Americans Don't Make Sake. Unless You Are Ben Bell. Unreal Story.

I was approached by a PR firm to put Ben Bell on the show. Certainly seemed like an interesting thought. Afterall, domestic Sake is a rarity and one from the heart of Little Tokyo, Arkansas! (that was a little tongue-in-cheek humour). There were so...
I was approached by a PR firm to put Ben Bell on the show. Certainly seemed like an interesting thought. Afterall, domestic Sake is a rarity and one from the heart of Little Tokyo, Arkansas! (that was a little tongue-in-cheek humour).
There were so many questions and so little time. Some stories just require more questions and who wouldn't want to know how in the H-E double hockey sticks did he fall into making Sake in Arkansas.
Ben Bell might be the only person you’ll ever meet whose journey to sake mastery began not in Tokyo, but in Hot Springs, Arkansas—and includes a failed job interview conducted entirely in Japanese. You’ll be entertained, surprised, and utterly engrossed as you discover how this Arkansas native went from stocking wine shelves in Little Rock to apprenticing at world-class sake breweries in Japan, all the while learning a language many would consider impossible to master. In this episode, Paul Kalemkiarian draws out the remarkable story of how Ben’s early fascination with wine sparked a lifelong pursuit of drinkable discovery, culminating with the founding of Origami Sake right in America’s rice heartland. You’ll learn how technique, not terroir, is the soul of sake—why craft and style choices shape every bottle more than the field the rice grew in. Ben breaks down sake’s renaissance in America: from hot, mass-market pours at sushi joints to the nuanced, premium sakes you should really be tasting chilled, not warmed. You’ll hear what truly sets sake apart, why it defies the rules of wine, and how its food-pairing versatility can elevate everything from Cajun shrimp and grits to Arkansas barbecue. Want tips on how to actually drink and serve sake? Ben’s got you covered, and he’ll tell you why a wine glass in your kitchen may be the best tool for enjoying the craft. Most of all, you’ll realize that America’s next great beverage story might just be unfolding far from the coasts, where passion meets persistence and the art of sake is rewritten, one bold, Arkansas-brewed batch at a time.
✅ Ever wondered how top-tier sake is being crafted in… Arkansas?
✅ Origami Sake co-founder Ben Bell joins host Paul Kalemkiarian on Wine Talks for a wild deep dive into the rise of American sake and his journey from wine geek to sake master.
✅ From mastering Japanese in rural Japan to winning international gold medals—all from Hot Springs, Arkansas—Ben shares what it really takes to create world-class sake outside of Japan, why rice matters, and how sake breaks the rules for pairing with food.
✅ Takeaway: If you think sake is just for sushi night, think again. This episode will change how you see (and drink) sake—grab a glass and tune in now! 🍶✨
🎧 Listen to Wine Talks with Paul K. and Ben Bell—the story, the craft, the secrets of American sake pioneers!
#SakeCraft #WineTalksPodcast #ArkansasSake #OrigamiSake #DrinkCulture #SakeEducation #RiceToGlass #CraftBeverages
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What is the biggest factor for making quality sake
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or making sake the way it is at any level of quality? I think number
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one is technique. It's skill. So this is a
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craft in the way that you know, painting a picture, that's an art.
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Of course there's a lot of science when it comes to making sake or any
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other alcoholic beverage, but it's a combination of those things. There's science, there's art,
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there's craft coming together, there's skill. You're
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making style choices. Sit back and grab a
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glass. It's Wine Talks with Paul K.
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Hey, welcome to Wine Talks with Paul K. And we are in studio today in
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beautiful Southern California about to have a conversation with Ben Bell all the way out
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in Hot Springs, Arkansas. Introductions in just a minute. Hey, have a
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listen to a show I just put out. It's with Emily
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Steckenborn. Sounds Chinese, right? Well she's the
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LVMH representative for the ambassador as I called her
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in China. Incredible insight and career path that she's carved out
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for herself. And have a listen to that. But not why we're here today to
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have a conversation with Ben Bell. I was going to say
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Big Ben Bell, but I say Ben Bell of Origami
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Sake in Hot Springs, Arkansas. He's the co
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founder. Welcome to the show. Hey Paul, thank you so much for having
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me. And just as a little note, I'm kind of
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a short guy so I don't get Big Ben very much.
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Maybe I got one more gross for it coming. I'm just fingers, fingers crossed.
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One of my, my son in law's best friend is Ben and he's about
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6, 5. So whenever, whenever I say Ben
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I think of Big Ben. Anyway. Yeah, you know, a real big, a real big
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Ben. Yeah. Thanks for being on the show. This is, you know, your, your
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PR firm reached out to me and I thought this is so interesting because here's
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this young man making saki in America which is,
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you know, I've seen, I've had a few American sakis before.
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But then Hot Springs, Arkansas, you know, triggered a thought
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here. But we had a, we had a nice recall about what we were doing.
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I said this is not your first rodeo in the wine, wine
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or spirits world. Where did you come from? Yeah, that's right. I
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mean I'm an Arkansas native and I
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got a job in the drinks business. I guess the way you normally do when
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you start out, which is you think you're, you're doing something else with your life
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and then you get a job at a liquor store or get a job at
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a restaurant and, and then I think that just hooks certain people. And
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it hooked me on the wine side. And you know, after a few
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years go by, it ends up becoming your career. So I did get a
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job for what became Arkansas's largest retailer,
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Shout out to Colonial Wines and Spirits in Little Rock. The. They had
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always had a great wine selection and what really hooked me
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into wine, and that was my first love, was
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how it could be from being from a small town in Arkansas. This was my
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way to touch different countries, different cultures around the world. And of
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course, you know, you enter it through those wines on the shelf, but then you
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get to food, you get to cuisine, and then you go out to culture, then
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you go out to history. So that was, that was really my first love
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in the drinks business. And it was the first thing I started getting professional
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certifications in. So I, I did really start as a wine specialist and that
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was about 20 years ago. You know, that, that's shocking really
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frankly for me because, you know, the. Usually it's the
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coasts, you know, the east and the west coast that are wine related. New York
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has a specific level of wine shops and
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they're one on every corner and they have a vast variety of
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imported wines. And of course California, the hotbed of American wine. But
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here in the mid part of the country hasn't
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been part of the wine culture really. And
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now you're saying 20 years ago you were doing this. No, that's
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right. Yeah. I, you know, I think in terms of, certainly in
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terms of production, there's not a lot that is
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happening in the middle of the US But I think in terms of sales and
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interest, you know, of course we are right next to Texas, that's a neighboring state.
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Texas is a heck of a fine wine state and has been for quite some
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time. They really, you know, of course Texas is an economic
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powerhouse, but you know, craft
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spirits, craft beer, fine wine, it's been a great market for that for a
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while. And I really feel like, you know, Internet's been around
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for a while now too. Great. There's always great books to get your hands on.
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My first book was Windows on the World by Kevin Zarley. And then I got
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into the wine Bible not long after that. Really, to me, access to the
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knowledge wasn't so hard. And as long as you had, you know, enough good
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distributors who were bringing some good things to pick from, you could put together
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a good shop. And thankfully the owners of the shop that, that I worked
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at, they met In Germany they had a love of German wine.
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They knew European wines very well. So they had this unus
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unusual interest, I guess in really high quality
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wine and they wanted to show it off in Little Rock. So that was very
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lucky for me. That's interesting. And you're talking about
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cuisine and food pairings, which I have, I have a
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very peculiar opinion of food pairing that sort
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of substantiated by master of wine Tim Hani, I had on the
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show. But you know, let's face that.
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Also the Midwest is very specific in this food
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thing. One of the things that's always interesting to me in the American food
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scene is that, you know, you can get now
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Texas chili and in New Hampshire and you can get
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New England clam chowder in Los Angeles. And that wasn't always the case. You know,
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the freeways, transportation kind of changed that. And
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so the regionality of food sort of blurred all the
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lines. But, but back then at 20 years ago,
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was there a cuisine movement? Was there food? I mean it happened in LA in
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the 80s, but I don't know what happened. So I really
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think if you look, this is a thing I've thought about for a long
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time. You know, what is the, what's the food
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identity of Arkansas? Do we have a famous thing
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that, that we are specifically known for? And I think you look around
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surrounding states and you could pick out quite a few things. Texas,
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of course, has Tex Mex, great brisket. Louisiana,
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to the south, has Cajun creole food. Some of the best food in the
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world in my opinion. My mom's Cajun, so I guess I'm biased. But I think
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some of that food is easily some of the best in the world. The
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Mississippi, Missouri, Kansas City, you got some
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great, some great barbecue. And then on the drink side, I'm going to add another
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neighboring state, Tennessee. Obviously this is the home of Jack Daniels and some
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very fine Tennessee whiskey. So there are famous
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food and drinks all around this state.
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But Arkansas to me never really had something that had a strong
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identity like that. Now I will add just a detail. This is, this will be
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probably a surprise for you and a lot of people listening. I know
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Arkansas, if you look at it on a map, it looks like a Midwest state.
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But I will tell you from a food perspective and culturally, it is definitely a
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southern state. So in general, if you want to just make this large
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bracket of southern food and or so we're talking a
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chicken fried steak, biscuits and gravy, shrimp and
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grit, this is all very much the food that you will find In Arkansas at
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a lot of, at a lot of places. And this is what folks like me
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would, would grow up with. So I do love that fruit. But it's not very
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specific to Arkansas. This is just the south generally. But the idea of
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doing sake here was maybe something that
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we could do that is based off of something that's. I don't know if
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unique to Arkansas is the right word, but we're, you know, we're the, we're the
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top producer of rice in the United States. And I do think that's a bit
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of, that's a bit of education right there too. You know, maybe this
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could be something that, you know, Louisiana's. No surrounding state is doing
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this rice producing states. Now California is the
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number two rice producing state. Definitely has quite a bit of sake
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being made there, whether people know it or not. But that was
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the impetus for what could Arkansas be about when
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it comes to something that we can show off on the food and drink
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side. That's a great segue into the sake conversation.
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Yeah, so, yeah, yeah, sure. I mean, to me, it was also, by the
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way, my like life segue from wine into sake.
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Why make this move? Why are, you know, why would
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me as an Arkansan even really be thinking about sake? I have no
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connection to Japan. I also, this is a question I get quite a bit.
