So that's where you started. You just said,
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I'm going to Margaret river and start making wine. Yeah, I mean,
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I, you know, I did, but did my
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university sort of thing, and I started
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out going to university in Perth and I'm Just, I'm actually a
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terrible student, turns out, but I'm a really good worker. And
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so somebody. I did my first harvest
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at the winery around the corner where I grew up, and
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that was in 2002. And the
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winemaker there at the time said, you know, you can go to a different university,
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so you can work full time and then do your studies.
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I'm aging myself here by correspondence because the
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Internet was correspondence. I haven't heard that term in
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a long time. Yeah. Which basically means, yeah, you teach yourself organic
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chemistry from home and kind of go over
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to college twice a year and hope for the best. But that was wonderful
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because I was able to work and do
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harvests and also do study
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kind of at the. At the same time. And so then
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the theoretical knowledge, practical knowledge really
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came together quite nicely and in a meaningful
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way that made it really sort of sink in.
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You know, that's interesting because, you know, there are many winemakers
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born of a cellar rat and having never studied.
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And then there's, of course, the completely theoretical
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winemaker who starts in college and goes through the whole process. But
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that seems like a rather great balance to be able to sort of be studying
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at the same time, but you're getting your hands dirty at the same time. And
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so the question always is, like, if you took the same
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winemaker and put same vineyard,
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but one person had been working that vineyard for 20 years.
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They. They know it well by vine, they know the vineyard.
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And you bring in a. Somebody that's worked all over the world, that's
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tended vineyards in Argentina, Australia, France and Italy
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and give them the same grapes. Do you get two different wines? Of course.
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And we'll just. You. I guess we can't say in the world of wine that
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one's better than the other. Right. They're just going to be different based on
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terroir, I suppose. Yeah. And. Well, I think the
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piece that a lot of people miss about terroir is that it's not just
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the rocks and the weather. The human influence is,
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you know, one of those pillars kind of. Of. Of terroir. And,
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you know, we. We make decisions, we
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intervene, you know, whether it even be in
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the. In the vineyard in terms of canopy
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architecture, the cultural practices we do, the
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timing of. Of the pick and things like that, and
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how we handle the wine. There's an infinite number of decisions
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that get made. And so I think, you know, you could have
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twin twins that both went to Davis that do this, and they make
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different wines, you know, so I think that's the best Part
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of, of winemaking is that it is
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an expression. That's your, what's your personal
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philosophy and goal on this? Here you are after you were in
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Margaretville. Margaretville,
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Is that what it's called? No, it's not Margaret Ville, is it? Margaret River. Margaret
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river, yeah. What the. You know, one of the first wines I ever bought on
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behalf of my father when we, when I started working with him, 1988 was
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the Lewin Chardonnay, 1983 Chardonnay. It
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was fabulous wine. Was an iconic wine.
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Yes. And it was part of the Wine of the Month club at that time.
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But after, after you were in Margaret river, where,
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where'd you end up and how'd you end up in Paso? Yeah. So,
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you know, us Aussies, we tend to bounce around
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a little bit and I think, you know, like a lot of people and
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in the wine world, we're all masochists. Right. And so I
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would take all of my vacation time, so
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I worked at the winery full time and then I'd take my vacation time and
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then I would go into harvest elsewhere. Because
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what else are you going to do on your vacation? Because when you're in
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wine, you're obsessed with wine, so you need more wine, you don't need
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time off from wine. So, you know, I went
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and worked in Portugal, I went and worked in Italy,
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and then I was sort of staying put in Western Australia a little bit.
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I was working at a great winery in a very lesser known
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region I call the Ferguson Valley,
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which is just a little bit, a little bit further north, a little inland, and
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we would call it an elevation in Western Australia, but because it's the
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flattest place on earth. Yeah.
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And then I kind of thought, oh, no, you know, you start
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to get itchy feet a little bit. And
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a guy who was a mentor of mine received
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a phone call from Randall Graham. And he had worked for Randall
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many, many years ago. And you know, Randall was like, oh, we need
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help this harvest. You know, would you consider coming? And he
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said, no, but I know just the person. And he called me up and he
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said, you need to go and work for, for Randall
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in Santa Cruz. And I was like, oh, actually that's kind of perfect. And
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so that was 2014, and I thought that I was going to be there for
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three months. And I was 11 years guy.
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You know, California just kind of get here. Yeah, you know,
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that's a, that's a pretty. I mean, you know, in
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French, stagiere. I mean, that's, that's quite an
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opportunity. To get under the wing of Randall Graham as such an iconic guy,
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particularly in California. Yeah. And you know.
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Yeah. You know, just, I've sort of. I've done a
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terrible job of building my resume with
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iconic wineries, but I've done a really good job
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of finding fellow.
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How do I put this? Like fellow
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kind of crazy thinkers around the world.
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I'm good at that kind of thing. And that's how
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I've been able to find people that have really challenged the
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way that we think of our wine and winemaking and
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just. And the universe that sort of surrounds that. And so
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Randall Graham definitely checked that box and I was just able to
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learn so much from him. And then when
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Bonnie Doone was, was getting sold, I came down and worked for,
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worked for Gallo in, at the San
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Miguel facility, overseeing a couple of different wineries here on the Central coast,
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and then ended up working with Randall again
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as part of the Language of Yes project.
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So I've been really, really lucky to have a lot of
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Randall in my life. This industry is so.
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I mean it's huge and there's. But it's, it's
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not going to say it's a fraternity, sorority. Maybe it is to a certain extent
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because there's so many interconnecting and there's actually. I
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had a woman on the show, her name is Jessica Kogan. She works for a
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brand development company now called Connect the Dots. And there seems to be a lot
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of dot connecting in this industry. I only said that because I had a podcast
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last week with Jason Haas, whose
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father was part of the Roan Rangers, who, you know, we started that
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conversation and those guys with Randall would hang out at a restaurant called
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Laleem's in Berkeley. And that guy who owned that
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restaurant now makes wine in Armenia and is very close friend of mine. And I
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thought, wow, what a crazy connection. Yeah, you really
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must be careful in the world of wine because if you're careful to
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anyone, someone on the other world is going to give you a slap for it.