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I didn't grow up watching anime or, you know,
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Yeah, a real strong like, you know, I didn't kind of come to
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it that way. To me, it really was still through the wine shop. It was,
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you know, I had gone through, I think, my first level
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quartermaster psalms exam and was getting more
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into certifications. Got my certified
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wine educator, certified specialist of
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spirits. And so
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I love, you know, a big range of categories. And I always liked the oddballs.
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I always wanted to learn about wines from unusual, you know, regions.
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And so I love, you know, some, some, some Zweigelt from
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Austria or let's say like, you know, wines from
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Juro were starting to be interesting at least in, in terms of being
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on the, on, on my radar. And
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let me stop because you, you're covering a lot of stuff on
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it. We should stop and break it down a little bit. One of them, one
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of the points is, you know, you, again, you're not in a
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hotbed of, of wine and spirits territory about Lynchburg, Tennessee
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maybe, but you know, you, you set upon studying
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and learning and that's, you know, that's the beginning of this type
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of process and that inspires you. Once you read one book,
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if you Read the. The wine Bible or you. You picked up some
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periodicals and now the Internet, of course, has tons of stuff. And that.
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That seemed interesting to you. That's like, wow, this is. Or was it the
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combination of being in a shop, tasting wines with the owners who had a lot
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of passion for doing this, that all of a sudden it clicked?
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The. I think it just let my. Being in a
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place like that just let my imagination run wild. And there
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were enough people pulling enough things. You know,
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I wouldn't have known Zweigelt really if somebody wasn't
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bringing. Bringing it in via an Arkansas distributor. So, you
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know, shout out to whoever was bringing it in back then. I don't even remember
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at this point. It's been a long time. But, you know, the. It
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was having just. I, you know, I think a lot of this really comes down
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to the people. If you get into a lot of these stories, there were the
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right people who were interested enough to make a thing happen, bring
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something in that's interesting, and if they weren't there, then maybe it wouldn't
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happen. And I think that continues into the sake story.
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It. It all got me where there
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was enough things that, you know, I've always been kind of a
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dreamer. And, you know, I went to a. I went to a boarding
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school that was math and science focused, but I love the arts, too. I play
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music and I love learning. I love digging into stuff. And
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to me, there was just a lot of stuff to dig into. So it. It
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really played into my. My strength and my desire to learn. Let
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me. Let me take that one more step, and then we'll get back into the
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Saki conversation. That's. That is. I just was playing back
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a podcast with a gentleman named Chad Ludington, PhD, two or
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three masters and mostly in history, but now he's become this wine
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historian. And the way he was very articulate, he was very
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conscientious about who he was talking to. You know, me.
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Like, who is this? What is this guy know? He, you know, he's a lecturer,
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right? By trade, he's a professor. And I thought, you know, I wonder if that's
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the part of wine which is now the lip service we're seeing on the Internet.
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A lot of. And LinkedIn and social networking. You know, we have to change the
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language, we have to change this. We have to make it more appealable to the
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general masses. Wine has always been the same.
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Saki's got a renaissance here, and we'll talk about that in a minute.
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But maybe that's the. That's the
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positive part of wine, this academia, this, this idea. You can read about
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it and every time you read something you want to read more about it and
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that's the part. But that's also could be the part that turns people off because
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it can be very academic and very snooty
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and aristocratic, which I don't think it is
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personally. It's just how you perceive it when it comes down to it.
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Yeah, I, you know, I agree. Of course, I used to sell a lot of
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wine and I'd sell, look, I loaded up a lot of trunks with cases of
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Franzia. Also would sell some first and second growth
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Bordeaux. That's the job, right? And I think
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actually I had a great co worker who kind of, I think I was maybe
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up in my own head about, you know, what wine should be and how
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to talk about it and maybe was a bit snooty myself and I had a
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good coworker. I'll give another shout out to my old
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friend Jimmy Hamilton, who really put me on the right path of hey, when the
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customer comes, when a customer comes in, you need to just listen to them and
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whatever they're looking for, you need to help them find the best version of that.
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Sometimes that is a case of Franzia, sometimes that is a super
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obscure wine from the outside of Rhone or something like
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that. It doesn't really matter. And then, you know,
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I always viewed my job as to, from then on
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to be the connector. You know, I'm going to connect people to what
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seems like, you know, everyone who comes in is a blank slate.
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And my job is to make things simple and,
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you know, get them to what they would probably enjoy based on what
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they're saying, kind of the fastest and the easiest and make it
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approachable. You know, if you're putting up barriers, you know, for me, from
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a sales perspective, you're going to lose, you're going to lose a sale or you
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might lose a customer. Don't put up barriers, make it easier, make it more
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approachable. And I'll add into that. Can you tell a story
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about it? Can you tell good stories about, you know, the things that you're, that
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you're talking about the place, if you know the place, if you did that studying
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of, you know, the place, the people who's making it. You got some stories there.
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If you have some personal stories, that's great too. The way something
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is made. I've sold, sold a lot of scotch for Milo by talking
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about the process of how it's made, right? So
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to Me, any one of those things could be something to kind of latch
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onto. But to your point, I think wine can be both ways.
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Sometimes people want to just recite a bunch of statistics like
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tonnage per acre and just really, you know,
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rattle off a lot of numbers and a lot of terms. And to
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me, it's. I know that that works for, for some people
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because if it didn't, then why would every salesperson, you know, be
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memorizing these things? But to me, it's. It should be more the
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opposite. It should be more story focused, people focused, make it
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more approachable, make it simpler. And I think
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that's the way to go about kind of all these categories.
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So you said something really important. Two things. One
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was, yes, it's consumerism. My wine has always been about the
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consumer. And so that's how the trends change. And we're in the middle of some
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trends changing now. But you also said they're very important. That, which is my
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trade. I grew up selling stuff. I sold for
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Xerox, I sold software, I sold wine. You know,
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so selling things has its. A technique,
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so to speak. Not that you're trying to hustle somebody, but you're trying to understand
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what their need is. And sometimes they don't tell you exactly what their need is.
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And sometimes it's implied, and sometimes it's explicit. And if you're just a.
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Whether you're in sales of, of a widget or whether you're selling wine
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on the floor, if you're listening to the customer and
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you're just satisfying the needs of the customer based on, you know, what you have
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in your quiver to do that. And I think I get that gets lost
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sometimes, Ian, I think the details you're talking about, tons per
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acre and the, and the micronutrient exchange, the tap root and that's.
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That stuff's the part that's intimidating. But you're not
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going to change somebody's palate while you're standing on the floor of a restaurant, liquor
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store, or a wine shop. And so you sell them what they need. And I
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had a wine. One of my managers at one of my shops years ago was
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a pro at that. You know, what are you drinking
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today? And then he'd guide them to the proper thing, and
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then are you interested in moving ahead on that, on your palate to the next
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level? Yes or no? No, I just want what I usually drink. Okay, great. No
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problem. I'll sell you what I have. So it's important. But
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in the world of sake, which I will Tell you that neither
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my wine shops that I've had here had had sake
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in them. And I live in Southern California. I live near, you
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know, right near Los Angeles. It was never a thing, but
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it has had a renaissance, I'm gonna say 20 years
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maybe that, that the idea of premium sake
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emerged, that there's different levels of sake and that
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the brewmaster's job. And I'm gonna, I made that name up. I'm not sure that's
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the exact name is rather
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important. So from your floor sales at
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a wine shop into the appreciation and then now developing and
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manufacturing sake, what that transition occurred because it
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also was fascinating. Yeah, absolutely.
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So the first bottle of sake that wasn't, you
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know, some cheap mass produced sake, which the shop that I worked at
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had. What I'm going to say is kind of the usual suspects of sake that
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brands that you would get at a sushi or hibachi place all over
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the U.S. you know, we had those bottles and I
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didn't think much about them. I've had them before and I've had good times at
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a sushi place having some. But
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I've had some fuzzy times also with those. But
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yeah, the. But you know, it wasn't something that made me think, oh, you know,
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sake is interesting. It's a category that I really want to, you know, learn or
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explore. But then one a bottle came into the
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shop about 16, 17 years ago, something like that,
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and it was. The price was higher. I'd never seen this brand
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before and I was intrigued. Like I said, I like the, the to
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dig into the oddballs and see what'
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and this was certainly an oddball to me. And I'll
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tell you, look, I took it home. This probably go into my not
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strong connection to anything Japanese really. It looks like white wine
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to me. So I chilled it in the fridge and I put it in a
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white wine glass and that's how I drink it. Yeah. And I will tell you,
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that is still how I recommend generally drinking craft
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sake. There's other ways to do it, but I think that's a
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very solid way to drink craft sake. I guess I just sort of lucked out
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that way. But I had it in my thought, having that
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sake and it was definitely. So you said the term premium sake
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and I think that's great. I often use the term craft sake. I think
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we're kind of conveying the same thing. It's something that is above the level of
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mass production and we're really talking, you know, more quality and
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care in what people Are making. So. But
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do they always exist? At least not to interrupt you, but do they always
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exist? Because I think what you just said a lot, obviously, again, chilling
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sake and you're chilling the craft premium sake. You know, we go to sake
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houses in the 70s and 80s and you know, you, it was always warm, you
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did a depth charge, you drop it in a beer, you know, and you're chugging
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it. So but, you know,
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was that was that idea of mass
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produced sake was that you warmed it up because you were
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masking something and now you're suggesting chilling it because
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you can get the nuances of a premium or craft sake?
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I mean, that seems like I've been bamboozled all this time.
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So I hate to dispel you or the
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nobody likes the feeling of getting tricked. But I will tell you, it seems counterintuitive
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that heating something up could actually mask flavors. But it does
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work if you get to a certain temperature level. And
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yes, that is one of the main things that heating up
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kind of does. Now I want to add on to there,
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there is some very fine sake, some of the best sakes in the world that
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are also really wonderful warmed. And one of our
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sakes right up here where I'm pointing to White
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Lotus for anyone who can see this video. Yeah, this is our Nigori
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sake. That is a wonderful sake warmed and we're very
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proud of it. Now, at home, I still keep it in the fridge and I
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still pour it into usually a wine glass. So that's the way
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I like to drink it. But it is also fantastic warm. But I'll give you
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my general hot versus cold advice. Warm sake. So, well,
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let's say lower tier, rougher,
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maybe let's say more robust. I'm going to add some nice terms on there too.