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So, yeah, what's going on? But it's also
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part of its, it's unique in that industry
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and that people are so connected and that there is
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such camaraderie and knowledge based
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sharing and the opportunities to do that.
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I just think that that is absolutely the best thing about,
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about the wine industry because, you know, part of
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my, with my studies being distance education,
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when I would go to uni
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and we'd sit all of our labs and like kind of exams and
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a couple of weeks, a couple of times a Year. But through that I was
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able to meet other winemakers, but
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from different wine regions all around Australia. And they were doing
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the same thing as, as me and
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different ages, different backgrounds, and we were
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all able to just get together and with wine,
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sort of forge these really long term
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friendships. And then when I travel around the world,
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you know, even now, people are, oh yeah, I know this one
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random person in Australia. Yep, yep.
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Actually worked with them in some other place. No, it's.
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And it, and it's wonderful. And even we can go and visit
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wineries and say, hi, I'm a winemaker, I work at this
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winery. You know, can you host me? And you have these
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most, these amazing experiences. I wonder if
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that's part of, and I'm not saying this
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condescendingly, but part of the, the
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aristocracy of wine that people find
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barriers difficult. I'm not, I'm not suggesting that is because I think that this
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camaraderie and this fraternity, sorority aspect of it is very important
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part of, because it's really art and science blended. But
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I wonder if, wonder why it's so perceived as
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aristocratic to the general public.
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Well, I think that you go, you know, I think we think about
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wine and we think about the chateaus of Bordeaux
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and you know, and I think
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that then. And some of that,
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I mean, otherwise, how could people kind of afford to even make these
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wines? You know, there is this sort of, there is a legacy
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in a lot of these iconic wineries in the world. And that's.
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Those are the wineries that we learn about when we're learning about wine,
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for better or worse. And I think that's why
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it's so exciting to be in California, because it
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really does feel like there's an opportunity for
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everyone. And I think we see that in Paso Robles and we see that
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in the San Luis Obispo coast. There's a lot of young winemakers
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who, you know, have these small brands that
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have a very unique point of view. And
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so I would challenge people to, to look
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away from these sort of heritage,
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legacy, multi generational
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brands and find what's out there.
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No, I think that's a good position. But just
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to touch on one more time and then we'll move on to that from this.
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But it's that lineage and that
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legacy and that camaraderie
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that this industry has and no other. You don't do this with microchips, you
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don't do this with makers, you don't do it with anything else. But wine
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needs to have that legacy or at Least that
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assimilation of information and knowledge base, you know, to move the needle.
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Yeah. So here, here you are now. And it sounds like you, most of
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your work has been done in the new world, quote unquote, you know, North America,
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Australia, South Americ. And that's, that's
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kind of a positive part of moving the needle for what you're
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saying is getting the consumer involved with all this. Yeah, but
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I don't know that you ever get around it. And this is the part that
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bothers me a little bit online with some of these Gen Z's
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and millennials talking about changing the language and all the things that
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go into what actually make wine. Wine. Yeah. In order
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for you to do what you have to do, you have to know all these
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things, you have to understand the history. You have to have worked with Randall Graham,
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you have, you've had to work with Gallo, a large, you know, one of the
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largest corporations in the country in wine, to do that. And I think
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that adds to your personal terroir. Yeah. You
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bring to the table. So Bezel,
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your current project is a cake bread
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company. Yeah. And it's the
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cake bread, of course, being one of the iconic early
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influencers or developers of wine in the Napa Valley.
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So how, how does this work? Is it's an independent company. You.
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What's the relationship? No, so
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essentially the idea for this kind
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of started in February of 2020. I don't know about
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you, Paul, but I think there are a few people that would kind of had
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a little bit of extra time on their hands. Yes, we, well, we were busy
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as we are really busy, but that's okay.
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Well, and I think, you know, we talk about cake bread being kind of a
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legacy, a legacy company. And
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you know, it is a family, it is a family business. And so the cake
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breads were sort of coming up on that 50 year
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anniversary of cake bread sellers
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and then really starting to think, you know, what is the next 50
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years kind of, kind of going to hold. And I think we
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are all aware that, you know,
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perhaps it's not the Gen Z and millennials that are
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drinking these kind of legacy wine brands
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for whatever reason, whether it be style, whether it be cost.
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And so the cake reds really wanted to bring
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new people into, into their world
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and they knew that they couldn't do it in Napa at
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that price point, and nor did they want to. I mean, you
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know, Jack Cakebread, you know, got the money to start
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to start the winery from taking
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photographs with Ansel Adams. And so there is that
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kind of there's a culture of exploring
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landscapes, I want to say, within the Cape bread sort of
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soul. And so then kind of they were able to
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think, all right, so where can we bring
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new friends into the cake bread family
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without it being a copy and paste of cake bread
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sellers? Because basil certainly is not that.
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But there is a similar kind of heartbeat into these
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wines. And so when they're sort of looking and
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you know, they did, you know, they were really thinking about the whole west coast
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of the US for this and kind of settled on
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Pasarobles to make Cabernet. And we've got a
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Sauvignon Blanc that's going to come out next year. And then
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really excitingly, you know, thinking about cool climate,
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Chardonnay and Pinot Noir. And so San Luis, obvious by
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coast, which was just kind of a newly named
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Ava at that time, just felt like such an
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exciting place to be. And how lucky am I that
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we have these two climates where we can grow these varieties in such
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a short distance, you know, half an hour over the grade.
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And a totally different climate than where I live in
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Paso Robles. So it is,
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you know, I have a cake bread email address. It is
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100% part of. Of the cake bread
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family. But I just have a little office
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down here in. In Pasar. And I have an assistant
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winemaker and a grow relations person as well,
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who helps me out with the vineyard contracts. And we're this tiny little
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team and it's. You know, there aren't many people that get
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to start kind of a wine brand from scratch.
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No. With this legacy kind of
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behind it. So, yeah, it's really exciting project.
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And how do you find Paso? I mean,
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I. I visited in 2004. I bought 60 acres,
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thinking that that was gonna be my retirement. I'm in the wine trade. This is
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great. I'm gonna go up the thing and I found out that I'm a horrible
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farmer and I'm gonna kill everything. And I can't even grow, you know, the
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cultured kids sets that you buy at Toys R Us. I can't make those grow.
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And so we decided to.
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We decided to abandon that dream because it
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wasn't for me. But how do you find Paso? Being an
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Australian born and having traveled the world as
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a. It used to be so rural, and it still kind of is. It's kind
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of cool as a wine district. It's still got that
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rural character. Has a rodeo still. Yeah. You know,
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I think it's really unique. Yeah. I mean, I absolutely
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love it. I love Paso Because I think
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I grew up in, you know, got a
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beef cattle background, you know. And so
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when we are out, you know, I, you know, like to
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go to Creston and all of these other places. And even when I'm working
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with my growers, I understand. I understand
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these people. And I think that does kind of bring
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an advantage to, you know, the. The work that we do.
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But then we had this great m. You know, I
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think the. The tourism part of Paso is
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awesome. So we get a lot of people coming up from la,
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a lot of sophistication that comes in. And,
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you know, I've got great restaurants, good coffee, all of that sort of thing,
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but really kind of an unpretentious
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vibe. And I was really lucky. When I first
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came down here. I did a tasting
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with another winery, and the assistant winemaker there at
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the time, she said, oh, I'm putting together a female winemaker's
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tasting group. Would you be up for it? Fun. Oh, yeah.
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And so, you know, we've been. That was. Gosh,
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I can't even remember how many years ago now, almost 10 years
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ago, that we sort of had this tasting group. And
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that had. Was really sort of critical to
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me, sort of building a community within Paso Robles.
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You know, it's interesting. The guy that sold me the property, which was on.
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Which was on the Australia river road,
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was a cattle rancher, I think, by trade, or his family was. I think it
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was up towards San Miguel, up on the Lake Nacimiento up
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there. And I thought when you said you were cattle, and I thought, well, it's
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pretty active there still. Yeah, probably it's a great place.
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But, you know, this is. Let's. Let's be frank here. I mean,
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Paso's come a long way. It used to be a lot of cowboy
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shops and thrift stores, and now you have a French restaurant. I mean, it's
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unbelievable. A French restaurant and a Spanish restaurant run by the French
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family. Yeah, there you have it. But, you
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know, it's kind of unique, though, right here. It's still rural, it's still great. We
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love coming there. You know, you got to stop at James Dean's, you know, crash
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site on Highway 46, all that kind of stuff. But then it's also
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the scene of, like, one of the largest wine purchases in the history
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of America at a billion dollars for Dow. Yeah.
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What an interesting juxtaposition of the rurality of
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it. But this high dollar amount, which is. Which
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unfortunately is part of the allure to many people that have
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money in Los Angeles. Or any part of the world. Oh, wow, look at the
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money this guy made. Maybe I could do the same. And that's probably the wrong
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motivation to get in the wine trade. Yeah, but, but an interesting
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juxtaposition, essentially. Yeah. And. Well, and I think that, you
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know, we do have to thank Dow because,
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you know, I remember when I first came to California without
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really much knowledge of Paso Robles and living in Santa Cruz,
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there was a time where the only red
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wine by the glass was Dow. And so they just have
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done such an amazing job of taking
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that from zero to a billion dollar
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business. And so to be able to build
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a brand, I think to
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that level that quickly, you know, hats off to
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them. And I think what's great about Paso as well is,
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you know, rising tides float all boats. That's true.
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There's space for, there's space for all of us.
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And whether you're a micro producer in Tin City
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and you know, I've been on the other side of that where you're the, where
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you're the big guy, you know, and there is, there's space
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for, for all of us and there's a really good kind of knowledge exchange
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within the community about how we can kind of all
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help each other out. You know, in Armenia, which is.
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I'm Armenia by heritage, I spent a lot of time there. In fact, the
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gentleman that is talking about that used to own Lalim, where the Ron
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Rangers were founded. It makes wine in Armenia. Makes
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incredible wine there. But it's, it's interesting because
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it's already gotten to the point where there's so many new brands and there's so
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many people coming from America to, to there to try to express themselves
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through. Through wine. Yeah. That it's almost gotten to the point where the.
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And the land is really inexpensive compared to Paso or Napa, of course.
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But it's almost got to the point where it's partially
431
00:27:07,390 --> 00:27:10,830
prohibitive to try and start a brand because by the time you get to the
432
00:27:10,830 --> 00:27:14,630
street, people can't afford what you need to charge for it. Yeah. Is it
433
00:27:14,630 --> 00:27:18,470
possible in Paso to find Swath somewhere and sort of
434
00:27:18,790 --> 00:27:22,390
claw and scratch your way to some kind of brand recognition without
435
00:27:22,470 --> 00:27:24,550
the backing of a Dao?
436
00:27:26,630 --> 00:27:30,470
That's a really, really hard question. Look, I still think we're
437
00:27:30,470 --> 00:27:34,140
in the new world or in California if you're.
438
00:27:34,220 --> 00:27:37,980
You just got to get scrappy with it. I think, I think there is.
439
00:27:39,420 --> 00:27:43,180
Look, and I think that we all know where the industry
440
00:27:43,260 --> 00:27:47,060
is right now. There is about to be probably a bit of
441
00:27:47,060 --> 00:27:49,980
A reckoning. But people that have
442
00:27:50,700 --> 00:27:54,140
a unique voice and have
443
00:27:54,700 --> 00:27:58,500
something to say and can say it through
444
00:27:58,500 --> 00:28:02,210
wine, you know, if you're just coming to say, oh, geez,
445
00:28:02,210 --> 00:28:05,490
I really like to drink wine and I've got a little bit of money because
446
00:28:05,490 --> 00:28:09,170
I've whatever did xyz and
447
00:28:09,170 --> 00:28:12,090
I'm coming to passo to start a brand because I couldn't think of any other
448
00:28:12,090 --> 00:28:15,850
way to spend my money. I mean, bless those people. We. We need them in
449
00:28:15,850 --> 00:28:19,490
the industry. But, you know, I
450
00:28:19,490 --> 00:28:22,890
think that the consumer is starting to really
451
00:28:23,050 --> 00:28:26,900
see through all of that. And people want to know what you
452
00:28:26,900 --> 00:28:29,740
stand for and why you're doing what you're doing.