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Robust, bigger flavor, but maybe also rougher, more
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warmed. This is more going to be served warmed. And then when you get into
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the craft world of sake, now we're going to be more
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chilled and maybe chilled by default, but can exist in a
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range. And my best advice for how to know that
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easy mode is when in doubt, just chill it and you're going
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to be right in the craft sake world. I'm going to say 95% of the
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time. Now what you can do is this is my
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best advice. A good bottle of sake should have a recommended serving
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temperature on the back. Let's see if I got it right here. Oh, where is
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it? Here it is right here. So you'll see, look, served warmed
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or chilled, some people will actually Give a temperature range.
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But yeah, look at, look at the advice on the back. To me, this is,
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this is my, my best advice for that. Now when you get into
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the highest, let's say class of sake, which is a category called
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daiginjo, where they've polished the rice down a lot, they've taken a lot of fat
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and protein off, which can give rougher, bigger flavors. Now
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it's more delicate, it's more light. This style is almost exclusively
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chilled. So you've gone from more warmed to we can play
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in a range and you know, check the back and you know, see what they
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say to pretty much just chill it every time.
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There's exceptions to everything. But that's, that's, that's my advice. Now
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to your question of how long has that been a thing? You
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know, we all know mass produced hot kind of rough
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sake in the US but just to give you an
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idea of how long craft sake has been
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made in let's say, Japan,
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I would say, you know, some of the, there's technological things that happened in the
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sake world that were real big quality jumps up in the
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world of sake. And without getting into too much history, I'm going to
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say around the year 1900
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was when some, a few things started to
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happen that really got a lot of producers into making higher
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and higher quality sake. Rice polishing
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technology, having that ability to mill down, take fat and
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protein off the grain of the rice, get more starch, that gave you these
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cleaners pretty your flavors right off the bat. Understanding
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yeast and understanding how to isolate yeast. And as soon as that
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happened, people started picking for strains of yeast that give fruity flavors and
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aromas, which is key to our style. This
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was a big development and that was definitely in the past 100 years or so.
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The I'm 100 years is a long back.
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So yeah, then it's not contemporary
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because it seems to me, it seems to me that sake, like maybe
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even grappa is probably the peasants drink at some point.
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Actually it was the opposite sake, because rice was
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actually rice was currency in Japan. It was so
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valuable. Yeah, this was kind of during like the
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feudal era era of Japan. You would pay for
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things and you would pay your taxes in rice. And
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making booze out of rice was considered to be
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almost like the drink of, of royalty or definitely you would be
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privileged to get it. Everybody would want to have sake. And it's not like you,
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you didn't have to be royalty to have sake in Japan, but it was definitely
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considered to be an elevated beverage. And the, like, the
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methods for making it in the way that it's made now were
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codified around 1500, 1600 somewhere around
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there. And then, you know, there's been sort of jumps with
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it. The. And then it coming to the us, I would say, has been a
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phenomenon. For the past 40
401
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years or so, craft sake has been, you know, sort of exported to the
402
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us. I think what the US is seeing right now is Japan's been making
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craft sake. It's just now getting exported and shown
404
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in a way that never really was before. But I will say, you
405
00:24:30,736 --> 00:24:34,152
know, kind of what I was alluding to with this further back history is it
406
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wasn't always the case that Japan was making amazing sake per se, or the way
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that we know it now. The, you know, it went through its own, you
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know, series of changes. It's still a very dynamic
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industry in Japan in terms of trying new things and, you know, growing in
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category in quality. But now we are getting more and more connected, or let's say
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Japan sake brewers are getting connected with the outside world more and
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more every year. It's really accelerating, you're saying, you know, it's having its
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renaissance and I really do feel like that is happening. And then part
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of that renaissance is sake brewers, like us,
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we are having access to the techniques to
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make this very high quality sake outside of Japan, which
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I have to say, I moved to Japan and trained at a sake brewery and
418
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learned Japanese to do it, because that was impossible 10 years ago, but
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now it can happen. Wow, that's a fascinating
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part of the history because I think most people in America just look at,
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as you go to a Japanese restaurant, you get some sake, because that's what you're
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supposed to do. And what would be the. Then the
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driving factor? And I want to get into this, your immediate
424
00:25:41,520 --> 00:25:45,160
soiree into the industry. But what would be the driving
425
00:25:45,240 --> 00:25:49,016
factor for quality? We talk about terroir with wine and the soil
426
00:25:49,048 --> 00:25:52,380
and the continent, and I don't know how rice absorbs
427
00:25:52,960 --> 00:25:56,772
its surroundings. Is it the polish, is it the quality of the
428
00:25:56,796 --> 00:25:59,444
rice? Is it the hybrid of the rice, is it the yeast? Or is it
429
00:25:59,452 --> 00:26:03,140
a combination of all those things? Yeah, so there
430
00:26:03,180 --> 00:26:06,836
is a debate within sake about, you know, should the word
431
00:26:06,868 --> 00:26:10,612
terroir be used? What does it mean in, in the world
432
00:26:10,636 --> 00:26:14,468
of sake? I definitely have a. You're. You're about. You're about to get my strong
433
00:26:14,524 --> 00:26:18,020
opinion about it. I don't think terroir is very applicable
434
00:26:18,100 --> 00:26:21,348
to what makes sake. You know, the, the thing that you are
435
00:26:21,404 --> 00:26:25,160
Enjoying, uh, rice itself, it's not as
436
00:26:25,200 --> 00:26:29,032
sensitive to its surroundings as grapes are. Let's say out in the
437
00:26:29,056 --> 00:26:32,680
field there are changes and you know, rice changes from year to year. But if
438
00:26:32,720 --> 00:26:36,360
anything, in the sake world, you are working to
439
00:26:36,480 --> 00:26:40,280
deal with the changes from harvest to harvest to keep making the same thing.
440
00:26:40,320 --> 00:26:44,072
You're taking these differences in the field and you're actually changing your technique in the
441
00:26:44,096 --> 00:26:47,752
brewery to make sure that, you know, whatever product, if it's our
442
00:26:47,776 --> 00:26:51,224
White Lotus or Thousand Cranes, that, that always tastes the same and it tastes the
443
00:26:51,232 --> 00:26:54,872
same as it did last year. In that case or in that
444
00:26:54,896 --> 00:26:58,616
sense, sake adheres generally more to the concept of house
445
00:26:58,688 --> 00:27:02,392
style as opposed to releasing vintages. And that vintages advantage is
446
00:27:02,416 --> 00:27:06,040
going to give information to customers that, oh, this year is going to be different
447
00:27:06,080 --> 00:27:09,864
than last year. Right. So to me, when you make a non vintage
448
00:27:09,912 --> 00:27:13,672
thing, the expectation is it's always going to be the same and
449
00:27:13,776 --> 00:27:17,560
sake is more like, let's say beer or spirits in this
450
00:27:17,600 --> 00:27:21,416
sense where the, you know, a main release is a house style
451
00:27:21,448 --> 00:27:23,832
and it's always going to taste the same and you do a lot of work
452
00:27:23,856 --> 00:27:27,500
to get it there. So the real thrust and to better
453
00:27:27,620 --> 00:27:31,036
best answer your question, what is the biggest factor for
454
00:27:31,188 --> 00:27:35,004
making quality sake or making sake the way it
455
00:27:35,012 --> 00:27:38,764
is at any level of quality? I think number one is technique, it's
456
00:27:38,812 --> 00:27:42,540
skill. So this is a craft in the
457
00:27:42,580 --> 00:27:46,412
way that. I don't know, this may sound like. Well,
458
00:27:46,436 --> 00:27:50,140
I think in the way that, you know, painting a picture is, you know,
459
00:27:50,180 --> 00:27:53,892
it's, that's an art. Of course there's a lot of science when it comes to
460
00:27:53,996 --> 00:27:57,620
making sake or any other alcoholic beverage, but it's a combination of those things.
461
00:27:57,660 --> 00:28:01,108
There's science, there's art, there's, there's craft coming together,
462
00:28:01,244 --> 00:28:04,932
there's skill. You're making style choices.
463
00:28:05,076 --> 00:28:08,532
And I would say the way that our sake tastes, this
464
00:28:08,556 --> 00:28:12,164
is, this is 90% of the way it tastes are style choices
465
00:28:12,212 --> 00:28:16,052
that we made to get to what it tastes like. So it's really more
466
00:28:16,076 --> 00:28:19,680
about craft. I do not like using the word terroir in sake.
467
00:28:19,760 --> 00:28:22,800
There's some people who are very good in the sake business who I very much
468
00:28:22,840 --> 00:28:26,688
respect, who would strongly disagree with me, but I'm
469
00:28:26,704 --> 00:28:30,032
going to put us on team craft for. Well, I think
470
00:28:30,056 --> 00:28:33,760
that just seems to me on the surface there's more down
471
00:28:33,800 --> 00:28:37,648
from a consumer standpoint, down the lines of a craft beer or
472
00:28:37,704 --> 00:28:41,424
a premium bourbon or scotch in that I drink Heineken or
473
00:28:41,432 --> 00:28:45,122
I drink Jack Daniels because I Know what it tastes like. And
474
00:28:45,226 --> 00:28:48,642
that's what, that's what I'm looking to do. I'm not here for an
475
00:28:48,666 --> 00:28:52,354
academic exercise in terroir because I'm having a Bordeaux. So I
476
00:28:52,362 --> 00:28:55,874
think that's really a fascinating part of that. You, your,
477
00:28:55,962 --> 00:28:59,762
your, your path wasn't so easy and I want to get to that
478
00:28:59,786 --> 00:29:03,346
and then I want to talk about the segmentation of the market in America. But
479
00:29:03,498 --> 00:29:07,202
you know, I just, it made me laugh a little bit. I, I
480
00:29:07,226 --> 00:29:11,036
chuckled, I guffawed. I had a, your career path
481
00:29:11,068 --> 00:29:14,252
to get into this and to be able to speak as eloquently as you do
482
00:29:14,276 --> 00:29:18,076
about the, the subject was not the case always.