453
00:28:31,100 --> 00:28:34,900
And so I think if you have. If you have
454
00:28:34,900 --> 00:28:38,380
a good story and you have good intentions and
455
00:28:38,460 --> 00:28:41,340
you're willing to make this your life,
456
00:28:42,540 --> 00:28:46,180
then I think there's definitely space for you. I think you just define
457
00:28:46,180 --> 00:28:48,220
something without you knowing it.
458
00:28:50,060 --> 00:28:53,540
And it actually just gave me some thoughts about this podcast
459
00:28:53,540 --> 00:28:56,780
itself on how it reaches. Because there is an
460
00:28:56,780 --> 00:29:00,380
authenticity requirement these days. Not that there wasn't
461
00:29:00,380 --> 00:29:04,140
authenticity in previous ventures of all industries, but
462
00:29:04,140 --> 00:29:06,260
it seems that the Gen Z Millennial group
463
00:29:07,700 --> 00:29:10,260
relate to that more than they do branding,
464
00:29:11,140 --> 00:29:14,460
innovation and packaging, necessarily, but just the
465
00:29:14,460 --> 00:29:18,300
authenticity of the message. And so when you use the term unique
466
00:29:18,300 --> 00:29:22,010
voice, that's almost a
467
00:29:22,010 --> 00:29:25,450
synonym for innovation, because I don't
468
00:29:25,850 --> 00:29:29,690
like this conversation that's going on about innovation in the
469
00:29:29,690 --> 00:29:32,650
wine trade, meaning we're going to add flavors, we're going to put it in a
470
00:29:32,650 --> 00:29:34,730
can, we're going to put in a box, we're going to put in a bladder,
471
00:29:35,210 --> 00:29:38,650
we're going to market it. And I've had so many people on the show that
472
00:29:38,650 --> 00:29:42,290
think that because they put the wine in a 200ml can, that that's
473
00:29:42,290 --> 00:29:45,610
innovation. That's not. But the unique voice
474
00:29:45,610 --> 00:29:49,270
idea is. And however that unique voice
475
00:29:49,270 --> 00:29:52,270
is expressed can be called innovation,
476
00:29:52,750 --> 00:29:56,390
definitely in this trade. So. And I tasted your
477
00:29:56,390 --> 00:30:00,070
wines yesterday. They sent me the Sauvignon Blanc in the
478
00:30:00,070 --> 00:30:03,670
Cabernet. And the first thing I thought of when I tasted the Sauvignon Blanc is
479
00:30:03,670 --> 00:30:07,390
this is. I didn't. It wasn't a New Zealand because
480
00:30:07,390 --> 00:30:10,950
it wasn't quite that much grapefruit, but it
481
00:30:10,950 --> 00:30:14,670
certainly had that Southern hemisphere character about it. Is that. Did you. Oh,
482
00:30:14,670 --> 00:30:18,520
thank you. Yes. So you were
483
00:30:18,520 --> 00:30:22,200
trying to do that, obviously. And that's great. That's a unique voice coming
484
00:30:22,200 --> 00:30:25,200
from Paso, because many Sauvignon Blancs from Paso are very
485
00:30:25,520 --> 00:30:29,360
viscous and. And not expressive that way. Yeah. And
486
00:30:29,360 --> 00:30:32,960
you know I mean, I think for me, the Sauvignon Blanc was a really
487
00:30:33,200 --> 00:30:37,040
fun opportunity, and I did sort of put my
488
00:30:37,040 --> 00:30:40,680
neck on the line a little bit with that, because everyone's like, it's very hot
489
00:30:40,680 --> 00:30:44,170
in Paso. You sure you want to make Spinon Blanche? And I had to say,
490
00:30:44,170 --> 00:30:47,650
well, you know, I did actually make a living making Sauvignon Blanc
491
00:30:47,650 --> 00:30:51,450
blends for 15 years
492
00:30:51,850 --> 00:30:55,370
in Western Australia. So I think that wine
493
00:30:55,450 --> 00:30:58,410
speaks more to that.
494
00:30:59,690 --> 00:31:03,490
I don't have Semillon yet, so I'll. Put
495
00:31:03,490 --> 00:31:07,330
a little bit of Chardonnay in. In these wines, just to kind of replace the
496
00:31:07,330 --> 00:31:10,720
role of. Of Semillon, because, once again, we're in Paso
497
00:31:10,720 --> 00:31:14,480
Robles. We make up our own rules, you know, and so
498
00:31:14,880 --> 00:31:18,560
I think I wanted to have a different expression.
499
00:31:18,560 --> 00:31:22,200
And especially, you
500
00:31:22,200 --> 00:31:26,040
know, these are the sort of wines I like to drink where I want
501
00:31:26,040 --> 00:31:29,440
my palate to be almost cleansed by the
502
00:31:29,440 --> 00:31:32,640
wine. I don't want it to be 14%
503
00:31:32,720 --> 00:31:36,560
alcohol, and I'm sure that there's a lot of people out there that do. And
504
00:31:36,560 --> 00:31:40,350
I think there's a lot of great wines in the market that sit in that
505
00:31:40,350 --> 00:31:43,950
space, But I wanted it to be light
506
00:31:43,950 --> 00:31:47,470
and bright and vibrant and
507
00:31:48,110 --> 00:31:51,750
fun and just something that people can open up
508
00:31:51,750 --> 00:31:55,510
and drink out of one of those govinos
509
00:31:55,510 --> 00:31:58,590
in the park in Paso if that's what they want to do. And
510
00:31:59,550 --> 00:32:02,830
it doesn't need to be aged. It can be
511
00:32:02,830 --> 00:32:05,070
consumed without pretense
512
00:32:06,820 --> 00:32:10,660
and without weighing you down and
513
00:32:10,660 --> 00:32:14,420
making you feel like you can't, I don't know, go to Virginia
514
00:32:14,420 --> 00:32:17,860
the next. Well, you've done. Well, you've done that, girl. So.