483
00:29:18,228 --> 00:29:21,868
Yeah. So the, you know, I told you about
484
00:29:21,924 --> 00:29:25,772
becoming a wine specialist and having that bottle of sake and then, well, what
485
00:29:25,796 --> 00:29:29,372
came after that? So I went to, of course I
486
00:29:29,396 --> 00:29:33,068
searched are there any sake professional certifications? And I found that there are.
487
00:29:33,204 --> 00:29:36,300
The first one I got was the.
488
00:29:37,240 --> 00:29:41,008
Oh, sorry. Certified sake professional certification under
489
00:29:41,064 --> 00:29:44,576
a man named John Gauntner, who is a lot of people in the business, Their,
490
00:29:44,648 --> 00:29:48,128
their sake teacher. And he got
491
00:29:48,184 --> 00:29:52,000
me kind of connected with it, with a sake brewery. I was always this
492
00:29:52,040 --> 00:29:55,872
guy who was flying from Arkansas, going to New York back then New
493
00:29:55,896 --> 00:29:59,024
York, and New York still is one of the best cities in the US for
494
00:29:59,032 --> 00:30:02,694
craft sake. The. I would be this guy
495
00:30:02,742 --> 00:30:06,502
that just shows up to events from Arkansas. And I think for local people in
496
00:30:06,526 --> 00:30:10,214
New York, it was amusing to say the least, that this guy
497
00:30:10,262 --> 00:30:13,974
just kept coming for events. But to me, this was the only way to learn.
498
00:30:14,102 --> 00:30:17,846
And then from that and from John in particular,
499
00:30:17,918 --> 00:30:21,558
I got hooked up with a sake brewery called Mitobe Shuzo, which
500
00:30:21,614 --> 00:30:25,462
I found out later is really stellar world class sake
501
00:30:25,526 --> 00:30:29,308
brewery. And I remember talking with him, I, I wanted
502
00:30:29,324 --> 00:30:32,588
to learn how to make it. I didn't want to just academically learn about sake.
503
00:30:32,764 --> 00:30:36,140
You know, I already had it in my mind, Arkansas could be a place that,
504
00:30:36,180 --> 00:30:39,560
that makes sake. So the,
505
00:30:39,940 --> 00:30:43,436
I talked to the president of that brewery on the phone, Mitobae
506
00:30:43,468 --> 00:30:47,100
san, and he said, yeah, can you, can you come in for an interview?
507
00:30:47,260 --> 00:30:50,716
And I thought, okay, do you mean come into
508
00:30:50,788 --> 00:30:54,120
Japan? Come into the country of Japan and then come to.
509
00:30:55,060 --> 00:30:58,428
Yeah, yeah, right, yeah. They haven't built the bridge yet. So it's not. I can't
510
00:30:58,444 --> 00:31:02,222
do the drive, but, but. So yeah, but you know,
511
00:31:02,246 --> 00:31:05,758
in my mind, I think in a way that was really almost
512
00:31:05,814 --> 00:31:09,342
shocking, but in another way, I think I knew exactly what he was asking for.
513
00:31:09,446 --> 00:31:11,854
This was a test. I thought it was a test. And I Still think it
514
00:31:11,862 --> 00:31:15,390
was a test to see how serious I was about it. Because
515
00:31:15,510 --> 00:31:18,654
back then it was extremely rare for a
516
00:31:18,742 --> 00:31:22,462
foreigner, and by foreigner I mean non Japanese person, to work
517
00:31:22,486 --> 00:31:25,746
at a sake brewery full time in Japan.
518
00:31:25,918 --> 00:31:29,722
So. And you know, he didn't know me and he probably didn't know where
519
00:31:29,746 --> 00:31:33,290
Arkansas was or maybe he has ever heard of it. So the.
520
00:31:33,410 --> 00:31:36,762
I wasn't coming from like a big restaurant in New York or LA or San
521
00:31:36,786 --> 00:31:40,442
Francisco or coming from a famous winery. So the, you
522
00:31:40,466 --> 00:31:43,402
know, who is this guy? How serious is he? I think even if you did
523
00:31:43,426 --> 00:31:47,210
have that background, especially over 10 years ago, somebody would
524
00:31:47,250 --> 00:31:50,938
still want to assess how serious they are. Because in Japan, you know, when someone
525
00:31:50,994 --> 00:31:54,790
makes a commitment to bring you in, they're kind of making a commitment to
526
00:31:54,830 --> 00:31:58,294
see your help, see your dream through. This is a cultural difference
527
00:31:58,342 --> 00:32:01,810
between Japan and America that I think Americans often don't understand.
528
00:32:02,590 --> 00:32:06,422
So there's an idea in Japan that they're very hesitant to, you
529
00:32:06,446 --> 00:32:10,166
know, maybe start a business relationship or get into it. But I think, I think
530
00:32:10,238 --> 00:32:13,462
what Americans don't understand is from a Japanese
531
00:32:13,526 --> 00:32:17,206
perspective, when they say yes, they're saying yes to, to more than maybe
532
00:32:17,238 --> 00:32:21,082
you realize. So you're going to get extra tested for, you know,
533
00:32:21,106 --> 00:32:24,426
do they. Are you serious? And are you someone that they want to be involved
534
00:32:24,458 --> 00:32:28,122
with? So I flew to Japan, got that
535
00:32:28,146 --> 00:32:31,994
ticket as soon as I got to Tokyo Station. I'd been learning, you
536
00:32:32,002 --> 00:32:35,834
know, some vocabulary and I thought, yeah, I'm. I feel like
537
00:32:35,842 --> 00:32:39,002
this is a classic dumb American thing. I didn't know what it really was like
538
00:32:39,026 --> 00:32:41,914
to learn a second language. So I thought, oh yeah, I'll learn some words. And
539
00:32:41,922 --> 00:32:45,728
then I don't know it somehow it's just gonna all pop together. And I knew
540
00:32:45,744 --> 00:32:48,544
I wouldn't be good at it. But when I got to Tokyo Station, I was
541
00:32:48,632 --> 00:32:52,320
lost. And a station attendant came up to me. Clearly
542
00:32:52,400 --> 00:32:55,280
he could see just probably from the look on my face, I was lost. Said
543
00:32:55,320 --> 00:32:58,640
something to me probably along the lines of, hey, where are you trying to go
544
00:32:58,680 --> 00:33:02,464
in Japanese? And I got none of it didn't happen. And
545
00:33:02,472 --> 00:33:06,080
I knew in that moment, oh, crap, I really don't know any
546
00:33:06,120 --> 00:33:09,712
Japanese, you know, I can't speak it at all. And
547
00:33:09,736 --> 00:33:13,040
then proceed to get from there. It took a while, but I got from there
548
00:33:13,080 --> 00:33:16,842
to. Out to the country where this, this brewery was. And I think I
549
00:33:16,866 --> 00:33:20,682
got maybe three, four hours of sleep. Got to the brewery the, the
550
00:33:20,706 --> 00:33:24,474
next morning. And when I sat down for the interview, I really think the President
551
00:33:24,562 --> 00:33:28,282
could tell from Our talking on the phone and our interactions that maybe.
552
00:33:28,346 --> 00:33:32,010
Maybe I couldn't really speak Japanese. And this is on me. I think I oversold
553
00:33:32,090 --> 00:33:35,270
what I could do with it. So
554
00:33:35,810 --> 00:33:39,322
the. That's an American thing to do, too.
555
00:33:39,346 --> 00:33:42,550
Yeah, of course. Yeah. Over. Yeah, right. Oversell. And then
556
00:33:43,220 --> 00:33:46,028
was it fake it till you make it? These are. These are things that I've
557
00:33:46,044 --> 00:33:49,852
really come to loathe. But the. So I sit down
558
00:33:49,876 --> 00:33:53,452
for the interview, and this was the interview. He said, can you do this
559
00:33:53,476 --> 00:33:56,924
interview in Japanese? And I said, no, because I knew at that
560
00:33:57,012 --> 00:34:00,492
point there's no way it's happening. And then his response was,
561
00:34:00,676 --> 00:34:04,492
oh, then you can't work here. And that was the end of the interview,
562
00:34:04,636 --> 00:34:07,740
so. Oh, good. That was what, 30 seconds?
563
00:34:07,900 --> 00:34:11,607
Yeah, I feel like it would be hard for an interview to be shorter.
564
00:34:11,723 --> 00:34:15,455
Yeah. So. And then his thing after. And of course that felt like a gut
565
00:34:15,487 --> 00:34:18,831
punch knocked the wind out of me. And. And then he said,
566
00:34:19,015 --> 00:34:22,847
oh, well, would you. You're here. Would you like a. A tour?
567
00:34:22,983 --> 00:34:26,223
And I was just like, oh, sure, okay, I'll take a tour.
568
00:34:26,391 --> 00:34:30,079
And so he's given me a tour. Yeah, I mean, that was like.
569
00:34:30,119 --> 00:34:33,583
It felt kind of heartbreaking, and I guess in the moment, you don't know how
570
00:34:33,591 --> 00:34:37,185
to respond to something like that. But the,
571
00:34:37,327 --> 00:34:40,750
you know, as we're doing the tour, I'm pointing out pieces of his
572
00:34:40,790 --> 00:34:44,462
equipment. I'm saying, oh, this is. This is your fune press. You know,
573
00:34:44,566 --> 00:34:48,158
this is done for this and, you know, this piece of equipment. And
574
00:34:48,214 --> 00:34:51,950
he's like, oh, so you. You know how sake is made. And, you know,
575
00:34:52,070 --> 00:34:55,790
to me it was like, oh, finally I get to show. Demonstrate some level
576
00:34:55,830 --> 00:34:59,342
of skill and knowledge. I did. I, you know, I did have, you know, my
577
00:34:59,366 --> 00:35:03,024
first level certification in sake, and I'm a pretty good student.
578
00:35:03,222 --> 00:35:06,332
So, you know, he. I could see the gears kind of turning in his head.
579
00:35:06,356 --> 00:35:09,900
And by the end of that, he said, look, you can't work here full
580
00:35:09,940 --> 00:35:13,452
time because my crew just doesn't speak English,
581
00:35:13,596 --> 00:35:17,084
so you have to speak Japanese or you really can't work together. And I think
582
00:35:17,092 --> 00:35:20,732
that was actually a very reasonable thing to say in a reasonable request.
583
00:35:20,876 --> 00:35:23,772
He said, but if you want to come back and train for two weeks, you
584
00:35:23,796 --> 00:35:26,572
can come back and train for two weeks. And in my mind, that was the
585
00:35:26,596 --> 00:35:30,060
door cracking open. And I said, okay, I'm going to take you up on that.
586
00:35:30,100 --> 00:35:33,752
So, uh, I scheduled my advanced sake professional course, which was in
587
00:35:33,776 --> 00:35:37,592
Tokyo the next year, and I was the only person from my class where
588
00:35:37,616 --> 00:35:41,336
everybody said, hey, after this course, where are you going to go? My answer
589
00:35:41,368 --> 00:35:44,984
was I'm going to go train at a sake brewery for two weeks. And that
590
00:35:44,992 --> 00:35:48,696
was my first in. And then I got another even better
591
00:35:48,768 --> 00:35:52,584
in via a sake brewery called Nambu Bijin. And that
592
00:35:52,592 --> 00:35:56,200
was my real long term work. Two years at a sake brewery.
593
00:35:56,280 --> 00:35:59,794
And, and that was thanks to Hot Springs sister city Hot springs where we're at
594
00:35:59,802 --> 00:36:03,634
right now. Really? The sister city of hot springs? Yeah. In Japan.
595
00:36:03,762 --> 00:36:07,506
In Japan, relationship through the mayor
596
00:36:07,538 --> 00:36:11,074
or the city council or you just. Wow, that's
597
00:36:11,122 --> 00:36:14,482
great. Yeah. I graduated from high school here, but I did not know about this
598
00:36:14,506 --> 00:36:18,162
sister city relationship. And it was actually on an alumni meetup after I
599
00:36:18,186 --> 00:36:22,002
came back from that two weeks of training, I was at an. I'll never
600
00:36:22,026 --> 00:36:25,440
forget it. I was at an alumni meetup at an Irish pub in North Little
601
00:36:25,480 --> 00:36:29,312
Rock having probably a pint of Guinness. And someone said, hey Ben,
602
00:36:29,376 --> 00:36:32,320
you know, you've been to Japan, you like sake stuff. Did you know about this
603
00:36:32,360 --> 00:36:36,128
sister city relationship? And I said no. And they said, oh, it's
604
00:36:36,144 --> 00:36:39,312
a, it's a place called Hanamaki. And I started, of course I started looking it
605
00:36:39,336 --> 00:36:42,992
up on my phone and I see it's in Iwate
606
00:36:43,056 --> 00:36:46,752
Prefecture. And I'm like, well, I know from my sake studies that Iwate is home
607
00:36:46,776 --> 00:36:50,432
of the, the Nanbu Toji Brewing Guild, which is the largest, most famous sake
608
00:36:50,496 --> 00:36:54,232
brewing guild in Japan. And then I thought, I wonder how far Hanomaki is from
609
00:36:54,256 --> 00:36:58,072
it. And, and I look up the guild and this
610
00:36:58,096 --> 00:37:01,752
is the craziest coincidence. The guild is in Hanomaki. The
611
00:37:01,776 --> 00:37:04,696
largest slackly brewing guild is in my high school
612
00:37:04,768 --> 00:37:08,312
town's sister city. How is this
613
00:37:08,496 --> 00:37:11,976
then? It was just, oh boy. Then I, I needed to, you know, talk via
614
00:37:12,008 --> 00:37:15,368
those connections. And it was so man.
615
00:37:15,424 --> 00:37:19,180
Fortuitous is, is, you know, probably couldn't. Get out of that
616
00:37:19,300 --> 00:37:22,972
fast enough. Right. I'm like, you're like, you know, I. Got good on the
617
00:37:22,996 --> 00:37:26,604
phone. Yeah. So I, I called the head of the sister city relationship
618
00:37:26,652 --> 00:37:30,476
over here and you wouldn't believe it. When I talked to her on the phone,
619
00:37:30,508 --> 00:37:34,028
she said, you know, believe it or not, we've actually. They've been looking for
620
00:37:34,084 --> 00:37:37,484
someone on their side to come train and make sake
621
00:37:37,612 --> 00:37:41,420
because of this, you know, this Nanbu Toji. Toji is a master sake
622
00:37:41,500 --> 00:37:45,184
brewer in Japanese. Because of this connection
623
00:37:45,232 --> 00:37:49,040
with the, with the brewing guild. And I thought I. Man, this
624
00:37:49,080 --> 00:37:52,672
just feels like the best, unbelievable, the best connection you could ever
625
00:37:52,696 --> 00:37:56,192
have. And I will say I think that they hooked me up with, among the
626
00:37:56,216 --> 00:38:00,032
non butoji, you know, breweries, maybe the best one.
627
00:38:00,136 --> 00:38:03,760
And it was. Changed my life, you know, two
628
00:38:03,800 --> 00:38:07,408
years living in Japan. I learned Japanese. I got Japanese
629
00:38:07,504 --> 00:38:10,752
learning the hard way, you know, you know,
630
00:38:10,776 --> 00:38:14,576
immersion, full immersion. I think I got about three months of, you know, lessons
631
00:38:14,608 --> 00:38:18,432
before my work actually started. And then it was make sake six days a
632
00:38:18,456 --> 00:38:22,192
week. Seventh day, I was on the train for an hour to go do
633
00:38:22,216 --> 00:38:25,824
my Japanese lesson and rinse and repeat. That was my week.
634
00:38:25,992 --> 00:38:29,712
And I will say, in addition to working through the brewery and
635
00:38:29,736 --> 00:38:33,232
working at every possible job you could have at the brewery, and they made sure
636
00:38:33,256 --> 00:38:36,976
that I got to work every possible job. In the summer, you usually don't
637
00:38:37,008 --> 00:38:40,736
brew sake so much because it's hot and you want cold, slow
638
00:38:40,768 --> 00:38:44,512
fermentation in your tanks. So in the summer I actually got a job for
639
00:38:44,536 --> 00:38:47,968
a few months working for the local farming co op, growing sake
640
00:38:48,064 --> 00:38:51,792
rice. So I got to do everything from planting
641
00:38:51,856 --> 00:38:55,312
the seeds, growing that up, bringing that finished,
642
00:38:55,456 --> 00:38:59,232
you know, sake rice into the brewery and then the next season, you
643
00:38:59,256 --> 00:39:03,056
know, whole batch. So I really got, you know, this agricultural experience
644
00:39:03,208 --> 00:39:07,002
out of it as well. It was a deep, great experience.
645
00:39:07,106 --> 00:39:10,426
And then for us, for Origami here, that company, Nambu
646
00:39:10,458 --> 00:39:13,990
Bijin gave, has been giving us technical advice to
647
00:39:14,290 --> 00:39:17,834
get our batches going. And even though we've only been selling sake for a year
648
00:39:17,842 --> 00:39:20,746
and a half, I think it's gotten us to a level of quality that normally
649
00:39:20,778 --> 00:39:24,586
it would take years or maybe even decades to get to if you didn't
650
00:39:24,618 --> 00:39:28,442
have advice like that. So they've been really instrumental in helping us do what
651
00:39:28,466 --> 00:39:32,242
we're doing here. I wonder if there's any other way. In
652
00:39:32,266 --> 00:39:36,082
other words, you already reflected on sort of
653
00:39:36,106 --> 00:39:39,858
the American mentality, the way we look at life, and, and
654
00:39:39,994 --> 00:39:43,826
there, this is a difficult road to hoe. I've. I've learned a foreign language
655
00:39:43,858 --> 00:39:47,330
on my own because I fell in love with the, the culture.
656
00:39:47,490 --> 00:39:50,670
And if you don't do what you did,
657
00:39:51,290 --> 00:39:54,722
it makes a ton of sense. That would take 10, 15 years to figure this
658
00:39:54,746 --> 00:39:57,762
out. But you said, no, I'm going to three sheets to the wind. I'm just
659
00:39:57,786 --> 00:40:00,986
going to immerse myself. And so I'm just wondering,
660
00:40:01,018 --> 00:40:03,430
like, based on that comment, what.
661
00:40:05,330 --> 00:40:08,922
And I always ask this question of vintners, like, do you think that a vintner
662
00:40:09,066 --> 00:40:12,906
who spends 20 years in the same vineyard is going to make a better wine
663
00:40:12,938 --> 00:40:16,218
from that vineyard than somebody that's worked all over the world? But being
664
00:40:16,274 --> 00:40:19,930
that in for 20 years, in 20 different vineyards.
665
00:40:20,090 --> 00:40:23,914
But in Japan, because it's such a local, you know, I
666
00:40:23,922 --> 00:40:27,770
mean, seriously, I don't know how many different countries make sake, but clearly
667
00:40:27,930 --> 00:40:31,754
the world's major majority of the sake made in
668
00:40:31,762 --> 00:40:35,082
the world, this comes from Japan that's such a location sensitive
669
00:40:35,146 --> 00:40:38,730
product that if you didn't do that that you
670
00:40:38,770 --> 00:40:42,554
really, it would be almost a hobby at that point, like you didn't do
671
00:40:42,562 --> 00:40:45,914
what you did. It's just never more than a hobby. To do it at a
672
00:40:45,922 --> 00:40:49,770
high level to, to do it beyond, you know, glorified home
673
00:40:49,810 --> 00:40:53,450
brews or mass production. The only way, I
674
00:40:53,490 --> 00:40:57,240
would say a little over 10 years ago or so to really
675
00:40:57,280 --> 00:41:01,080
learn the craft and learn it well, I think is to move to Japan
676
00:41:01,160 --> 00:41:04,952
and go train at a sake brewery. And for a native English speaker, that
677
00:41:04,976 --> 00:41:08,744
does mean you're going to learn, you know, top three or four hardest languages for
678
00:41:08,752 --> 00:41:12,136
an English speaker to learn. So I, you know,
679
00:41:12,288 --> 00:41:15,928
look, my Japanese isn't very good. So, you know, it's not like
680
00:41:16,064 --> 00:41:19,832
I, I wasn't like some kind of language savant and really just picked it
681
00:41:19,856 --> 00:41:22,840
up. I think I was on the same learning curve that a lot of people
682
00:41:22,880 --> 00:41:25,842
would be in that position. And I think it takes, you know, I was there
683
00:41:25,866 --> 00:41:29,666
for two years. To me, I think you need at least four years of
684
00:41:29,738 --> 00:41:33,170
immersion like that to speak like the level of Japanese that I would want
685
00:41:33,210 --> 00:41:36,866
to. Although, as I'm sure you understand, once you really get into
686
00:41:36,938 --> 00:41:40,642
a language, you never feel like what you're doing is good enough. It could always
687
00:41:40,666 --> 00:41:44,418
be better, you could always be doing more. And I'm
688
00:41:44,434 --> 00:41:48,242
not shy to use my Japanese, as poor as it might be. When I need
689
00:41:48,266 --> 00:41:51,778
to talk about what I need to talk about, usually I can get there. And
690
00:41:51,834 --> 00:41:54,514
if I'm talking to someone who speaks some English too, then we can meet each
691
00:41:54,522 --> 00:41:58,028
other halfway and really get through it. Now I will say
692
00:41:58,164 --> 00:42:01,836
I, I have a bit of a cheat code on that, which is I hired
693
00:42:01,868 --> 00:42:05,676
another sake brewer who also trained in Japan at the exact same time
694
00:42:05,748 --> 00:42:09,548
that that I was and he lived in Japan for the better part of 20
695
00:42:09,604 --> 00:42:13,132
years. So his Japanese is immaculate
696
00:42:13,196 --> 00:42:16,956
and he is now our head brewer. I am really, I'm
697
00:42:16,988 --> 00:42:20,396
more tasting, I'm more like quality control. I taste things
698
00:42:20,548 --> 00:42:24,392
and make sure that everything that's going out is on point and it's where it
699
00:42:24,416 --> 00:42:28,264
needs to be. I do not get my hands in brewing so so much anymore.