515
00:32:19,060 --> 00:32:22,260
But that's interesting, because though I sensed,
516
00:32:23,300 --> 00:32:27,100
you know, Southern hemisphere, there was a certain minerality
517
00:32:27,100 --> 00:32:30,740
to it. Yeah. That told you it was not from those
518
00:32:30,740 --> 00:32:34,230
parts. Yeah. So even though the nose and the weight
519
00:32:34,550 --> 00:32:38,390
had that reminiscence, there was certain something, character about it that was telling me
520
00:32:39,110 --> 00:32:41,750
I'm not so good. I would have said that this is from Paso if it
521
00:32:41,750 --> 00:32:45,350
was a blind tasting, but I certainly would have said this is not necessarily from
522
00:32:45,350 --> 00:32:49,070
that area, but stylistically it is. Was that on your resume when you. When
523
00:32:49,070 --> 00:32:52,910
you came to work for Cake Bread? I'm from the New World, and we
524
00:32:52,910 --> 00:32:56,510
don't have rules. Oh, gosh.
525
00:32:56,510 --> 00:33:00,150
Probably it just came out in the interview. Who knows, right?
526
00:33:01,330 --> 00:33:04,690
I felt like I did 500 interviews for this job.
527
00:33:05,010 --> 00:33:08,690
They were very thorough. Well,
528
00:33:08,690 --> 00:33:11,570
I think this job also has its kind of unique
529
00:33:12,690 --> 00:33:16,450
challenges, and so the cake breads were very sure that they
530
00:33:16,450 --> 00:33:19,890
did not want to Transplant an apple winemaker
531
00:33:20,370 --> 00:33:24,050
into Paso Robles. This
532
00:33:24,130 --> 00:33:27,010
is a really cool project because we don't own a winery,
533
00:33:27,900 --> 00:33:31,260
we don't own any vineyards. And so
534
00:33:32,940 --> 00:33:35,260
I think the reason I got this job is because
535
00:33:36,860 --> 00:33:40,660
I can talk to growers. I've done these sort of
536
00:33:40,660 --> 00:33:44,220
custom crush things before. It is a different way
537
00:33:44,380 --> 00:33:47,900
of getting things from, from grape to
538
00:33:47,900 --> 00:33:51,180
glass that has its own level of complications.
539
00:33:52,380 --> 00:33:55,580
And I've already sort of been able to
540
00:33:55,740 --> 00:33:59,460
navigate that in, in a past life many
541
00:33:59,460 --> 00:34:03,300
times over. And so I think that was, that was a
542
00:34:03,300 --> 00:34:07,060
big, A big part of it was. Yeah, being
543
00:34:07,060 --> 00:34:10,420
able to, to work in a very non
544
00:34:10,420 --> 00:34:14,020
traditional way. And I think being from Australia and being a
545
00:34:14,020 --> 00:34:17,580
very perhaps non traditional kind of human being,
546
00:34:19,199 --> 00:34:22,919
it seems like a really good fit. It's kind of interesting
547
00:34:22,919 --> 00:34:25,839
too, with the Cabernet as well and
548
00:34:27,199 --> 00:34:30,999
the. You. There's no, there's no denying that the Daos
549
00:34:30,999 --> 00:34:34,758
of the world, the Austin Hope, saw fine wines and done very well in the
550
00:34:34,758 --> 00:34:38,159
marketplace. If you equate that brand
551
00:34:38,159 --> 00:34:41,519
recognition to Napa, you're going to call it Caymus and Silver Oak.
552
00:34:41,919 --> 00:34:45,519
And, and stylistically, you know, that's what
553
00:34:46,080 --> 00:34:49,760
sells. And we're in the business of selling stuff, let's face it, despite
554
00:34:49,760 --> 00:34:53,360
our, our anticipation, want
555
00:34:53,600 --> 00:34:57,440
to be extraordinarily unique and really represent terroir.
556
00:34:57,600 --> 00:35:01,000
Sometimes that doesn't sell. And so we have to be. We have to be careful
557
00:35:01,000 --> 00:35:04,840
with that. But I found your Cabernet. And you have to understand too, that when
558
00:35:04,840 --> 00:35:08,640
I mentioned I sold 17 million bottles in my career, they were all
559
00:35:09,120 --> 00:35:12,690
between 15 and 25. That was my, that was what I did
560
00:35:12,690 --> 00:35:15,930
here. Yeah. And I found the Cabernet rather
561
00:35:15,930 --> 00:35:19,570
expressive for it departing a little
562
00:35:19,570 --> 00:35:22,050
bit from this over juiced,
563
00:35:23,090 --> 00:35:26,930
slight residual sugar wine that you would. You might see on the shelf
564
00:35:26,930 --> 00:35:30,530
at the market. Yeah. For all these other brands that are up there.
565
00:35:30,930 --> 00:35:34,450
And there's no. I'm not dissing anything. I'm just saying that you,
566
00:35:34,610 --> 00:35:38,330
you did. So I saw structure in this wine. I saw. I
567
00:35:38,330 --> 00:35:42,080
saw an appellation in this wine. And here's
568
00:35:42,080 --> 00:35:44,920
the ultimate test. Can I tell you the ultimate test? Please.
569
00:35:45,720 --> 00:35:49,520
Because my wife, when we got married, only drank Gallo, you
570
00:35:49,520 --> 00:35:52,440
know, Ryan wine. And now she's my biggest critic.
571
00:35:53,400 --> 00:35:57,239
And so. And she's a Bordeaux
572
00:35:57,239 --> 00:36:01,080
varietal girl. It's just, you know, I can't even stump her
573
00:36:01,080 --> 00:36:04,800
into trying to Syrah or something like that. And so we had poured last night.