700
00:42:28,312 --> 00:42:31,896
I can give advice and I can help out on things, but the,
701
00:42:31,968 --> 00:42:35,736
yeah, now these days I'm more sales Now I'm back to sales where I started.
702
00:42:35,808 --> 00:42:39,432
You know, it's. It's more talking and both, I will
703
00:42:39,456 --> 00:42:42,888
say, a very strong added dimension of tasting.
704
00:42:42,984 --> 00:42:46,776
And me and Justin, our head. Our head burner now. Justin Potts,
705
00:42:46,808 --> 00:42:50,450
who's from Seattle originally, um, we put our heads together a lot
706
00:42:50,490 --> 00:42:54,242
on what are we trying to make and, you know, where
707
00:42:54,266 --> 00:42:57,890
does it need to go? That was a brilliant move because in order for
708
00:42:57,930 --> 00:43:01,618
me to maintain my French and I. My father passed away, so
709
00:43:01,674 --> 00:43:05,106
he spoke French. So I can't speak with him. I have to speak with somebody
710
00:43:05,138 --> 00:43:08,802
else. It doesn't take a whole long time, particularly maybe after the
711
00:43:08,826 --> 00:43:12,658
level you're at, to. To not forget, but just to have to re.
712
00:43:12,794 --> 00:43:15,682
You know, realign yourself when you do it. Now you've got a built in, you
713
00:43:15,706 --> 00:43:19,012
know, sort of tutor that Lee can have the conversation with. But I did want
714
00:43:19,036 --> 00:43:22,756
to say something. There's a book that I read early on called Flirting in French.
715
00:43:22,788 --> 00:43:26,212
It's about. It's an author who decided that he was going to immerse himself in
716
00:43:26,236 --> 00:43:29,844
the language and the. In the French culture. And he did everything. He did the
717
00:43:29,852 --> 00:43:33,444
pen pals and he had, you know, he had masculine. He had a pink
718
00:43:33,492 --> 00:43:37,236
sticky on the feminine nouns and he had a blue sticky
719
00:43:37,268 --> 00:43:41,012
on the masculine nouns throughout the house, the wall, the floor, the cameras or
720
00:43:41,036 --> 00:43:44,862
whatever. And he said, I. The first thing I did, I went to
721
00:43:44,886 --> 00:43:48,542
a seminar. And this seminar was an academic seminar on
722
00:43:48,566 --> 00:43:52,366
language learning. And he said, the guy told us
723
00:43:52,518 --> 00:43:56,046
we would never, ever speak
724
00:43:56,158 --> 00:43:59,902
like an indigenous speaker. And I kind of
725
00:43:59,926 --> 00:44:03,758
understand that, though he said it frustrated him and. And the story goes on. But
726
00:44:03,814 --> 00:44:07,422
I kind of understand that you. In order to think in that new
727
00:44:07,446 --> 00:44:11,080
language is the hardest part. You can
728
00:44:11,120 --> 00:44:13,864
speak, I can have a conversation. I can go to the Paris. I can do
729
00:44:13,872 --> 00:44:16,520
whatever I want. I can order food. I can. I can see how you're doing.
730
00:44:16,560 --> 00:44:18,820
I can go to the hotel. I can do all that.
731
00:44:20,080 --> 00:44:23,768
But to think it is different. Difficult,
732
00:44:23,944 --> 00:44:27,640
for sure. And honestly, I had
733
00:44:27,760 --> 00:44:31,060
thoughts along those lines of when I was going through the process,
734
00:44:31,680 --> 00:44:35,480
am I thinking in Japanese? And, you know, the dreaming in Japanese actually
735
00:44:35,520 --> 00:44:39,122
started pretty fast. And I will tell you, I can't speak for
736
00:44:39,146 --> 00:44:42,338
everybody else. I did actually start
737
00:44:42,394 --> 00:44:45,510
thinking almost exclusively in Japanese
738
00:44:46,090 --> 00:44:49,762
within the first year of being there. But I will
739
00:44:49,786 --> 00:44:53,490
just add an element onto that. I
740
00:44:53,530 --> 00:44:57,282
purposefully avoided English speakers or people who wanted to speak to
741
00:44:57,306 --> 00:45:00,190
me in English. And so
742
00:45:01,130 --> 00:45:04,864
I wanted all of my surrounding environment and thoughts
743
00:45:04,912 --> 00:45:08,720
to be in Japanese. And then I'll add on top of that when I was
744
00:45:08,760 --> 00:45:12,448
thinking and talking in Japanese, I had the grammar structure and
745
00:45:12,504 --> 00:45:16,128
vocabulary level of like a child. So the I'm
746
00:45:16,144 --> 00:45:18,660
thinking in Japanese, but it's not sophisticated
747
00:45:19,800 --> 00:45:23,472
stuff. The. And then sometimes, you know, I would hit upon a
748
00:45:23,496 --> 00:45:26,752
word that's like, ooh, I need to use this word. I can't get there in
749
00:45:26,776 --> 00:45:30,080
Japanese. And I'd switch back to English. Yeah. Maybe do some translation
750
00:45:30,160 --> 00:45:33,690
and, and do it. But in my head I wasn't translating from
751
00:45:33,730 --> 00:45:37,402
English to Japanese. And it's still that way to me now. When I
752
00:45:37,426 --> 00:45:41,082
start to talk, I'm not even really thinking about it so
753
00:45:41,106 --> 00:45:44,746
much unless I'm getting to something that I have to work on. But the.
754
00:45:44,818 --> 00:45:47,978
And I, I do really enjoy that now. I think when it comes
755
00:45:48,034 --> 00:45:51,866
to true native level speech like you're talking
756
00:45:51,898 --> 00:45:55,562
about with, with French, the boy, there's nuances to
757
00:45:55,586 --> 00:45:58,840
that. Right. When you start to pick up like a regional accent
758
00:45:59,010 --> 00:46:02,460
and you know, from a place that you've never actually, you know, you know, really
759
00:46:02,500 --> 00:46:06,140
lived at or you're not really from. Yeah. Right. There's nuances like that
760
00:46:06,260 --> 00:46:09,932
where I think it's, it would
761
00:46:09,956 --> 00:46:13,372
take so much work and you have to be really exceptional speaker
762
00:46:13,436 --> 00:46:17,036
to really smooth out all of your native accent.
763
00:46:17,148 --> 00:46:20,748
And for somebody to really just be listening to you and be like, I don't
764
00:46:20,764 --> 00:46:24,556
know, if I close my eyes, I think I'm talking to, you know, someone who's
765
00:46:24,588 --> 00:46:28,156
really like from this place. I can tell you Japan has some thick regional
766
00:46:28,188 --> 00:46:31,900
dialects. So some people tell me that my regional,
767
00:46:31,980 --> 00:46:35,660
the region where I stayed actually does come out in the way that I talk.
768
00:46:35,700 --> 00:46:39,452
But it's not, not, not that they would mistake me for, for someone well, but
769
00:46:39,476 --> 00:46:43,000
that's from the area. I, I, I get thrilled when people
770
00:46:43,380 --> 00:46:47,132
ask me where I'm from. At least they know my accent's not an
771
00:46:47,156 --> 00:46:50,956
American French accent. That's, that's, that's like progress, right?
772
00:46:51,028 --> 00:46:54,600
That's pretty good. Yes, absolutely. Well, we don't have a whole lot of time left,
773
00:46:54,640 --> 00:46:58,072
but I want to get, I wanted to get to the now the domestication
774
00:46:58,216 --> 00:47:01,960
of sake and how you, you know, when you came back from this,
775
00:47:02,080 --> 00:47:05,752
obviously at this point you decided probably while you're in Japan that this was going
776
00:47:05,776 --> 00:47:09,180
to be a career you wanted and coming to America.
777
00:47:09,520 --> 00:47:13,080
I'm just wondering if the logistics of starting a sake
778
00:47:13,160 --> 00:47:16,728
house in Arkansas, no less. I'm thinking maybe it'd be easier
779
00:47:16,824 --> 00:47:20,536
in California or New York because of the availability of equipment, et cetera.
780
00:47:20,568 --> 00:47:24,342
But what would surprise you, the headwinds you
781
00:47:24,366 --> 00:47:27,590
encountered when you came back to Arkansas and said, okay, there's rice
782
00:47:27,670 --> 00:47:31,446
here, but now what do I do? Okay,
783
00:47:31,558 --> 00:47:35,222
so this is such a good question. And I'm really just gonna. I think I
784
00:47:35,246 --> 00:47:38,886
can just kind of bang off each one of these, so biggest
785
00:47:38,918 --> 00:47:42,502
hurdles. And I know these so well because they're. They've been, you know,
786
00:47:42,526 --> 00:47:46,342
every part of doing all of this continues to this
787
00:47:46,366 --> 00:47:50,136
day. Equipment difficult, but I will say it's
788
00:47:50,168 --> 00:47:53,832
not any easier in any part of the US Some
789
00:47:53,856 --> 00:47:57,352
equipment, especially made in Japan for sake, and you're going to have to get it
790
00:47:57,376 --> 00:48:00,872
from Japan or maybe try to get it fabbed in another country or have it
791
00:48:00,896 --> 00:48:04,552
fabbed here. Those are really your only options. And
792
00:48:04,576 --> 00:48:07,540
it's kind of the same no matter where you are in the US
793
00:48:08,960 --> 00:48:12,744
there's specifically some pieces of equipment for making sake, where, if you get
794
00:48:12,752 --> 00:48:15,752
it from Japan, it's probably going to be the best version of that equipment. And
795
00:48:15,776 --> 00:48:19,118
really made for sake. It's also going to be the most expensive, and the lead
796
00:48:19,174 --> 00:48:22,606
time can be pretty high. You just got to make this. This choice.
797
00:48:22,798 --> 00:48:26,526
So equipment, yes, absolutely. I'm going to add on top of that,
798
00:48:26,598 --> 00:48:30,382
skilled labor. How you heard how much it took for
799
00:48:30,406 --> 00:48:33,838
me to go train in Japan. How hard do you think it might be to
800
00:48:33,894 --> 00:48:37,230
hire other people who have experience making Japanese or, sorry, making
801
00:48:37,270 --> 00:48:40,894
sake? It's hard. It's very hard. So
802
00:48:40,982 --> 00:48:44,730
usually people in the sake industry, higher from
803
00:48:44,850 --> 00:48:48,394
the beer industry, it could be winemaking. I would say around here it's going to
804
00:48:48,402 --> 00:48:51,930
be more beer. And, you know, look, as long as you know how
805
00:48:51,970 --> 00:48:55,594
to clean the heck out of a commercial facility,
806
00:48:55,722 --> 00:48:59,290
well, that's half the job anyways. So the other stuff you can. You can learn.
807
00:48:59,370 --> 00:49:02,922
But if you can clean a big stainless steel tank, this is a good start.
808
00:49:03,106 --> 00:49:06,762
So the. Now some things do translate, like packaging, bottling,
809
00:49:06,826 --> 00:49:10,522
caning. This is really going to be the easiest skill set to
810
00:49:10,546 --> 00:49:14,040
translate, but yeah. So equipment, labor.
811
00:49:15,500 --> 00:49:19,268
Let's mention that this is starting a business. So all of
812
00:49:19,324 --> 00:49:23,092
the business, you know, issues and problems still apply. You know, you can
813
00:49:23,116 --> 00:49:26,964
call me talent if you will, but you got to find a business partner.
814
00:49:27,012 --> 00:49:30,516
You got to find somebody who really knows the mechanics of business, can
815
00:49:30,588 --> 00:49:34,212
finance or get the company financed. And I will tell you, that part was so
816
00:49:34,236 --> 00:49:37,812
hard for me, I actually kind of gave up for a while, or at least
817
00:49:37,836 --> 00:49:41,342
I put it on hold. I tried for two years after I got back from
818
00:49:41,366 --> 00:49:45,070
Japan in 2016 to get a company going, and
819
00:49:45,110 --> 00:49:48,942
I never found the right person. I did meet someone during that time,
820
00:49:48,966 --> 00:49:52,526
who ended up becoming the right person. But I
821
00:49:52,598 --> 00:49:56,078
actually kind of gave up on that for a while, and I ended up moving
822
00:49:56,094 --> 00:49:59,854
to New York and working for the wine and
823
00:49:59,862 --> 00:50:03,582
spirits and sake importer Skernik Wines. And I worked there for
824
00:50:03,606 --> 00:50:07,154
three years and then came back. And thankfully, Matt
825
00:50:07,202 --> 00:50:10,350
Bell, who's the CEO now, who did finance the company,
826
00:50:11,210 --> 00:50:14,930
we met at a bar and talked, and he never forgot this
827
00:50:14,970 --> 00:50:17,362
idea. And after I moved to New York, I remember I got a phone call
828
00:50:17,386 --> 00:50:20,786
from him that said, I want you to move back to Arkansas and
829
00:50:20,938 --> 00:50:24,642
start this sake brewery. And my prompt response was, no,
830
00:50:24,666 --> 00:50:28,434
thank you. I have a good job in New York selling sake now. It's
831
00:50:28,482 --> 00:50:32,034
paid the bills. Way to go, Ben. Yeah. Yeah, right. Well, you can see I
832
00:50:32,042 --> 00:50:34,850
didn't stick with that. So the.
833
00:50:35,630 --> 00:50:39,238
No, he. He was serious. I. I didn't know him that well, and I didn't
834
00:50:39,254 --> 00:50:42,518
know how serious he was. But the building that I'm talking to you from, without
835
00:50:42,574 --> 00:50:46,310
me even saying yes to it, he bought this building. He was like,
836
00:50:46,350 --> 00:50:49,606
hook me up with somebody who can make sake. So I started doing that,
837
00:50:49,758 --> 00:50:53,462
and I came back to visit. And while I was back here in
838
00:50:53,486 --> 00:50:56,118
Arkansas visiting, he said, hey, do you want to go see the building? And I'm
839
00:50:56,134 --> 00:50:59,894
like, sure. So I come, I look at this building. It
840
00:50:59,902 --> 00:51:03,210
was in rough shape back then, but it had the bones for a good sake
841
00:51:03,290 --> 00:51:05,754
brewery. And I'm looking at it, I'm like, yeah, I could do it. And then
842
00:51:05,762 --> 00:51:09,482
I felt that feeling come back, and it was so funny. On
843
00:51:09,506 --> 00:51:13,242
the. We get into his car. We're heading back from Hot Springs to Little
844
00:51:13,266 --> 00:51:16,154
Rocks about an hour drive. And on the drive back, he just turns to me
845
00:51:16,162 --> 00:51:19,082
and he says, okay, so when are you moving back and joining me? Now, but
846
00:51:19,106 --> 00:51:22,570
dang it, I am going to do it. So, yep, just gave my notice.
847
00:51:22,730 --> 00:51:26,474
That didn't take a whole lot. Yeah, I guess not. I don't
848
00:51:26,482 --> 00:51:30,186
know. Of course, it was my. My life dream. So, you know, it's
849
00:51:30,298 --> 00:51:34,038
somebody just holding it on a plate for me. And look, it's been a. It's
850
00:51:34,054 --> 00:51:37,542
been a hard road. It continues to be a very difficult
851
00:51:37,606 --> 00:51:41,382
exercise. But honestly, even being able to talk
852
00:51:41,406 --> 00:51:45,190
with you, talk with other folks, get the word out about sake
853
00:51:45,270 --> 00:51:48,902
generally and what we're doing in Arkansas, this feels to
854
00:51:48,926 --> 00:51:52,678
me like the dream being realized. And, you know,
855
00:51:52,734 --> 00:51:56,278
we've got some accolades on. On top of that, we are Junmai
856
00:51:56,294 --> 00:52:00,082
Daiginjo. Our top level sake just won a gold medal at the Tokyo Sake
857
00:52:00,146 --> 00:52:03,554
Challenge. So we went back To o home country.
858
00:52:03,722 --> 00:52:07,554
Got some, got some hardware, our thousand. First of
859
00:52:07,562 --> 00:52:11,042
all, let me stop you there. So they allow first of all foreign entries, which
860
00:52:11,066 --> 00:52:14,514
is really interesting. Let me give you. Yeah, let me give you an exception to
861
00:52:14,522 --> 00:52:17,842
that. So we did win it in the
862
00:52:17,946 --> 00:52:21,762
international category. I see. So that is absolutely.
863
00:52:21,906 --> 00:52:25,514
Yeah, look, I'll put some, like some details on that.