574
00:36:04,800 --> 00:36:08,360
I had bored. I actually started with a bottle called Blue Rock, which is grown
575
00:36:08,360 --> 00:36:11,840
in this crazy soil in Sonoma and very,
576
00:36:12,080 --> 00:36:15,880
very expressive and terroir driven. And then we finished that
577
00:36:15,880 --> 00:36:19,480
bottle and I. And I was pouring off the bezel and I was
578
00:36:19,480 --> 00:36:23,320
waiting for, I was waiting for her to change expression. I was
579
00:36:23,320 --> 00:36:26,880
waiting for her to, to look at me, say, you know, this is different or,
580
00:36:27,360 --> 00:36:30,240
you know, what, what is this? She just
581
00:36:31,200 --> 00:36:34,880
is so smooth. I was so proud of myself. I was proud of you
582
00:36:35,600 --> 00:36:39,120
because. Thank you. Because that's not easy to do
583
00:36:39,600 --> 00:36:43,320
in my home. But I really, I really was impressed with,
584
00:36:43,320 --> 00:36:46,800
with the structure of that wine. And it's, you know, there was sort of a
585
00:36:46,800 --> 00:36:50,480
balancing act between being consumer driven and
586
00:36:51,200 --> 00:36:55,040
representing something other than that. Yeah. And well,
587
00:36:55,440 --> 00:36:58,640
thank you. That means, genuinely means a lot to me.
588
00:36:59,760 --> 00:37:03,440
Yeah. I think with the Cabernet, we
589
00:37:03,680 --> 00:37:07,520
have a really great sort of jumping off point
590
00:37:07,520 --> 00:37:11,320
with, with Cape bread. And so I'd
591
00:37:11,320 --> 00:37:15,080
be stupid to not sort of use these wines as inspiration because it's
592
00:37:15,080 --> 00:37:18,079
very easy because Cape bread, Cabernet
593
00:37:18,480 --> 00:37:22,240
tastes like Cabernet. And I think that
594
00:37:22,240 --> 00:37:25,600
Cabernet should taste like Cabernet. And so I think
595
00:37:25,760 --> 00:37:29,560
that a critical part of Cabernet is that there should be
596
00:37:29,560 --> 00:37:33,270
a little bit of greenness. And
597
00:37:33,990 --> 00:37:37,630
you know, just to put this wine, these wines in context, and I think
598
00:37:37,630 --> 00:37:41,230
you almost touched on it. But you know, the white wines are 25
599
00:37:41,230 --> 00:37:44,390
bucks and the red wines are essentially 30 bucks.
600
00:37:44,870 --> 00:37:47,990
And I
601
00:37:49,270 --> 00:37:52,870
drink, most of my wines that I drink are at that price point.
602
00:37:53,110 --> 00:37:56,790
And so I wanted to be really cautious
603
00:37:56,950 --> 00:38:00,790
about that because it's a big responsibility because
604
00:38:00,790 --> 00:38:03,750
you want to deliver varietal expression,
605
00:38:05,350 --> 00:38:08,790
a sense of place and
606
00:38:10,390 --> 00:38:14,190
value. But I think that I don't want to be
607
00:38:14,190 --> 00:38:17,750
condescending to the consumer at that price point.
608
00:38:17,910 --> 00:38:19,510
Yeah. And I think that
609
00:38:23,840 --> 00:38:27,600
making kind of a serious medium bodied wine was
610
00:38:27,600 --> 00:38:30,720
a really cool challenge for me because
611
00:38:31,200 --> 00:38:34,680
to your point, those wines that are highly
612
00:38:34,680 --> 00:38:38,240
extracted, boozy, a little bit sweet.
613
00:38:38,720 --> 00:38:42,400
God, there's a huge market for that and it's very tempting. But
614
00:38:42,400 --> 00:38:46,120
if I followed Dao, I'm going to be ten steps behind
615
00:38:46,120 --> 00:38:48,160
them. I'm never going to be able to catch up. And I don't want to
616
00:38:48,160 --> 00:38:51,800
be looking at someone's butt, you know, the rest of my life. And so
617
00:38:51,800 --> 00:38:55,200
by not able to, you know, go in a different direction
618
00:38:56,480 --> 00:39:00,280
and kind of stake our claim. And in a
619
00:39:00,280 --> 00:39:03,880
way that is true to the cake
620
00:39:03,880 --> 00:39:07,120
bread sort of heritage and legacy where it's,
621
00:39:07,520 --> 00:39:11,160
you know, these sort of almost more classic style wines, but
622
00:39:11,160 --> 00:39:14,920
they're made to be had with food. I don't
623
00:39:14,920 --> 00:39:18,700
want to box people in necessarily without the Bezel, I'm like, yeah, if you want
624
00:39:18,700 --> 00:39:21,220
to have it with food, if you want to grab a burger and have it,
625
00:39:21,220 --> 00:39:24,900
great. But I want it to be the wine, not to
626
00:39:24,900 --> 00:39:28,540
be a meal unto itself. And.
627
00:39:28,860 --> 00:39:32,340
And it is kind of scary making a medium bodied
628
00:39:32,340 --> 00:39:36,060
wine because you know that if you're going to be in a
629
00:39:38,460 --> 00:39:41,740
industry tasting and someone's going to be
630
00:39:42,220 --> 00:39:44,700
heavy, heavy, heavy, heavy, heavy, light. Oh.
631
00:39:47,380 --> 00:39:51,100
But yeah, it felt really important to kind
632
00:39:51,100 --> 00:39:54,660
of make, make a different classic expression
633
00:39:54,660 --> 00:39:58,140
of cabernet. But as someone who's done a lot of blind
634
00:39:58,140 --> 00:40:01,540
tasting in my life, God damn it, I want it to taste like Cabernet
635
00:40:03,380 --> 00:40:07,020
and still taste like Paso. A noble pursuit in
636
00:40:07,020 --> 00:40:10,780
today's world. But I think, I think with all
637
00:40:10,780 --> 00:40:14,620
my experience and doing this and tasting wines I tasted every
638
00:40:14,620 --> 00:40:18,420
Tuesday for 35 years, literally, unless I was sick. Yeah.
639
00:40:18,660 --> 00:40:22,420
And it still amazes me too, when I taste a wine
640
00:40:23,460 --> 00:40:26,660
out of that environment and I taste something that's got a little RS and a
641
00:40:26,660 --> 00:40:30,340
little residual sugar, it is rather pleasant and you feel
642
00:40:30,340 --> 00:40:33,060
like, oh, this is pretty good wine. But then when you take it out of
643
00:40:33,060 --> 00:40:36,020
context, when you put it in a meal or you put it somewhere
644
00:40:36,660 --> 00:40:40,420
where it's not sort of, it's being analyzed a
645
00:40:40,420 --> 00:40:43,820
little bit more because you're, you're in a moment where you're having some friends or
646
00:40:43,820 --> 00:40:46,820
whatever over for dinner, it doesn't taste as good.
647
00:40:47,300 --> 00:40:51,060
And yeah, the second glass is always a little bit tough.
648
00:40:51,460 --> 00:40:55,300
And there's been some studies apparently, and I was talking to Tim Hanai of
649
00:40:55,540 --> 00:40:59,340
Master of Wine. Crazy, crazy guy. But he's saying that there's been
650
00:40:59,340 --> 00:41:03,180
some studies that palates fatigue with sugar. And so that's why people
651
00:41:03,180 --> 00:41:06,820
move on from these brands that they start with that are. I mean, let's face
652
00:41:06,820 --> 00:41:09,380
it, all the wines that you see at supermarket are kind of the same thing,
653
00:41:09,380 --> 00:41:12,540
even though they're from different districts. Once you put in so much
654
00:41:12,700 --> 00:41:16,460
sugar, it sort of blinds the rest of it. Yeah. I think you
655
00:41:16,460 --> 00:41:20,060
lose varietal expression. I mean, is it delicious? Yes.
656
00:41:20,780 --> 00:41:24,180
Yeah, it's easy to drink. Yeah. But your comment about
657
00:41:24,180 --> 00:41:27,420
condescending to the consumer is really interesting because that's,
658
00:41:27,980 --> 00:41:30,980
that's kind of what it is. It's like, well, we're just going to appeal to
659
00:41:30,980 --> 00:41:34,750
you because we know you like this sugar. And I think, and this
660
00:41:34,750 --> 00:41:38,470
is what I was. My thought was when I started this part of the conversation
661
00:41:38,470 --> 00:41:41,750
was I think everybody recognizes
662
00:41:41,750 --> 00:41:45,550
eventually whether you're a novice drinker, entry level, or
663
00:41:45,550 --> 00:41:48,470
sophisticated taster structure,
664
00:41:49,510 --> 00:41:53,310
and that that structure of that wine, that balance of acid fruit, and then
665
00:41:53,310 --> 00:41:57,150
how those things play with each other are what make
666
00:41:57,150 --> 00:42:00,470
people hold the glass up and go, hmm, this is pretty
667
00:42:00,470 --> 00:42:04,140
interesting. And this is really good. Not just good because it's
668
00:42:04,140 --> 00:42:07,740
slightly sweet, but wow. I really sense something, some emotion in this
669
00:42:07,740 --> 00:42:11,500
wine. Yeah. And I think, I think that's what happened
670
00:42:11,500 --> 00:42:14,740
last night with my wife. She's, She's.
671
00:42:15,140 --> 00:42:18,900
She just sort. Regardless of the fact that they're completely different wines. I mean,
672
00:42:18,900 --> 00:42:21,740
this thing's called Blue Rock. You probably never heard of it. It's a very small
673
00:42:21,740 --> 00:42:25,300
boutique guy. The rock that it grows in is really blue.
674
00:42:25,860 --> 00:42:29,540
And so you really get this minerality coming from this blue rock, which I'm not
675
00:42:29,540 --> 00:42:32,470
sure what, you know, what the Latin designation is, but
676
00:42:33,190 --> 00:42:36,390
if I can go from that transition to your wine.
677
00:42:36,710 --> 00:42:40,550
And structurally, she's. She doesn't get any bumps and sugars and
678
00:42:40,550 --> 00:42:43,790
things. She's just going to go right into that glass of wine. That says. That
679
00:42:43,790 --> 00:42:47,590
says a lot. Yeah. Well, once again, being, you know,
680
00:42:47,590 --> 00:42:51,430
taking this price point very seriously. Yeah, it's tough point. You
681
00:42:51,430 --> 00:42:55,230
know, you're trying to balance a few different things, you know, where we're trying
682
00:42:55,230 --> 00:42:58,930
to. I think we're all trying to bring new friends into wine.
683
00:42:58,930 --> 00:43:02,130
And so, you know, I think the core of the bezel
684
00:43:02,610 --> 00:43:06,330
consumer base, you know, should. Should be millennials. I'm.
685
00:43:06,330 --> 00:43:10,130
I'm a geriatric millennial, so just a horrible
686
00:43:10,130 --> 00:43:13,970
term, but apparently a technical one. I'm going to use that, though, from now on.
687
00:43:14,610 --> 00:43:16,610
It's awful, but here we are.
688
00:43:18,290 --> 00:43:21,010
But, you know, I think
689
00:43:23,100 --> 00:43:26,940
I want to be able to have something there for
690
00:43:27,900 --> 00:43:31,540
experienced wine drinkers who, you know, like me,
691
00:43:31,540 --> 00:43:35,300
buy a lot of wine. I have two glasses of wine every single night of
692
00:43:35,300 --> 00:43:38,940
the year. You know, it adds up. And
693
00:43:39,020 --> 00:43:42,060
so I want to be able to have layers,
694
00:43:42,380 --> 00:43:46,100
structure, balance and, and depth
695
00:43:46,100 --> 00:43:49,700
for those people where a wine can evolve in the glass if they're going
696
00:43:49,700 --> 00:43:53,390
to, you know, be having that over the course of the night. But
697
00:43:53,470 --> 00:43:56,830
on the flip side, for the more novice consumer,
698
00:43:56,990 --> 00:44:00,590
I want this to be bright and juicy and fruit forward,
699
00:44:00,830 --> 00:44:04,030
and I think strongly about the aromatics where
700
00:44:04,510 --> 00:44:08,350
that entices them. You know, we're pouring these wines,
701
00:44:08,350 --> 00:44:12,030
you know, a lot, you know, by the glass. We're doing wine
702
00:44:12,030 --> 00:44:15,750
festivals and things like that, just trying to, you know, just trying to get people
703
00:44:15,750 --> 00:44:19,480
to. To taste the wine. And I think when you have nice,
704
00:44:20,120 --> 00:44:22,920
bright, vibrant aromatics,
705
00:44:24,840 --> 00:44:28,200
that can really help bring people into.