864
00:52:25,642 --> 00:52:29,130
The some. So the other sakes that won gold
865
00:52:29,170 --> 00:52:32,826
medals were actually still made in Japan at very good craft
866
00:52:32,858 --> 00:52:36,346
sake breweries. But they were international collaborations
867
00:52:36,538 --> 00:52:40,314
actually, all with a champagne maker, chef
868
00:52:40,362 --> 00:52:44,154
de cob, you know, like a head blender from one of the big champagne
869
00:52:44,202 --> 00:52:47,562
houses. So in my mind, hey, I know it's the international
870
00:52:47,666 --> 00:52:51,422
category, so not yet are we going head to head with, you
871
00:52:51,446 --> 00:52:54,382
know, some of the best sake breweries, you know, straight up in Japan. I do
872
00:52:54,406 --> 00:52:57,742
think that time is coming and there's some other competitions that probably I'm just not
873
00:52:57,766 --> 00:53:01,422
thinking about and you can do that. But the still those sake
874
00:53:01,486 --> 00:53:05,198
breweries, it was very famous sake brewery names in Japan
875
00:53:05,294 --> 00:53:08,542
with like, you know, big head of champagne, you know,
876
00:53:08,566 --> 00:53:12,222
maker, you know, like blending skill on top of that. So I'll take
877
00:53:12,246 --> 00:53:15,822
that, I'll take, I'll, I'll take a gold medal. Yeah, that's a
878
00:53:15,846 --> 00:53:19,576
phenomenal accomplishment if you think about it. You know,
879
00:53:19,728 --> 00:53:23,368
think about in the wine world the amount of years and, and
880
00:53:23,424 --> 00:53:27,032
level of understanding and processing and
881
00:53:27,136 --> 00:53:30,808
you know, vintage to vintage to learn
882
00:53:30,984 --> 00:53:34,712
enough to be able to topple. You know, people have been
883
00:53:34,736 --> 00:53:38,360
doing that for a long time. That's really quite interesting. So what were the number
884
00:53:38,400 --> 00:53:41,576
one then? Headwinds. Once you've produced this first bottle and
885
00:53:41,648 --> 00:53:45,424
you've, you've taken to the street and we'll wrap up with the
886
00:53:45,432 --> 00:53:49,120
Saba. What were the, what were the either
887
00:53:49,200 --> 00:53:52,992
surprises that, that you saw in the marketplace when you
888
00:53:53,016 --> 00:53:56,720
went out to sell your first bottles or was
889
00:53:56,760 --> 00:54:00,560
it easier than you thought? Boy,
890
00:54:00,640 --> 00:54:04,432
the. It's, yeah, nothing. Well,
891
00:54:04,536 --> 00:54:07,712
here's short news. Nothing's easier than, than I thought it was going to be. It's,
892
00:54:07,776 --> 00:54:11,482
it was a challenge. All of it's a challenge. The now I will
893
00:54:11,506 --> 00:54:14,910
say the response generally when we pour our sake
894
00:54:15,490 --> 00:54:19,066
we usually get a great response of I, you know, maybe
895
00:54:19,098 --> 00:54:22,810
I've. A lot of Americans have had sake before, but it's kind of cheap mass
896
00:54:22,850 --> 00:54:26,602
produced stuff. The general response, if they can taste it and this is an
897
00:54:26,626 --> 00:54:30,474
important detail is wow, I didn't know sake could
898
00:54:30,482 --> 00:54:34,282
taste like this. And now they're considering, you know, having sake on a more
899
00:54:34,306 --> 00:54:38,042
regular basis and then, you know, from there we get into food pairing and I
900
00:54:38,066 --> 00:54:41,626
love getting people out of the traditional Japanese food pairings or let's say
901
00:54:41,698 --> 00:54:45,546
East Asian food pairings and give people the good news that sake can pair
902
00:54:45,578 --> 00:54:48,970
with any food in the world. It's super versatile for pairing with
903
00:54:49,010 --> 00:54:52,650
foods. So it's actually, I would say easier as a category to pair with food
904
00:54:52,690 --> 00:54:56,362
than wine is. You just don't need to have all the kind of
905
00:54:56,386 --> 00:55:00,218
rules and guidance that you have with wine. So that has been really
906
00:55:00,274 --> 00:55:03,850
good. But you, you do have to create those opportunities for
907
00:55:03,890 --> 00:55:07,322
people to taste or those opportunities for education to
908
00:55:07,346 --> 00:55:11,002
happen. And to me that is part of, I view that
909
00:55:11,026 --> 00:55:14,538
as still part of the, you know, mechanics of sales. And
910
00:55:14,674 --> 00:55:18,314
it just, it, you just gotta, you still have to do that footwork. Yeah, I
911
00:55:18,322 --> 00:55:21,386
think, I think at that point you just, you're now in the mix. It doesn't
912
00:55:21,418 --> 00:55:25,194
matter where you're selling beer, liquor or wine, you are now
913
00:55:25,282 --> 00:55:28,854
part of that process. And the three tier process in America is a pain.
914
00:55:29,002 --> 00:55:32,702
And telling the story, I mean, it's all about the story. You said
915
00:55:32,726 --> 00:55:36,334
something interesting though, that, that I, that I reflected on a conversation with Clovis
916
00:55:36,382 --> 00:55:40,110
Tate and early on in, in this podcast, actually
917
00:55:40,150 --> 00:55:43,422
it was about the idea that champagne was always
918
00:55:43,606 --> 00:55:47,390
pigeonholed into the celebration wine. And he
919
00:55:47,430 --> 00:55:51,182
said you should be drinking, you know, it every day like this should be
920
00:55:51,206 --> 00:55:54,542
part of your, your regiment. And I, it is part of our regimen at home
921
00:55:54,566 --> 00:55:58,340
to have champagne whenever we feel like it. Is that an issue with
922
00:55:58,380 --> 00:56:02,036
sake that, that everybody thinks it's just a Japanese beverage
923
00:56:02,068 --> 00:56:05,844
and that's your first line of, of objection is like, well, you know, I
924
00:56:05,852 --> 00:56:09,476
don't, we don't eat that much Japanese food, so why would I drink? Yeah,
925
00:56:09,508 --> 00:56:13,188
it's, it's okay. So you know, when you're talking about, you know,
926
00:56:13,244 --> 00:56:16,756
like special occasion, this is, you know, it's an occasion, you know,
927
00:56:16,828 --> 00:56:20,644
related beverage. In sake, the occasion often is just being at a
928
00:56:20,652 --> 00:56:24,308
sushi place. Right, right. So it's not even. People aren't really cooking that much,
929
00:56:24,364 --> 00:56:28,090
you know, Japanese food at home. No, the. So it really
930
00:56:28,130 --> 00:56:31,882
is, has been really tied more to going out and you
931
00:56:31,906 --> 00:56:35,754
know, having sushi and stuff like that. I would say top two,
932
00:56:35,842 --> 00:56:39,354
top three, you know, points that we are sort of pushing is
933
00:56:39,442 --> 00:56:42,826
absolutely not. You know, I remember selling champagne
934
00:56:42,938 --> 00:56:46,762
and hearing similar talking points about champagne can
935
00:56:46,786 --> 00:56:49,818
be for any time, bubbles can be for any time. And it's a very versatile
936
00:56:49,834 --> 00:56:53,590
food pairing to I. It's in my top three food pairing beverages.
937
00:56:53,670 --> 00:56:57,446
A good bottle of bubbles. So I was, I was absolutely
938
00:56:57,478 --> 00:57:01,270
one of those guys who said, you can have champagne anytime now for real
939
00:57:01,310 --> 00:57:04,966
good French champagne, just because of price. Usually my response
940
00:57:04,998 --> 00:57:08,598
is if somebody would be happy to provide me with champagne so I could drink
941
00:57:08,614 --> 00:57:11,990
it anytime, then, yeah, I'll let that. I'll let that rate.
942
00:57:12,110 --> 00:57:15,894
But. But, yeah, no, definitely. We don't have a
943
00:57:15,902 --> 00:57:19,702
lot of Japanese, you know, restaurants in the area. We're lucky to have a
944
00:57:19,726 --> 00:57:23,562
few, you know, very good ones. Particularly there's one
945
00:57:23,586 --> 00:57:26,950
in Little Rock that has been fantastic for us. The
946
00:57:28,370 --> 00:57:31,802
people, you know, like I said, Arkansans have generally Southern
947
00:57:31,866 --> 00:57:35,514
food. And, you know, if it's, if it. Sometimes it's Cajun
948
00:57:35,562 --> 00:57:39,370
specifically. These are literally my favorite pairings with sake. And
949
00:57:39,410 --> 00:57:42,314
I want to get people to drink sake with the food that they're having kind
950
00:57:42,322 --> 00:57:45,882
of wherever they are. And like I said, it's. It's very easy to
951
00:57:45,906 --> 00:57:49,662
pair sake with different ranges of foods. The same sake, the very same
952
00:57:49,686 --> 00:57:53,230
sake can hit light foods, medium intensity foods, even
953
00:57:53,270 --> 00:57:56,926
heavier foods. And because it has low tart acidity and higher,
954
00:57:56,998 --> 00:58:00,830
let's say, umami slash savory as the base, you get this
955
00:58:00,870 --> 00:58:04,478
like, with, like, pairing with the savory. And less tart acidity means
956
00:58:04,534 --> 00:58:08,302
less stuff that can fight with different kinds of food. So this is part
957
00:58:08,326 --> 00:58:12,174
of the mechanics of why sake is so easy to pair. It's a. It's a
958
00:58:12,182 --> 00:58:15,980
huge part of it. And I really feel like when as that work is happening,
959
00:58:16,060 --> 00:58:19,676
sake will just grow and grow. And I do think the end game for
960
00:58:19,748 --> 00:58:23,532
craft sake is to take its place as one of the. The
961
00:58:23,556 --> 00:58:27,276
real great categories, along with wine, beer, and spirits. And I know that's
962
00:58:27,308 --> 00:58:30,572
very ambitious thing to say, but I, I've worked with all those
963
00:58:30,596 --> 00:58:34,440
categories. I do really believe sake has got what it takes to do it.
964
00:58:34,740 --> 00:58:38,284
Well, we're going to leave it at that. And I think the, the final analysis
965
00:58:38,412 --> 00:58:42,094
on your story, which is fascinating, is Calvin Coolidge's
966
00:58:42,142 --> 00:58:45,130
final comment, which is one of his comments was
967
00:58:45,510 --> 00:58:49,198
persistence is omnipotent, and that none of this would happen
968
00:58:49,254 --> 00:58:52,542
without your tenacity and desire and passion.
969
00:58:52,686 --> 00:58:56,462
And nothing will happen in the future without that same tenacity and
970
00:58:56,486 --> 00:59:00,222
passion to do it. And it does take passion. And
971
00:59:00,246 --> 00:59:03,710
I've, I think every podcast I've ever done with anybody in the
972
00:59:03,830 --> 00:59:07,560
wine and liquor business says that it's. That if
973
00:59:07,600 --> 00:59:11,368
you don't have the passion and a philosophy that surrounds
974
00:59:11,384 --> 00:59:14,808
that passion, it's just another job. And you can't.
975
00:59:14,984 --> 00:59:18,360
It. It doesn't work that way here, just another job is not a
976
00:59:18,400 --> 00:59:21,928
successful methodology. So.
977
00:59:22,064 --> 00:59:25,448
Fascinating conversation. I hope I can do it again because I'd like to check in
978
00:59:25,584 --> 00:59:28,260
in a year or two and see how things are going and what new
979
00:59:28,880 --> 00:59:32,728
headwinds you encountered and how you overcame them. Absolutely. Yeah, I'd
980
00:59:32,744 --> 00:59:35,352
be very happy to do that. I do think we'll have some interesting things to
981
00:59:35,376 --> 00:59:39,056
say in a. In a year or so. And maybe I haven't been to Arkansas
982
00:59:39,088 --> 00:59:42,736
for, who knows, forever, but. Yeah,
983
00:59:42,848 --> 00:59:46,448
certainly try to swing into the plant when it happens.
984
00:59:46,544 --> 00:59:50,304
Yeah. Come visit Hot Springs. It's a beautiful resort town. People are always surprised
985
00:59:50,352 --> 00:59:54,112
when they come here. It's a nice city. And then there's always interesting stuff to
986
00:59:54,136 --> 00:59:57,952
show at the brewery. So. Yes. Thanks again. Cheers. Yeah. All right.
987
00:59:57,976 --> 00:59:58,320
Thanks, Paul.