706
00:44:28,840 --> 00:44:32,680
Into the world for the other people, and then they can move on.
707
00:44:32,680 --> 00:44:36,200
To, oh, structure, balance. What am I
708
00:44:36,200 --> 00:44:39,480
tasting? What can I dissect there? Trying to
709
00:44:39,480 --> 00:44:43,240
straddle making something for everyone
710
00:44:43,400 --> 00:44:46,460
without making something for no one and without
711
00:44:47,180 --> 00:44:50,900
taking the easy way out with sugar is a really
712
00:44:50,900 --> 00:44:54,700
fun challenge. We're almost out of time, if you can believe that.
713
00:44:54,700 --> 00:44:58,060
But was there a direction from the Cake Bread family
714
00:44:58,940 --> 00:45:02,780
to, I want you to express paso. I want you to express
715
00:45:02,940 --> 00:45:06,580
your experience. I want you to express whatever. Did they give you direction or they
716
00:45:06,580 --> 00:45:09,820
say, we just want the best you can make from what you're given.
717
00:45:12,380 --> 00:45:15,500
There was some direction because there was some wine
718
00:45:17,130 --> 00:45:20,770
already crushed from the prior
719
00:45:20,770 --> 00:45:24,610
vintage. When I started. The blessing that
720
00:45:24,610 --> 00:45:28,290
I had was that it was very
721
00:45:28,290 --> 00:45:32,010
close to the direction that I would have gone anyway. But
722
00:45:32,170 --> 00:45:35,690
my final interview for this position was
723
00:45:36,250 --> 00:45:40,090
Teach us about Path of Red Lights Kavanaugh. And so in front
724
00:45:40,090 --> 00:45:42,250
of the family and sort of the
725
00:45:43,740 --> 00:45:47,100
executive team at Cake Bread, I did
726
00:45:47,100 --> 00:45:50,900
essentially a master class in patho cat and sort
727
00:45:50,900 --> 00:45:54,620
of hovering around that price point. And the. The
728
00:45:54,620 --> 00:45:58,140
question was, what would I do? Describe these
729
00:45:58,140 --> 00:46:01,660
wines and then what would I do? And so then I was able to say,
730
00:46:01,660 --> 00:46:05,060
oh, I like the fruit here. I like the greenness there. I don't like this
731
00:46:05,060 --> 00:46:07,980
oak. This little sweet. It's a little boozy. And so
732
00:46:09,400 --> 00:46:12,600
I was able to kind of do my pitch before I got the job.
733
00:46:14,280 --> 00:46:17,960
And so I was really kind of lucky in that regard.
734
00:46:18,520 --> 00:46:21,640
I do take it very, very
735
00:46:21,960 --> 00:46:25,240
seriously, though. This is not Jane Dunkley
736
00:46:25,400 --> 00:46:29,240
wines. This is basil from Cake Bread.
737
00:46:29,640 --> 00:46:32,600
And the success of this
738
00:46:33,320 --> 00:46:36,870
brand is. I mean, it needs to be successful on its
739
00:46:36,870 --> 00:46:40,630
own, but it doesn't make sense for it to be
740
00:46:41,110 --> 00:46:44,390
the absolute opposite of Cake Bread. So
741
00:46:44,870 --> 00:46:48,550
I am placing those guardrails upon myself
742
00:46:48,630 --> 00:46:52,390
to be true to the legacy of Cake
743
00:46:52,390 --> 00:46:56,110
Bread. And sometimes that's, you know, using similar
744
00:46:56,110 --> 00:46:59,750
Coopers and. And things like that. So
745
00:47:00,070 --> 00:47:03,910
I think that makes, you know, having that
746
00:47:03,910 --> 00:47:07,510
weight on my shoulders is a very
747
00:47:07,510 --> 00:47:11,270
good course corrector itself, even if it's self imposed.
748
00:47:13,270 --> 00:47:15,350
Well, you said something important.
749
00:47:18,950 --> 00:47:22,470
Luck really is, as defined, would be
750
00:47:22,870 --> 00:47:26,150
when preparation meets opportunity. So you were prepared for that
751
00:47:26,150 --> 00:47:29,790
conversation. And he got the opportunity to
752
00:47:29,790 --> 00:47:33,270
present that conversation, and he landed in a pretty cool
753
00:47:33,270 --> 00:47:36,310
spot. I do need some new cowboy gear.
754
00:47:37,430 --> 00:47:40,470
For whatever reason, that's where I bought my first set of boots I've ever owned,
755
00:47:40,470 --> 00:47:44,030
and my first cowboy shirt is
756
00:47:44,030 --> 00:47:47,590
right, right there. We'll have to come up,
757
00:47:48,070 --> 00:47:51,750
have a visit and regen my
758
00:47:51,750 --> 00:47:55,440
collection here. So it's such a pleasure and honor to meet you and opportunity to
759
00:47:55,520 --> 00:47:58,160
hear what you've been through and your philosophy in wine,
760
00:47:59,440 --> 00:48:03,200
but we will. We. I. I am due up there. Got a few podcasts I
761
00:48:03,200 --> 00:48:06,480
got to line up, so I hope we can have a chance to tilt the
762
00:48:06,480 --> 00:48:10,080
glass together. Yeah, please. I'd love to. Love to have you taste some of the
763
00:48:10,080 --> 00:48:13,720
other wines. Yes. All I got to say is two, but that's okay.
764
00:48:13,720 --> 00:48:17,440
That's fine. Thank you so much for the time today, and
765
00:48:17,680 --> 00:48:19,760
good luck out there. Thanks for having me.